I listened to Neil Gaiman’s latest short story collection, Trigger Warning: Short Fictions and Disturbances, on Audible, mainly because I know that Gaiman is quite a fantastic reader (not all writers are). Unfortunately, that also meant that I didn’t have a real sense of the way in which the collection might hang together as a whole because I listened to it mostly in bursts as I cleaned house or made soap. As such, I can only really recall my favorite stories with any clarity, and I don’t have a print book to examine in order to refresh my memory, so I skimmed what pieces I could find in Amazon’s preview and Google Books. Finally, I found this review, which discusses each piece with a rating out five stars. I won’t discuss each story. Just the ones I liked or remembered better than the others.
“The Lunar Labyrinth” is the first story in the collection (following the poem “Making a Chair”). This story made me think of American Gods, and given that I knew the collection had an American Gods story in it, I assumed it would be this one. It wasn’t. Still, the story does nod toward the American Gods concept that those silly roadside attractions are more than they seem.
I liked the story “The Thing About Cassandra” quite a bit. How would you feel if you made up an imaginary girlfriend, and years later your friends and mother are insisting they ran into her?
“The Truth is a Cave in the Black Mountains” reminded me of straight up fantasy. It’s a little bit Tolkienesque, but doesn’t quite make it.
“Orange” story told completely as answers to questions the reader doesn’t hear. Humorous and a little scary at the same time.
“The Case of Death and Honey” is a Sherlock Holmes story about Holmes’s quest to solve the ancient question of how to live forever. I quite enjoyed this one as both a story and a contribution to the Sherlock Holmes repository.
“The Man Who Forgot Ray Bradbury” is a poignant comment on loss of memory as well as a love letter to one of Gaiman’s favorite authors.
“Nothing O’Clock” is a Doctor Who story. As I listened to this one, I kept wishing it had been filmed. It would have made an excellent episode. It’s set during the time of the Eleventh Doctor (Matt Smith) and his companion Amy Pond. The Doctor and Amy land on Earth in the TARDIS to discover that no one exists, and a voice insists they’re trespassing.
“Black Dog,” as it turns out, is the American Gods story, and I didn’t like it. As with American Gods, I could see that Neil Gaiman was doing something interesting with the idea of ancient gods in modern times, but in the end, I just wasn’t into it.
The other stories and poems didn’t leave enough of an impression on me to merit discussion here.
I thought the collection as a whole was a bit uneven, despite moments that I absolutely enjoyed. The individual stories I mentioned in this review are worth seeking out (with the exception, in my opinion, of the last. As much as I did enjoy Gaiman’s reading, I don’t think I’ll listen to another short story collection on Audible. I can’t recall enough of the individual stories, and there is not an easy way for me to glance back at the book again. I was tempted to give this only three stars, but the truth is, when the stories are good, they are really good.
2 thoughts on “Review: Trigger Warning, Neil Gaiman”
I tend to find short story collections uneven in general, and Gaiman’s have a higher average than most of stories I enjoy. (I’m difficult to please.) “Orange” was maybe my favorite in this one — it sounded like part of an episode of Welcome to Night Vale or something, that strange weird-creepy hilarity.
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I really liked “Orange.” I think it was easily the funniest.
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