Review: How to Hang a Witch Series, Adriana Mather

by Adriana Mather
Published by Knopf Genres: Contemporary Fiction, Historical Fiction, Young Adult
Format: E-Book, eBook
Source: Library

I discovered Adriana Mather’s book through the Salem Witch Museum. The museum is terribly cheesy, but they have a good social media presence, and they recently shared a picture on Facebook of books written by Salem Witch Trials descendants that are available in their gift shop. I’m not sure if Adriana Mather is a direct descendant of Cotton Mather, but she’s definitely related. Cotton Mather notoriously played a role on the wrong side of history in the infamous Salem Witch Trials. I’m not sure if Adriana Mather plans to write more books in this series, but I’d read them. I think a good description of these books might be Twilight, but with witches and ghosts instead of vampires. I will read practically anything set in Salem. I’ve spent a good bit of time there and know it fairly well. It is a cute little town that takes its history in weird, kitschy directions. One caveat I feel like I must share: it’s not weird at all in New England to be a descendant of one or even several of the players in the Salem Witch Trials, and it bugged me a bit that the notion of being descended from an accused witch or other players in the trials was somehow unique enough to set “the Descendants” apart. But if you lay that quibble aside, the idea of them wafting through the hallways of Salem High School wearing black from head to toe is fun. Adriana Mather has a fascinating family history, and she was lucky to be able to mine it for her fiction.

I believe this book is the stronger of the two, but that’s partly because Samantha Mather, the protagonist, is more of an outsider, and all the world-building in this book is pretty interesting.

I said I’d read anything set in Salem, and I’m also a sucker for books about Titanic, though, to be honest, I’m not sure I’ve read a good one. I liked the movie when it came out, and I used to play a video game set there that was a ton of fun. I figured out who the antagonist in this book would be early on, but their motive doesn’t make a ton of sense to me.

Review: Daughter Dalloway, Emily France

Review: Daughter Dalloway, Emily FranceDaughter Dalloway by Emily France
Published by Blackstone Publishing on March 14, 2023
Genres: Historical Fiction
Pages: 350
Format: Hardcover
Source: Library
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four-stars

A retelling of Virginia Woolf's classic Mrs. Dalloway, from the point of view of the famous socialite's only child, Elizabeth.

It is 1952 and forty-six-year-old Elizabeth Dalloway—arguably the most inept socialite in all of London—is fresh off yet another of her awkward parties. She feels she has failed at most everything in life, especially living up to her perfect mother—the elegant Mrs. Dalloway, the woman who never made a misstep, the woman who never arrived for her very own party at the end of the 1923 Season. And hasn't been heard from since.

Elizabeth has given up ever finding out what really happened that summer until she comes across a WWI medal inscribed with a mysterious message from her mother to a soldier, Septimus Warren Smith. Elizabeth sets out to find a member of his family in the hopes she will finally learn her mother's fate. Her journey takes her across London as she pieces together that last summer of 1923 when Elizabeth was a seventeen-year-old girl who escaped her mother's watchful eye and rebelled against the staid social rules of prewar England. A girl who caroused with the Prince of Wales and sons of American iron barons, a girl determined to do it all differently than her mother. A girl who didn't yet feel like a failure.

Faithful to the original yet fully standing alone, Daughter, Dalloway follows Elizabeth as she discovers the truth: though decades have passed and opportunities for women have changed, expectations haven't: to be it all, whatever the costs. And that she shares much more with her mother than she ever knew.

I finished this book a few days ago and had to think about how to rate it. Any author who takes up Virginia Woolf’s mantle is bound to pale in comparison. She’s one of the greatest writers to have lived, and some consider Mrs. Dalloway to be her masterpiece. It’s a book I love, and I love teaching it. On the other hand, this book has some great moments and is well-researched. While Elizabeth Dalloway is Woolf’s creation, Septimus Warren Smith’s sister Octavia is France’s invention, and I enjoyed her character. I didn’t enjoy her companions Redvers and his brother George—they were stock street urchin characters, and they didn’t seem as realistic to me as the other characters France invented. I thought it was far-fetched that Clarissa would commission a medal for Septimus, and her fate, which is a bit spoilery, also struck me as a stretch given what I know of Woolf’s thinking about her characters.

However, I admit France made me think about the concept of the stream of consciousness in a new way, and I plan to share this idea with my students. Typically, I teach stream of consciousness as the way our thoughts flow from one to another, and France also adheres to this definition, but she also conceives of the stream of consciousness as the thread that joins all of us together. This idea resembles Ralph Waldo Emerson’s concept of the Over-Soul more than it resembles the traditional conception of stream of consciousness, but I liked it. In his essay on the Over-Soul, Emerson quotes Byron in arguing that the soul “Can crowd eternity into an hour, / Or stretch an hour to eternity.” One could argue Woolf was trying to do both with Mrs. Dalloway.

Reading this book has given me some ideas for teaching Mrs. Dalloway, and it’s better than average historical fiction. Compared to its source material, it can’t help but suffer—it does not quite pull off the same feat as The Hours—but it was pretty good.

four-stars

Review: Memphis, Tara M. Stringfellow

Review: Memphis, Tara M. StringfellowMemphis by Tara M. Stringfellow
Published by The Dial Press on April 5, 2022
Genres: Historical Fiction
Pages: 272
Format: E-Book, eBook
Source: Library
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four-stars

A spellbinding debut novel tracing three generations of a Southern Black family and one daughter’s discovery that she has the power to change her family’s legacy.

In the summer of 1995, ten-year-old Joan, her mother, and her younger sister flee her father’s violence, seeking refuge at her mother’s ancestral home in Memphis. Half a century ago, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in Memphis. This wasn’t the first time violence altered the course of Joan’s family’s trajectory, and she knows it won’t be the last. Longing to become an artist, Joan pours her rage and grief into sketching portraits of the women of North Memphis—including their enigmatic neighbor Miss Dawn, who seems to know something about curses.

Unfolding over seventy years through a chorus of voices, Memphis weaves back and forth in time to show how the past and future are forever intertwined. It is only when Joan comes to see herself as a continuation of a long matrilineal tradition--and the women in her family as her guides to healing—that she understands that her life does not have to be defined by vengeance. That the sole weapon she needs is her paintbrush.

Inspired by the author's own family history, Memphis—the Black fairy tale she always wanted to read—explores the complexity of what we pass down, not only in our families, but in our country: police brutality and justice, powerlessness and freedom, fate and forgiveness, doubt and faith, sacrifice and love.

This was an enjoyable read. The writing was lyrical in places, and the acknowledgments section was possibly one of the most fun I’ve ever read. I was expecting this story to be more of an ode to the city of Memphis than it was, but I wasn’t disappointed in the multigenerational family saga I got instead. I only wish there had been more about Hazel’story. I found her to be a compelling character. The characters are realistic and well-drawn. This book should make a pretty good movie should anyone decide to turn it into one.

four-stars

May Reading Update

by Cheryl A. Head, Nguyễn Phan Quế Mai, Paula Brackston
Published by Algonquin Books, Dutton, St. Martin's Griffin Genres: Contemporary Fiction, Fantasy/Science Fiction, Historical Fiction
Format: Audio, Audiobook, E-Book, eBook
Source: Library

I finished several books, and with the busy end-of-school-year, I haven’t had a chance to share my thoughts about them.

I really enjoyed The Mountains Sing, so I felt I’d enjoy Dust Child, and I was not wrong. I am not sure that comparisons to Homegoing and Pachinko are fair, as those books are more family epics. I figured out the connection among the different characters, but I wished for more closure on one loose end—I suppose lack of closure is realistic, however. I was interested to learn that this novel came from the author’s dissertation research.

I don’t understand the hate this one is getting on Goodreads. I put off reading it for something like a decade due to the low ratings! It’s actually pretty good. Parts of it are over the top, but the historical fiction aspects were well-researched and convincing, and I love a good story about someone who has lived through centuries of history. To me, that was the best part of Anne Rice’s books. I would read more of this author’s books for sure.

This was a pretty good mystery. I liked the parts set in the present more; I think the author has a better feel for the present than the past. I thought the author handled the depiction of White allies with problematic families well. The book captures the setting extremely well; I feel certain the author has done a great deal of research.

 

Review: Barracoon: The Story of the Last “Black Cargo,” Zora Neale Hurston

Review: Barracoon: The Story of the Last “Black Cargo,” Zora Neale HurstonBarracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston, Deborah G. Plant
Published by Amistad on May 8, 2018
Genres: History, Nonfiction
Pages: 171
Format: Hardcover
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five-stars

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.

In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

Offering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

This book is such a valuable record. It’s wonderful that it has come to light at long last, and I’m so glad it exists. I first heard about the Clotilda on an episode of Finding Your Roots, hosted by Dr. Henry Louis Gates, Jr. The show’s genealogists uncovered that Questlove descended from Charles Lewis, one of the 125 people captured, enslaved, and brought to the United States on the Clotilda. This ship was the last ship to bring enslaved Africans to the United States in 1860. While the slave trade had been abolished, it didn’t stop the illegal trafficking of enslaved people, and of course, slavery had not yet ended in the United States. The men responsible for trafficking the people brought to the United States aboard the Clotilda were never punished for the crime.

Netflix currently has a documentary, Descendant, about the Clotilda descendants in Africatown, Alabama.

We now know that two other survivors of the Clotilda outlived Cudjo Lewis, but when Hurston interviewed him, he was believed to be the last person alive to have survived the Middle Passage. She captured video footage of Cudjo Lewis, a powerful documentation of the legacy of slavery.

I appreciated the opportunity to read this first-hand account of Cudjo Lewis’s story and am grateful to all those who brought his story to light.

five-stars

Review: Harlem Shuffle, Colson Whitehead

Review: Harlem Shuffle, Colson WhiteheadHarlem Shuffle by Colson Whitehead
Published by Penguin Random House Audio Publishing Group on September 14, 2021
Genres: Historical Fiction
Format: Audio, Audiobook
Source: Library
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four-stars

From two-time Pulitzer Prize-winning author Colson Whitehead, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s.

"Ray Carney was only slightly bent when it came to being crooked..."

To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home.

Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either.

Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the "Waldorf of Harlem"—and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes.

Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs?

'Harlem Shuffle's' ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem.

But mostly, it's a joy to listen to, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

After two back-to-back Pulitzer award-winning novels, Colson Whitehead seems like he wanted to have a little bit of fun. And who could blame him? The subject matter of both The Underground Railroad and The Nickel Boys is so heavy. As he does in those previous novels, however, Whitehead brings the setting to vivid life. A couple of times, I laughed out loud as I listened to this one. Yet there were also moments when Whitehead’s virtuosity as a writer was fully displayed. Frankly, this one would make a great film, and I kind of hope it gets made.

As well drawn as Ray Carney is, I think perhaps Freddie and Pepper were my favorite characters, but the book is peopled with many memorable (and lovable) characters. I loved the attention to detail. For example, Ray always made observations about the furniture—even when he had a gun trained on him, he noticed the office furniture. I understand a sequel is in the offing, and I’m excited to see what is in store for Ray Carney in the next book.

four-stars

Review: The Lost Apothecary, Sarah Penner

Review: The Lost Apothecary, Sarah PennerThe Lost Apothecary by Sarah Penner
Published by Park Row on March 2, 2021
Genres: Contemporary Fiction, Historical Fiction, Mystery
Pages: 305
Format: Paperback
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four-stars

A female apothecary secretly dispenses poisons to liberate women from the men who have wronged them - setting three lives across centuries on a dangerous collision course.

Rule #1: The poison must never be used to harm another woman. Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.

One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose—selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.

In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate —and not everyone will survive.

This was a fun read. I received this book from a work colleague who said it was one of her favorite reads last year, and she didn’t see it on my Goodreads account. In fact, this book hadn’t even crossed my radar until she gave it to me. My favorite genre is historical fiction, and I enjoyed going back in time to Nella’s apothecary shop. Usually, when books are set in both the past and the present, I find the parts set in the present kind of a slog. A good example of this phenomenon is Anne Rice’s books. However, this book was different. The parts set in the present were just as captivating, mainly because I enjoyed Caroline’s quest to find out the story behind the apothecary bottle she found while mudlarking in the Thames. Parts of the storyline strain credulity. I know enough about historical research to know Caroline would have had to have done a lot more digging to find the answers she sought, and it would have taken years, if she even found them at all. But books are where you go to escape realism sometimes, and this book was a nice escape. It’s a light read that I’d recommend to anyone who likes reading historical fiction, particularly set in London, or anyone who wishes, like Caroline, that they could take a vacation in London all by themselves.

four-stars

Mid-March Reviews

by Charles Dickens, Emma Brodie, Maggie Smith
Published by Atria Books, Audible Studios, Random House Audio Genres: Classic, Nonfiction
Format: Audio, Audiobook, Hardcover
Source: Audible, Library

I’m in spring break for school and catching up on some recent book reviews.

This book is mostly encouraging aphorisms and short meditations. I found some of it helpful, hence four stars, but I prefer Maggie Smith’s poetry.

My husband and I listened to this one. First, it’s completely easy to understand why this novel has always been popular and remains a classic. It’s a delight from start to finish. Betsey Trotwood has to be one of the most brilliant characters ever conceived, and David’s old nemesis Uriah Heep is horribly realistic (surely Charles Dickens knew a guy like this, right?). Richard Armitage’s narration is amazing. His acting talent is on full display in the various voices; his Uriah Heep is entirely unctuous. Every time he says “Uriah writhed,” you can feel it. Gross. To be fair, Dickens’s writing suffers a bit from the addition of an annoying-young-damsel-who-is-supposed-to-be-attractive-for-some-reason-no-one-can-figure-out. I noticed it in A Tale of Two Cities and to an extent in Great Expectations, but Dora takes the cake. I thought she was stupid and annoying and completely incompatible with David. What a cast of memorable characters. What a great book. I’m glad I finally read it.

I wanted to like this book more. It suffers from the fact that Daisy Jones & The Six and The Final Revival of Opal & Nev exist and it’s not as strong in comparison. This novel is sort of a thinly-veiled story of James Taylor and maybe Joni Mitchell set mostly on a fictionalized version of Martha’s Vineyard. I think there are some anachronisms to start with. For example, “What Would Jane Do” based on “What Would Jesus Do?” might be a bit out of time. While the WWJD saying goes back to the 1800s, its resurgence only dates to the 1990s. It felt out of place for Jane Quinn’s fans to pick it up. At one point, Jane’s record label guy (I forget what exactly his role was, but he discovered Jane) had an answering machine. I guess they existed prior to the 1980s, but they were not widely used. The fact that things DID exist doesn’t mean they were WIDELY USED, hence the feelings of anachronism. These were the two most glaring issues, but they were not the only ones. The other issue was a spoilery plot point. I won’t divulge it, but it felt like a cheat when it was revealed because the author used third-person limited and focused on Jane. It’s one thing for Jane to keep something from Jesse, but it’s another for her to keep it even from the reader. I understand why the author felt the need to save the secret, but I didn’t like the way it was handled, and it was at that point that the book lost me. If you’re going to have a protagonist lie to the reader, you need to pull it off with a bit more finesse. I finished it because I’d become invested, and I did enjoy part of the journey, which is why it ultimately landed on 3.5 stars.

Review: In the Midst of Winter, Isabel Allende

Review: In the Midst of Winter, Isabel AllendeIn the Midst of Winter by Isabel Allende
Published by Atria Books on October 31, 2017
Genres: Contemporary Fiction
Pages: 352
Format: Hardcover
Source: Library
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four-stars

New York Times and worldwide bestselling “dazzling storyteller” (Associated Press) Isabel Allende returns with a sweeping novel about three very different people who are brought together in a mesmerizing story that journeys from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil.

In the Midst of Winter begins with a minor traffic accident—which becomes the catalyst for an unexpected and moving love story between two people who thought they were deep into the winter of their lives. Richard Bowmaster—a 60-year-old human rights scholar—hits the car of Evelyn Ortega—a young, undocumented immigrant from Guatemala—in the middle of a snowstorm in Brooklyn. What at first seems just a small inconvenience takes an unforeseen and far more serious turn when Evelyn turns up at the professor’s house seeking help. At a loss, the professor asks his tenant Lucia Maraz—a 62-year-old lecturer from Chile—for her advice. These three very different people are brought together in a mesmerizing story that moves from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil, sparking the beginning of a long-overdue love story between Richard and Lucia.

Exploring the timely issues of human rights and the plight of immigrants and refugees, the book recalls Allende’s landmark novel The House of the Spirits in the way it embraces the cause of “humanity, and it does so with passion, humor, and wisdom that transcend politics” (Jonathan Yardley, The Washington Post). In the Midst of Winter will stay with you long after you turn the final page.

In the Midst of Winter is my first Isabel Allende, and I enjoyed it. The story kept me turning pages, wondering what would happen next. It was a deceptive book in that it reads like a cozy mystery, to a certain degree, but it tackles some fairly important issues, such as the Disappeared in Chile in the 1970s and 1980s and the plight of Guatemalans living with violence in the present day. It also touches on depression, cancer, alcoholism, and human trafficking. There is a surprising amount of humor in the novel, but I never felt Allende wasn’t treating the subjects with seriousness. Some aspects of the ending will not surprise, but others might keep readers guessing.

I read this book because Twitter friends and founders of the hashtag #THEBOOKCHAT are planning to discuss the book on January 23, and I wanted to be able to participate in the chat—talking about books with other adults is always fun for this high school English teacher. Otherwise, I would likely never have read it, and I’m glad I did. It was a nice way to start off the reading year. It examined some serious social justice issues but included some dark humor and warmth. The characters were fully realized and well-drawn. I’m excited to participate in the chat with my Twitter friends in a couple of weeks.

four-stars

Review: Crazy Horse and Custer: Born Enemies, S. D. Nelson

Review: Crazy Horse and Custer: Born Enemies, S. D. NelsonCrazy Horse and Custer: Born Enemies by S.D. Nelson
Published by Harry N. Abrams on November 9, 2021
Genres: Biography, Childrens, History, Nonfiction, Young Adult
Pages: 144
Format: Hardcover
Source: Library
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four-stars

With photographs and stunning illustrations from acclaimed author-artist S.D. Nelson, this thrilling double biography juxtaposes the lives of two enemies whose conflict changed American history: Crazy Horse and George Custer.

In 1876, Lakota chief Crazy Horse helped lead his people’s resistance against the white man’s invasion of the northern Great Plains. One of the leaders of the US military forces was Army Lt. Col. George Armstrong Custer. The men had long been enemies. At the height of the war, when tribalism had reached its peak, they crossed paths for the last time.

In this action-packed double biography, S. D. Nelson draws fascinating parallels between Crazy Horse and Custer, whose lives were intertwined. These warriors were alike in many ways, yet they often collided in deadly rivalry. Witness reports and reflections by their peers and enemies accompany side-by-side storytelling that offers very different perspectives on the same historical events. The two men’s opposing destinies culminated in the infamous Battle of the Greasy Grass, as the Lakota called it, or the Battle of the Little Bighorn, as it was called by the Euro-Americans.

In Crazy Horse and Custer, Nelson’s gripping narrative and signature illustration style based on Plains Indians ledger art, along with a mix of period photographs and paintings, shines light on two men whose conflict forever changed Lakota and US history. The book includes an author’s note, timeline, endnotes, and bibliography.

This book approaches the biographies of Crazy Horse and George Armstrong Custer by drawing parallels between their lives. It is striking that the two men who would face each other at the Battle of Little Bighorn were born a year apart and died a year apart. I appreciated that Nelson did not engage in the hagiography of either man but instead demonstrated their humanity, flaws and all. Truthfully, though, it’s hard for Custer to come across well to a modern reader, revered as he might have been at the time of his death. The author even points out that in our current time, Crazy Horse is largely admired while Custer is reviled.

I first became interested in this history when I saw the film Little Big Man as a middle schooler. It’s a great film and one of the first (if not the very first) revisionist Western. Though the main character is a White man who is kidnapped by Cheyenne as a child and assimilated into the tribe, some (though admittedly not all) of the Cheyenne characters are played by Native actors, and indigenous people are shown in a more sympathetic light than Hollywood had traditionally depicted them. After seeing this film, I started to read about what happened with Custer, who is a character in the movie.

This book seems to be pitched to late middle-grade readers. I admit I learned a lot I didn’t know about both men. I had no idea Custer and his father were pro-slavery, for example. I knew next to nothing of Crazy Horse’s biography. The book is organized into short chapters that alternate between the biographies of both men. The author explains that he feels uniquely qualified to tell this story as the descendant of a Lakota woman who married a White man who had served under Custer in the Army until being honorably discharged before the Battle of Little Bighorn.

Though the intended audience for this book is probably middle schoolers, anyone with a passing interest in the history of the so-called Indian Wars might enjoy reading this book. I appreciated the author’s artwork as part of the storytelling as well. Crazy Horse and George Armstrong Custer both come alive in the pages of this book.

four-stars