Review: Elegy for Mary Turner: An Illustrated Account of a Lynching, Rachel Marie-Crane Williams

Review: Elegy for Mary Turner: An Illustrated Account of a Lynching, Rachel Marie-Crane WilliamsElegy for Mary Turner: An Illustrated Account of a Lynching by Rachel Marie-Crane Williams
Published by Verso on March 16, 2021
Genres: Biography, History, Nonfiction
Pages: 57
Format: Paperback
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Goodreads
five-stars

A lyrical and haunting depiction of American racial violence and lynching, evoked through stunning full-color artwork.

In late May 1918 in Valdosta, Georgia, ten Black men and one Black woman—Mary Turner, eight months pregnant at the time—were lynched and tortured by mobs of white citizens.

Through hauntingly detailed full-color artwork and collage, Elegy for Mary Turner names those who were killed, identifies the killers, and evokes a landscape in which the NAACP investigated the crimes when the state would not and a time when white citizens baked pies and flocked to see Black corpses while Black people fought to make their lives—and their mourning—matter.

Included are contributions from C. Tyrone Forehand, great-grandnephew of Mary and Hayes Turner, whose family has long campaigned for the deaths to be remembered; abolitionist activist and educator Mariame Kaba, reflecting on the violence visited on Black women’s bodies; and historian Julie Buckner Armstrong, who opens a window onto the broader scale of lynching’s terror in American history.

I read this book after one of my students recommended it. I think she may have read it in one of her other classes. This book describes one of the most horrific murders I think I’ve ever read about. And on top of everything that happened to Mary Turner and her family, the end of the book explains that the marker on the site of her lynching had to be removed to storage after being repeatedly defaced.

Mary Turner Memorial, photo published in Valdosta Daily Times

And yet some would have you believe that it’s people who want students to know the truth, the full and real history of slavery, Jim Crow, racial terror lynching, and White supremacy who are racially divisive. We must reckon honestly with our history of racism. This is an important book about a history that people should know. This is not ancient history. My great-grandmother, whom I knew as a child, was born the year after Mary Turner.

NPR: An Author Replies To The Unspeakable In Her ‘Elegy’ For Lynching Victim Mary Turner

Equal Justice Initiative: Mary Turner, Pregnant, Lynched in Georgia for Publicly Criticizing Husband’s Lynching

Black Past: Mary Turner (1899-1918)

five-stars

Review: The Five: The Untold Lives of the Women Killed by Jack the Ripper, Hallie Rubenhold

Review: The Five: The Untold Lives of the Women Killed by Jack the Ripper, Hallie RubenholdThe Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold
Narrator: Louise Brealey
Published by Highbridge on October 8, 2019
Genres: Biography, History, Nonfiction
Length: 10 hours 19 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

Five devastating human stories and a dark and moving portrait of Victorian London—the untold lives of the women killed by Jack the Ripper.

Polly, Annie, Elizabeth, Catherine, and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden, and Wales. They wrote ballads, ran coffee houses, lived on country estates; they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.

For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, but it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness, and rampant misogyny. They died because they were in the wrong place at the wrong time—but their greatest misfortune was to be born a woman.

This book was very moving. I cried twice: while listening to the Introduction and while listening to the Conclusion/A Life in Objects. What I particularly appreciated about this book is that it focused on what is known about the five canonical victims of Jack the Ripper and not what he did to them. The book also did not focus at all on the killer himself. I appreciated this fresh approach. One problem I have with true crime as a genre is the way it can be overly glib about horrific crimes; people forget that real people were at the center of these crimes. Hallie Rubenhold handled the story of each woman gracefully. She has done a wealth of research into these women’s lives. The great tragedy that seemed to be at the heart of most of their stories was that they were poor and struggled with alcoholism. Rubenhold argues that the women have been dismissed as sex workers, the implication being that perhaps the world was better off after they were killed. However, not only is it untrue that they were all sex workers—as though that even means they deserved what happened to them, which Rubenhold also dismisses—but she also emphasizes their relationships with family members, loved ones, and friends. This book was a refreshing biography and should be the model for other books about famous crimes. It’s a shame that we, as a people, are more fascinated by a psychopathic misogynist than the women he killed.

five-stars

Review: Barracoon: The Story of the Last “Black Cargo,” Zora Neale Hurston

Review: Barracoon: The Story of the Last “Black Cargo,” Zora Neale HurstonBarracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston, Deborah G. Plant
Published by Amistad on May 8, 2018
Genres: History, Nonfiction
Pages: 171
Format: Hardcover
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Goodreads
five-stars

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.

In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

Offering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

This book is such a valuable record. It’s wonderful that it has come to light at long last, and I’m so glad it exists. I first heard about the Clotilda on an episode of Finding Your Roots, hosted by Dr. Henry Louis Gates, Jr. The show’s genealogists uncovered that Questlove descended from Charles Lewis, one of the 125 people captured, enslaved, and brought to the United States on the Clotilda. This ship was the last ship to bring enslaved Africans to the United States in 1860. While the slave trade had been abolished, it didn’t stop the illegal trafficking of enslaved people, and of course, slavery had not yet ended in the United States. The men responsible for trafficking the people brought to the United States aboard the Clotilda were never punished for the crime.

Netflix currently has a documentary, Descendant, about the Clotilda descendants in Africatown, Alabama.

We now know that two other survivors of the Clotilda outlived Cudjo Lewis, but when Hurston interviewed him, he was believed to be the last person alive to have survived the Middle Passage. She captured video footage of Cudjo Lewis, a powerful documentation of the legacy of slavery.

I appreciated the opportunity to read this first-hand account of Cudjo Lewis’s story and am grateful to all those who brought his story to light.

five-stars

Review: Sourdough Culture: A History of Bread Making from Ancient to Modern Bakers, Eric Pallant

Review: Sourdough Culture: A History of Bread Making from Ancient to Modern Bakers, Eric PallantSourdough Culture: A History of Bread Making from Ancient to Modern Bakers by Eric Pallant
Published by Agate Surrey on September 14, 2021
Genres: Cooking, History, Nonfiction
Pages: 280
Format: Hardcover
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four-stars

Sourdough bread fueled the labor that built the Egyptian pyramids. The Roman Empire distributed free sourdough loaves to its citizens to maintain political stability. More recently, amidst the Covid-19 pandemic, sourdough bread baking became a global phenomenon as people contended with being confined to their homes and sought distractions from their fear, uncertainty, and grief. In Sourdough Culture, environmental science professor Eric Pallant shows how throughout history, sourdough bread baking has always been about survival.

Sourdough Culture presents the history and rudimentary science of sourdough bread baking from its discovery more than six thousand years ago to its still-recent displacement by the innovation of dough-mixing machines and fast-acting yeast. Pallant traces the tradition of sourdough across continents, from its origins in the Middle East's Fertile Crescent to Europe and then around the world. Pallant also explains how sourdough fed some of history's most significant figures, such as Plato, Pliny the Elder, Louis Pasteur, Marie Antoinette, Martin Luther, and Antonie van Leeuwenhoek, and introduces the lesser-known—but equally important—individuals who relied on sourdough bread for sustenance: ancient Roman bakers, medieval housewives, Gold Rush miners, and the many, many others who have produced daily sourdough bread in anonymity.

Each chapter of Sourdough Culture is accompanied by a selection from Pallant's own favorite recipes, which span millennia and traverse continents, and highlight an array of approaches, traditions, and methods to sourdough bread baking. Sourdough Culture is a rich, informative, engaging read, especially for bakers—whether skilled or just beginners. More importantly, it tells the important and dynamic story of the bread that has fed the world.

I bought this book for myself as a birthday present. I learned some interesting things about how sourdough culture works as well as its use in historical bread baking. Pallant begins his history of sourdough with the conceit of tracing the origin of his own sourdough starter. He was told that its provenance was in the mining town of Cripple Creek, CO. in 1893; however, proving it turns out to be an impossible task. Pallant makes a case that sourdough’s survival is miraculous in the age of commercial yeast. He also addresses the boom in home-baked sourdough in response to the Covid-19 pandemic. (I personally know several people who never baked sourdough before the pandemic, and now they’re more expert than I am! Disclosure: I am not an expert.)

The historical aspects of the book are certainly interesting, though, at times, Pallant veers off-topic a bit. I found the scientific discussion of yeasts and bacteria really fascinating. Honestly, one of the first things I wanted to do was have my sourdough starter tested to see what sorts of yeasts and bacteria it contains. Can one do this? I feel like I found a website for a place where you could send your starter for testing, but now that I’m trying to find it again, I wonder if I dreamed it—sort of a 23 and Me for sourdough starter. I wouldn’t expect to find anything particularly odd about my starter, but it would be interesting to see what the dominant strains of yeast and bacteria are.

I found the chapter about the mass production of bread to be interesting, mainly because it helps explain why home-baked bread, even bread made with commercial yeast, tastes so much better than mass-produced bread. Honestly, his description of the Chorleywood Bread Process that is used to make commercial bread is kind of gross. It definitely did not make me want to go back to commercial bread, though, to be fair, I’m not sure if that process is used in the USA.

Pallant understands that making bread connects us to humanity’s history. I always feel connected to the past when I make a loaf of bread, and I feel even more connected when I make a loaf of sourdough. Sourdough demands time and patience, both of which are hard to come by in the 21st century.

Pallant also includes quite a few recipes, but frankly, there isn’t much that’s new. One recipe, for example, is Chad Robertson’s sourdough recipe. If you are looking for recipes, you’d do better to buy a bread recipe book. In fact, buy Chad Robertson’s Tartine Bread. Because Pallant spoke so highly of it, I bought Daniel Leader’s Living Bread: Tradition and Innovation in Artisan Bread Making (paid link), and I’m looking forward to reading that book and trying some of the recipes.

I would probably recommend this book only to true bread freaks. I’m not sure people who don’t bake would enjoy it. On the other hand, if you are interested in food history or microhistory (history focusing on a narrow subject), then you might still enjoy this book even if you don’t bake.

Sourdough Foccacia made with my starter. Recipe link.
four-stars

Review: Shakespeare: The World as Stage, Bill Bryson

Review: Shakespeare: The World as Stage, Bill BrysonShakespeare by Bill Bryson
Narrator: Bill Bryson
Published by HarperAudio on October 23, 2007
Genres: Biography, History, Nonfiction
Length: 5 hours 28 minutes
Format: Audio, Audiobook
Source: Library
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five-stars

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a bunkerlike room in Washington, D.C., where the world's largest collection of First Folios is housed.

Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness, a coiner of phrases ("vanish into thin air," "foregone conclusion," "one fell swoop") that even today have common currency. His Shakespeare is like no one else's the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.

If you’ve seen my most recent reviews, you might have noticed I’m on a bit of a Bill Bryson kick right now. I had been wanting to read this book for a while, but for one reason or another, I hadn’t moved it from my TBR pile to my reading pile. The other day, I had to put a hold on an audiobook I wanted from the library, and I figured I’d see if I could listen to this one instead, especially as it is short. Yesterday, the book I had put on hold became available to check out, so I thought I should try to finish this book up.

Did I learn anything new here? Well, not really, but that’s only because I’ve read a lot about Shakespeare. I’m no expert, but I have been teaching his plays for over 20 years, and I have taken coursework in addition to the reading I’ve done. I think the average casual reader would learn quite a bit.

Bryson is by no means a Shakespeare scholar, but what he writes in this slim book corresponds with what I have learned from others. The book’s brevity and humor might make it more accessible for some people interested in learning more about what we can know definitively about William Shakespeare. The truth is, we know quite a lot, particularly for a man of the sixteenth/seventeenth centuries. He’s one of the most dissected people to have lived, and unlikely new discoveries are sometimes made. Bryson recounts a few of these in the book. He carefully veers away from speculating when we don’t really know—which is refreshing because people fill in the gaps of our knowledge of Shakespeare’s life in some really strange ways. I thoroughly enjoyed this book for what it was meant to be: a brief biography based entirely on what we know about William Shakespeare.

five-stars

Review: How the Word is Passed, Clint Smith

Review: How the Word is Passed, Clint SmithHow the Word Is Passed: A Reckoning with the History of Slavery Across America by Clint Smith
on June 1, 2021
Genres: History
Pages: 352
Format: Hardcover
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five-stars

Poet and contributor to The Atlantic Clint Smith’s revealing, contemporary portrait of America as a slave-owning nation.

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

This is a fascinating book and a must-read for, well, everyone. In the pages of this book, Clint Smith embarks on a journey to several sites associated with slavery and racism and shares the stories of those sites and how their past is either reckoned with or isn’t. For a taste, you might consider reading Smith’s recent article in The Atlantic: “Why Confederate Lies Live On.” For another, more poetic taste, check out this poem:

In the book’s Epilogue, Smith writes that we are not as removed from the history of slavery and racism as some of us would like to pretend. Recalling a story his grandmother told him about White children throwing food at her from their bus as she walked, he writes, “The children who threw food at my grandmother and called her a n***** are likely bouncing their own great-grandchildren on their laps” (288). I know for a fact that they are because I was raised by them, as hard as it is for me to say. I love some of my family and they have been and in some cases still are deeply racist. Part of the reason that racism persists is ignorance. So much of the truth of what really happened was not taught in schools. I know I didn’t learn it. I do think more efforts are made now to try to right that wrong, but many states are also engaged in a fierce battle—at this very moment—to prevent teachers from teaching students the truth about slavery and racism.

Learning the truth about this country could be cleansing and freeing, but there is so much fear. As Smith argues, students “knowing their history helps them more effectively identify the lies” they are told about their history and their present (262). Ultimately, Smith’s thesis is that if we know the truth, we can heal and move forward, but if we continue to remain ignorant, then our societal problems due to racism will persist.

Smith’s writing is lyrical and beautiful at times. Smith’s background as a poet is on full display in some of the language he uses. He begins the book by calling on readers to listen. In his Prologue, he uses language such as “congregation,” “crowd,” and “gathered” to call his audience together to hear what he has learned in his travels to Monticello, the Whitney Plantation, Angola Prison, Blandford Cemetery, Galveston, New York City, and Gorée Island (Senegal), finally ending with his grandparents’ stories. Smith makes the clear argument that history is us; we caused it to happen, and we can change its course.

I can’t recommend this book highly enough.

five-stars

Review: Four Hundred Souls: A Community History of African America, 1619-2019, Ibram X. Kendi and Keisha N. Blain, eds.

Review: Four Hundred Souls: A Community History of African America, 1619-2019, Ibram X. Kendi and Keisha N. Blain, eds.Four Hundred Souls: A Community History of African America, 1619-2019 by Ibram X. Kendi, Keisha N. Blain
Published by One World on February 2, 2021
Genres: History
Pages: 528
Length: 14 hours and 2 minutes
Format: Audio, Audiobook
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five-stars

An epoch-defining history of African America, the first to appear in a generation, Four Hundred Souls is a chronological account of four hundred years of Black America as told by ninety of America's leading Black writers.

Curated by Ibram X. Kendi, author of the number one bestseller How To Be an Antiracist, and fellow historian Keisha N. Blain, Four Hundred Souls begins with the arrival of twenty enslaved Ndongo people on the shores of the British colony in mainland America in 1619, the year before the arrival of the Mayflower.

In eighty chronological chapters, the book charts the tragic and triumphant four-hundred-year history of Black American experience in a choral work of exceptional power and beauty.

Contributors include some of the best-known scholars, writers, historians, journalists, lawyers, poets and activists of contemporary America who together bring to vivid life countless new facets to the drama of slavery and resistance, segregation and survival, migration and self-discovery, cultural oppression and world-changing artistic, literary and musical creativity. In these pages are dozens of extraordinary lives and personalities, rescued from the archives and restored to their rightful place in America's narrative, as well as the ghosts of millions more.

Four Hundred Souls is an essential work of story-telling and reclamation that redefines America and changes our notion of how history is written.

In spite of what the information above indicates, I actually listened to the audiobook, and let me tell you, it’s an incredible audiobook. This is a book you need in multiple formats. I am going to purchase the hardcover. I almost don’t know where to start except to say that I think people should read this book. You’ll learn a lot. Some of it might surprise you. I consider myself fairly well versed in history, and there was much I didn’t know. The structure of the book is interesting. Each chapter covers a five-year period in Black American history. Some chapters are written as straight nonfiction while others are poems. I liked seeing the various genres. I recognized and have read many of the authors whose work is found here.

I wondered a bit about the recording of the audiobook and came to the conclusion that the various narrators may have recorded their chapters using home equipment. I noticed some variable audio quality. None of that is to say there was any poor quality audio, but some sounded more professionally produced than others. It would make sense if narrators couldn’t travel to record due to the pandemic. If you have a chance to listen to the audio, I highly recommend it, but you’ll want the paper book, too.

In the novel Homegoing, Yaa Gyasi’s character Yaw tells his students,

“This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on… We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”

The novel Homegoing was a way to capture the stories that are missing. This book is, too. It belongs on every shelf.

five-stars

Review: Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge, Erica Armstrong Dunbar

Review: Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge, Erica Armstrong DunbarNever Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge by Erica Armstrong Dunbar
Narrator: Robin Miles
Published by Simon Schuster Audio on February 7, 2017
Genres: Nonfiction
Length: 6 hours 45 minutes
Format: Audio, Audiobook
Source: Library
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three-half-stars

A startling and eye-opening look into America s First Family, Never Caught is the powerful narrative of Ona Judge, George and Martha Washington s runaway slave who risked it all to escape the nation's capital and reach freedom.

When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he took Tobias Lear, his celebrated secretary, and eight slaves, including Ona Judge, about which little has been written. As he grew accustomed to Northern ways, there was one change he couldn't get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself one cold spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs.

At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property. Impeccably researched, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father.

The subject matter of this book is utterly fascinating; however, because so little is known about Ona Judge, the author, unfortunately, has to engage in a lot of speculation. To be sure, it is well-researched speculation and certainly rings true. I am grateful for Dunbar’s attention to detail and meticulous research. I was able to round out my understanding of quite a few historical issues on the topic of slavery I had not understood before. For example, Dunbar explains why Washington was unable to free people enslaved by Martha Washington’s first husband and why he chose not to free people he enslaved. I already felt the entire practice was reprehensible, but reading this book only underscored the inhumanity of slavery. It boggles the mind that people engaged in this practice and felt like it was acceptable, never mind the fact that many of them thought they were doing enslaved people a favor.

In addition to Ona Judge, I learned about Hercules Posey, Washington’s chef who also escaped to freedom. If I had one suggestion to round out this book, it might have been to write about several people enslaved by the Washingtons. It might have helped the author avoid the speculation she had to use. I think Ona Judge is a fascinating person, but we just don’t know enough about her to fill a book. I was interested to see a children’s version of this book has been printed. It’s entirely possible that a children’s version would have been just perfect—I think there is enough known about Ona Judge to fill a children’s or even YA book.

So why only 3.5 stars? Well, I think Dunbar missed an opportunity. I think Ona Judge’s story would have made excellent historical fiction. If Dunbar had opted for historical fiction, she wouldn’t have had to use the speculative voice that overwhelms the story. She also might have been able to include more details. As it is, I think Dunbar was constrained by the sparse details available about Judge’s life.

I would love to see more books like this one, but this story serves as a stark reminder of the many lives that are not recorded for posterity. Their lives mattered then, and they matter now.

three-half-stars

Review: The Heartbeat of Wounded Knee: Native America from 1890 to the Present, David Treuer

Review: The Heartbeat of Wounded Knee: Native America from 1890 to the Present, David TreuerThe Heartbeat of Wounded Knee: Native America from 1890 to the Present by David Treuer
Published by Riverhead Books on January 22, 2019
Genres: Nonfiction
Pages: 512
Format: Paperback
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five-stars


A sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present.

Dee Brown's 1970 Bury My Heart at Wounded Knee was the first truly popular book of Indian history ever published. But it promulgated the impression that American Indian history essentially ended with the 1890 massacre at Wounded Knee—that not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry but Native civilization did as well.

Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer uncovered a different narrative. Instead of disappearing, and despite—or perhaps because of—intense struggles to preserve their language, their culture, their very families, the story of American Indians since the end of the nineteenth century to the present is one of unprecedented growth and rebirth.

In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Beginning with the tribes' devastating loss of land and the forced assimilation of their children at government-run boarding schools, he shows how the period of greatest adversity also helped to incubate a unifying Native identity. He traces how conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of their self-rule and spawned a new generation of resistance. In addition, Treuer explores how advances in technology allowed burgeoning Indian populations across the continent to come together as never before, fostering a political force. Photographs, maps, and other visuals, from period advertisements to little-known historical photos, amplify the sense of accessing a fascinating and untold story. The Heartbeat of Wounded Knee is an essential, intimate history—and counter-narrative—of a resilient people in a transformative era.

The Heartbeat of Wounded Knee is the first book I finished in 2020, and it’s a fitting start. I’m really glad I read it. Treuer’s book is based, in part, on ethnography he did in the last ten years. In addition to capturing the lives of a broad, diverse, and numerous (though not as numerous as it should be) people, he captures the stories of individuals—everyone from a cousin involved in MMA and another living off the land, collecting pinecones, leeches, and cranberry bark in addition to ricing, to Indians* at the forefront of a new movement in indigenous food and fitness. Treuer explains in his epilogue that his goal in writing this book was “to catch us not in the act of dying but, rather, in the radical act of living” (453). His call to action is for all of us to consider what kind of country we want to live in and to work in our ways to build that country.

Treuer’s writing is beautiful. I did not realize he had written fiction, as this was my first of his books, but I was not surprised to learn it after seeing his way with words in this book. Many nonfiction writers tend to dispense with pretty prose in favor of utilitarian fact-telling—the writing is a means to an end but not necessary to the journey itself—but Treuer’s writing is a meld of poetic storytelling—at times harrowing and other times funny. I appreciated his voice and thorough research.

The book is structured in seven parts:

  1. Narrating the Apocalypse: 10,000 BCE-1890. If this seems like a lot of compression, remember that Treuer’s goal is to discuss the history since Wounded Knee, and this part was necessarily compressed to allow for the space to do that.
  2. Purgatory: 1891-1934. This part covers the period of the Dawes Act, Allotment, Indian boarding schools, the institution of the Bureau of Indian Affairs (BIA).
  3. Fighting Life: 1914-1945. This part covers not only Indian involvement in both World Wars but also the Meriam Report that investigated the state of Indian affairs and the government’s Indian policy.
  4. Moving on Up—Termination and Relocation: 1945-1970. This part covers the migration of Indians to urban areas, where the majority of Indians live today, and the Termination Act of 1953, which “proposed to fix the Indian problem once and for all by making Indians—legally, culturally, and economically—no longer Indians at all” (250).
  5. Becoming Indian: 1970-1990. This part discusses the reclamation of indigenous culture as part of the American Indian Movement (AIM) and also the sort of pan-Indianism that resulted when people of different nations and tribes joined forces as well as the beginning of US policy that favored Indian interests.
  6. Boom City—Tribal Capitalism in the Twenty-first Century. This part covers the rise of casinos and other capitalist ventures that have enabled some nations and tribes to become successful and even wealthy.
  7. Digital Indians: 1990-2018. This part describes the efforts of modern Indians to reclaim culture (including language and foodways) and be Indian in the modern world.

One thing I appreciated as a fellow Gen-Xer was what I would describe as a uniquely Gen-X take on history, particularly on AIM. I don’t mean Treuer is cynical because he is anything but cynical, but he is honest. I think many civil rights movement leaders tend to be lionized rather than seen as flawed people who did some very good things but who also were not perfect and even did some very wrong things. It might just be me, but I feel like that is a particularly Gen-X take on civil rights movements because we were the generation after Boomers, who thought they were idealistic and would change the world—they protested the Vietnam War, they attempted to open up America’s puritanical views on sex, they fought for rights for Black people, women, and (to a much lesser extent) Indians. But the 1980s seems to have wiped out their remaining idealism. Ronald Reagan’s ideas won the day, and they voted for that country, so they must have wanted it. So when people want to accuse Gen-Xers of being cynical, remember what we saw with our older siblings and parents who were Boomers. Treuer’s view of the leaders of AIM was much more balanced. Yes, they drew attention to Indian concerns and united people from diverse Indian backgrounds toward a common goal. They also sidelined Native women and engaged in a great deal of violence. I appreciated this nuanced point of view. Part of this Gen-X so-called cynicism is actually a core of realistic optimism I feel like some Gen-Xers have (some folks might argue with me about that), and Treuer has that realistic optimism. It is possible for us all to improve our country, but it will take active participation in shaping that future, and we have to understand why we are where we are today.

*Treuer uses this term for indigenous people in the United States, and I understand it is one of many preferred terms, hence my use of it in this review.

Note: I purchased this book for research for my Social Justice course and have not been compensated by anyone for this review.

five-stars

Midyear Catchup Reviews

Riss Design

Grad school has certainly cut into my reading, but I knew going into my degree program that something would need to give. I am still doing a ton of reading, but it’s mostly scholarly articles and research. I did manage to read a few things I haven’t had a chance to review on my blog, though.

My husband and I listened to Esi Edugyan’s Washington Black, read by Dion Graham, who was an excellent narrator. The novel is the story of Washington Black, who is enslaved on a sugar plantation in Barbados when he meets Christopher “Titch” Wilde, a scientist and inventor who changes Washington’s life. The two men embark on an adventure in a balloon that takes them all the way to the North Pole.

I really liked this one. It’s part historical fiction and part fantasy and part road trip. Some reviewers I’ve read mention the book drags a bit in the second half, and I would agree with that assessment, but nothing put me off wanting to finish it. If you haven’t read it, definitely pick it up, and I can’t recommend Dion Graham’s narration highly enough. Rating: ★★★★★

Heart and Soul: The Story of America and African Americans is a children’s book that came across my radar at an English teacher conference I usually attend each year. This book is an incredibly illustrated series of vignettes in African-American history as told by a grandmotherly narrator. Kadir Nelson both writes an illustrates the story. I plan to use it as a mentor text in my Social Justice class next school year. This is one of those books I wish I had as a kid. I loved reading about science and history, and I believe this one would have fascinated me. What I loved most about it is that anyone of any age can enjoy it. It’s perfect to share with children, but it’s one of those books I think the adults would enjoy as much as the kids, and it would be perfect for storytime. An instant classic! Rating: ★★★★★

Kwame Alexander collaborated with Kadir Nelson on The UndefeatedThis is another book I bought as a mentor text for my students. The Undefeated is a poem by Kwame Alexandar that celebrates the strength and resilience of African Americans. Once again, this is a children’s book that will appeal to all ages. Adults will enjoy the references to historical figures, and children will enjoy the wordplay and images—actually, adults will enjoy those, too. Kadir Nelson’s artwork is brilliant, yet again, and reading these two books made me want to search out everything he writes and/or illustrates. You can check out a video trailer for the book below. Rating: ★★★★★