- [amazon_link id=”0743273567″ target=”_blank” ]The Great Gatsby[/amazon_link], F. Scott Fitzgerald: “Uninvited” by Alanis Morissette. This is perhaps kind of an odd choice, given the song has no connection to the 1920’s or jazz, but if you listen to the lyrics, they essentially describe how Daisy seems to feel about Gatsby.
- [amazon_link id=”1456364278″ target=”_blank” ]Heart of Darkness[/amazon_link], Joseph Conrad: “Head Like a Hole” by NIN. OK, this song is really aggressive and may not jump out at you when you think of Heart of Darkness, but again, the lyrics seem to speak to the book’s themes. My favorite is comparing Kurtz’s last words, “The horror!” to the last line of the song, “You know what you are.” Isn’t that the horror Kurtz was talking about? The horror of realizing what he was? Of course that line is whispered on the recording, and I didn’t hear it in this video. But still.
- [amazon_link id=”0385737645″ target=”_blank” ]Revolution[/amazon_link], Jennifer Donnelly: “Shine on You Crazy Diamond” by Pink Floyd. I chose this song mainly because it is a motif in the story itself. The song becomes important to Andi both for its message and music.
- [amazon_link id=”1594744769″ target=”_blank” ]Miss Peregrine’s Home for Peculiar Children[/amazon_link], Ransom Riggs: “People are Strange” by The Doors. I am not a huge fan of The Doors. I liked them a lot more when I was in high school. However, I can’t deny there are some strange people in Riggs’s book.
- [amazon_link id=”1400031702″ target=”_blank” ]The Secret History[/amazon_link], Donna Tartt: “The Killing Moon” by Echo and the Bunnymen. Any list like this is better for an Echo and the Bunnymen song. Plus I think the sort of gothic nature of the song (and the fact that it was recently featured in a commercial with vampires) goes with the book’s atmosphere. “Fate… up against your will” describes Richard Papen’s complicated feelings about Bunny’s murder. Plus, “killing.”
- [amazon_link id=”0143105434″ target=”_blank” ]Wuthering Heights[/amazon_link], Emily Brontë: “Wuthering Heights” by Kate Bush. Kind of a no-brainer. This video is nearly as weird as Catherine Earnshaw.
- [amazon_link id=”0743482751″ target=”_blank” ]Much Ado About Nothing[/amazon_link], William Shakespeare: “Sigh No More” by Mumford & Sons. Maybe because the song just alludes to a song in the play and quotes pieces of the play, but it fits anyway.
- [amazon_link id=”0393320979″ target=”_blank” ]Beowulf[/amazon_link], Anonymous: “The Immigrant Song” by Led Zeppelin. Because VIKINGS! That’s why.
- [amazon_link id=”0345409647″ target=”_blank” ]Interview with the Vampire[/amazon_link], Anne Rice: “Moon Over Bourbon Street” by Sting. Yes, he actually was inspired to write the song because of Rice’s book. Fitting.
- [amazon_link id=”0316769177″ target=”_blank” ]The Catcher in the Rye[/amazon_link], J. D. Salinger: “How Soon is Now?” by The Smiths. The song’s narrator is an angry, misunderstood loner, just like Holden Caulfield. And honestly, I think what Holden really does want is to be loved. Just like everybody else does.
I know I usually limit my discussion on this blog to books, but I watched It Might Get Loud yesterday and absolutely loved it. Of course, it’s not a new film, and if you’re a fan of any of the guitarists featured, you’ve probably already seen it. If you haven’t seen it, though, it’s a documentary by David Guggenheim about the guitar, and it features three virtuoso guitarists from different generations: Jimmy Page, the Edge, and Jack White. All three are on Rolling Stone‘s list of the greatest guitarists of all time, although I’m not sure I necessarily agree with their placements on the list. Both Jimmy Page and the Edge should be higher up, in my opinion.
I love the way film opens as Jack White makes a guitar out of not much more than a few pieces of wood, nails, and a Coke bottle. It was interesting to learn about the Edge’s use of effects. Jimmy Page’s reflections on recording Led Zeppelin IV at Headley Grange were not necessarily new to me, but were still interesting to watch. I have been a fan of Jimmy Page’s for about 23 years when I discovered Led Zeppelin shortly before my sixteenth birthday. My Bon Jovi posters pretty much came down and were replaced with Led Zeppelin ones. Of course, that was also right about the time that Rattle & Hum was out, and I really enjoyed The Joshua Tree. As I’ve aged, my appreciation for both Led Zeppelin and U2 has only deepened. The guy I was not as familiar with was Jack White, and I have to say I really enjoyed learning about him and came away with a notion of buying some more of his music. I just sounded really old right there. Once there was a time when I knew what was going on in music, but that pretty much stopped about 10 years ago. I never would have believed you when I was a teenager if you had told me that day would come. New music just about needs to be put right in my face for me to notice it now.
My favorite part of the whole documentary came near the end when the three guitarists played “In My Time of Dying,” during which I picked out strains of “With or Without You,” and if Jack White contributed something original, I am afraid I wasn’t knowledgeable enough to recognize it. It was a great documentary, though, and it reminded me again why I love music.