Catching Up

I have not blogged about my reading a very long time. It’s been eventful around here. I took on extra duties at work, our cat passed away, we adopted kittens in August. Meet Velma and Daphne.

Two tabby and white cats named Velma and Daphne
Velma (left) and Daphne (right)

They are incredibly lovable and sweet. We adore them!

Here is a list of all the books I’ve read since I last wrote a review on my blog with a star-rating attached. I don’t think I’ll get around to reviewing these books. I started to write a catch-up post with reviews in September, and I was overwhelmed. Links go to Bookshop.org if you’re interested in purchasing. I would earn a small commission.

Of these books, my two favorites are Circe and Surrender (big U2 fan here). I was slightly disappointed by The Brontë Myth because it focused almost entirely on Charlotte Brontë. Anne was entirely neglected and Emily nearly so. I get why: we just don’t really know that much about them because they died before they became major literary stars whereas Charlotte survived long enough to see her fame blossom. I still gave the book 4 stars as it was informative. It wasn’t in the same league as Miller’s book about Keats. I thoroughly enjoyed both Madeline Miller books and plan to read more in that vein (seems like a burgeoning industry to retell Greek myths). I felt like The Invisible Life of Addie LaRue owed a little bit to the Doctor Who episode about Ashildr, introduced in the episode “The Woman Who Lived” (one of my all-time favorites episodes and characters).

Two Books You Should Read by Indigenous Authors

by Natalie Díaz, Roxanne Dunbar-Ortiz
Published by Beacon Press, Graywolf Press Genres: Nonfiction, Poetry
Format: E-Book, eBook, Paperback

This week, I finished two books, both by indigenous authors. Postcolonial Love Poem is Mojave and an enrolled member of the Gila River Indian Tribe. Activist Roxanne Dunbar-Ortiz believes her mother was Native American but assimilated when she married Dunbar-Ortiz’s father. I highly recommend both books, which take on America’s history as a colonizing country—something the U.S. frequently pretends not to be.

My favorite poems in this collection were “American Arithmetic,” “They Don’t Love You Like I Love You,” “The First Water is the Body,” and “exhibits from The American Water Museum.” I liked them all for different reasons. I was familiar with “American Arithmetic” already. I think someone on Twitter pointed me in that poem’s direction a few years ago. It’s a clever use of statistics to make a point. “They Don’t Love You Like I Love You” plays with lyrics from “Maps” by the Yeah Yeah Yeahs. I wanted to teach that poem this year, but we had a snow day, and I had to move some things around. I liked the two water poems for the messages about water and life. This collection was an excellent read on the train to and from Boston yesterday.

I read this book in fits in starts. I first started to read it some time back, I forget how long ago, but I had to set it aside for reasons I no longer remember (probably grad school). I picked it up again recently as I was teaching a unit in my Social Justice class on Native history and literature. As advertised, this book examines the history of America through the eyes of indigenous people. I was looking for a bit more about more recent history, including activism on the part of the American Indian Movement and more recent strides such as the Indian Child Welfare Act (which is under threat) and cultural revival efforts. Still, this book was an interesting introduction to the many ways the United States’ genocide and war against indigenous people have impacted today’s events. For instance, I happened to note a politician on TV using the term “Indian Country” to refer to a country/territory hostile to Americans, and it was right after I had read in Dunbar-Ortiz’s book that the military still uses this term. The legacy of the horrible racism and greed perpetrated against indigenous people is still very much a part of our country today.

Mid-March Reviews

by Charles Dickens, Emma Brodie, Maggie Smith
Published by Atria Books, Audible Studios, Random House Audio Genres: Classic, Nonfiction
Format: Audio, Audiobook, Hardcover
Source: Audible, Library

I’m in spring break for school and catching up on some recent book reviews.

This book is mostly encouraging aphorisms and short meditations. I found some of it helpful, hence four stars, but I prefer Maggie Smith’s poetry.

My husband and I listened to this one. First, it’s completely easy to understand why this novel has always been popular and remains a classic. It’s a delight from start to finish. Betsey Trotwood has to be one of the most brilliant characters ever conceived, and David’s old nemesis Uriah Heep is horribly realistic (surely Charles Dickens knew a guy like this, right?). Richard Armitage’s narration is amazing. His acting talent is on full display in the various voices; his Uriah Heep is entirely unctuous. Every time he says “Uriah writhed,” you can feel it. Gross. To be fair, Dickens’s writing suffers a bit from the addition of an annoying-young-damsel-who-is-supposed-to-be-attractive-for-some-reason-no-one-can-figure-out. I noticed it in A Tale of Two Cities and to an extent in Great Expectations, but Dora takes the cake. I thought she was stupid and annoying and completely incompatible with David. What a cast of memorable characters. What a great book. I’m glad I finally read it.

I wanted to like this book more. It suffers from the fact that Daisy Jones & The Six and The Final Revival of Opal & Nev exist and it’s not as strong in comparison. This novel is sort of a thinly-veiled story of James Taylor and maybe Joni Mitchell set mostly on a fictionalized version of Martha’s Vineyard. I think there are some anachronisms to start with. For example, “What Would Jane Do” based on “What Would Jesus Do?” might be a bit out of time. While the WWJD saying goes back to the 1800s, its resurgence only dates to the 1990s. It felt out of place for Jane Quinn’s fans to pick it up. At one point, Jane’s record label guy (I forget what exactly his role was, but he discovered Jane) had an answering machine. I guess they existed prior to the 1980s, but they were not widely used. The fact that things DID exist doesn’t mean they were WIDELY USED, hence the feelings of anachronism. These were the two most glaring issues, but they were not the only ones. The other issue was a spoilery plot point. I won’t divulge it, but it felt like a cheat when it was revealed because the author used third-person limited and focused on Jane. It’s one thing for Jane to keep something from Jesse, but it’s another for her to keep it even from the reader. I understand why the author felt the need to save the secret, but I didn’t like the way it was handled, and it was at that point that the book lost me. If you’re going to have a protagonist lie to the reader, you need to pull it off with a bit more finesse. I finished it because I’d become invested, and I did enjoy part of the journey, which is why it ultimately landed on 3.5 stars.

Reading Roundup: May-June 2021

I haven’t written any reviews in a couple of months as I prepared to defend my dissertation and had little time to do much of anything but that, but the good news is that I am now Dr. Huff! Here is a picture of me and my dissertation committee right after my dissertation chair referred to me as Dr. Huff for the very first time.

Dana Huff Dissertation Defense

I can’t remember if I have written about it here or not, but I joined Noom and lost nearly 40 pounds since November 2020. One of the things I did to get active and lose weight was take up walking. I walk at least 10,000 steps each day, usually more. As I walk, I listen to audiobooks, which has pretty much been the only way I’ve been able to read as much as I have over this year. Here are some quick reviews of the books I read in May and June (so far).

I read and enjoyed Christopher Moore’s The Serpent of Venice, which is actually this book’s sequel, so after my husband and I listened to King Lear on audio, we decided to try this. If you like Python-esque humor, you’ll appreciate Christopher Moore.

This is a stellar book, and I’m glad I listened to it as I was able to rely on the narrator’s fluency with Vietnamese. I can see why the Goodreads review mentioned the books by Lee, Gyasi, and Ratner (all of which I’ve also read). If you liked any of those books, you will like this one for sure. I read this book as my selection for the Book Voyage Challenge’s book set in South Asia.

I learned so much from this book. I haven’t read very much about immigration and racism outside of the United States, and this book opened my eyes to a great deal of history I didn’t know. I really enjoy multigenerational family sagas. I read this book as my selection for the Book Voyage Challenge’s book set in North Asia. I read these last two books out of order, as I mistakenly thought the book set in South Asia was for April, but it was actually the book set in North Asia.

This book was given to me in a wonderful book swap I participated in via Twitter. I probably never would have picked it for myself, even though I love reading food histories. I learned a lot in this book, not the least America’s adoption of Chinese-American cuisine. I knew some of the fraught history with immigration, but there was still much to learn on that front as well.

I also re-read King Lear and A Thousand Acres.

These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, Martha Ackmann

These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, Martha AckmannThese Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson by Martha Ackmann
Published by W. W. Norton Company on February 25, 2020
Genres: Poetry, Nonfiction
Pages: 304
Format: Hardcover
Buy on Amazon
Goodreads
five-stars

An engaging, intimate portrait of Emily Dickinson, one of America’s greatest and most-mythologized poets, that sheds new light on her groundbreaking poetry.

On August 3, 1845, young Emily Dickinson declared, “All things are ready”—and with this resolute statement, her life as a poet began. Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer.

In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, her startling decision to ask a famous editor for advice, her anguished letters to an unidentified “Master,” her exhilarating frenzy of composition, and her terror in confronting possible blindness. Together, these ten days provide new insights into Dickinson’s wildly original poetry and render a concise and vivid portrait of American literature’s most enigmatic figure.

I have been waiting to read Martha Ackmann’s biography of Emily Dickinson, These Fevered Days, for a few years. Ackmann was one of my instructors at a weeklong workshop on Emily Dickinson’s life and work sponsored by National Endowment for the Humanities. In fact, she read the second chapter of this book to us during one session. At that time, she was contemplating calling the book Vesuvius at Home.

The conceit of this book, that ten days changed Emily Dickinson so that she was “different, say, at ten o’clock at night from how she was at ten o’clock that morning” (xviii), is novel and works well, especially considering Dickinson’s life has been the subject of much biographical writing (in spite of her more interior existence). While Ackmann engages in a bit of speculation about what her book’s subjects were thinking or doing, it rings true, and I know for certain that Ackmann’s conjecture is based on solid research. For example, she obtained permission from the Director of the Emily Dickinson Museum to go into the attic of the Dickinson home so that she could ascertain the “certain slant of light” in the room and read Shakespeare aloud, as Dickinson did, in order to determine what that experience was like so that she could render it properly. Dickinson proclaimed that “the rafters wept” at her own reading. Ackmann has also taught a course at Mount Holyoke on Emily Dickinson for years—even bringing her students into the Dickinson home to study her work. Having been a student of Ackmann’s for only week, I’m still not afraid to say she has lived and breathed the poet’s life and work for years, and that knowledge shines forth in this book. The final chapter on Dickinson’s final day of life is rendered especially poignant. Rather than witnessing the passing of a great poet, Ackmann made me feel like I had witnessed the passing of an old and great friend.

Even if you’ve read biographies of Dickinson before, you’ll want to read this book for its intimate portrait of the moments that changed Dickinson’s life. As Ackmann acknowledges, other Dickinson scholars might choose different days, but Ackmann focuses on the following:

  1. The day Dickinson decided to write.
  2. Dickinson’s decision not to commit herself to Christ at the behest of Mary Lyon, principal of Mount Holyoke Female Seminary, where Dickinson was attending school.
  3. Emily Dickinson’s first publication (despite popular belief, she did publish a few works anonymously in her lifetime).
  4. Dickinson’s decision to bind her poems together in fascicles and preserve them (Christanne Miller’s book Emily Dickinson’s Poems: As She Preserved Them is a wonderful resource for more on this).
  5. Dickinson’s work on F124 “Safe in their Alabaster Chambers” with her sister-in-law Susan Gilbert Dickinson’s advice.
  6. Dickinson’s remarkable decision to write to Thomas Wentworth Higginson (who was living in my home city of Worcester, MA at the time) after reading his article “Letter to a Young Contributor” in The Atlantic Monthly and begin a lifelong correspondence and friendship.
  7. Dickinson’s brush with blindness.
  8. The first meeting of Emily Dickinson and Thomas Wentworth Higginson.
  9. The publication of Dickinson’s poem F112 “Success is Counted Sweetest” in the No Name series after much cajoling by her friend Helen Hunt Jackson.
  10. The day Emily Dickinson died.

Reading this book was extra special for me because I had the opportunity to visit Dickinson’s home on several occasions, and I was even permitted to take photographs. I was able to visualize the moments Ackmann describes with greater clarity—I felt like I was there, and not only because of my memories of the Dickinson homestead but also because of Ackmann’s precise description.  Check out Ackmann’s article at The Paris Review for some exquisite photos of Emily Dickinson’s dress. Even though the dress on display at the museum is a copy, I’ll never forget the first time I saw it. I was visiting Amherst for my birthday, and we were touring the Dickinson home. Our guide led us upstairs, and the dress was there on the landing. The light streamed in through the window and illuminated it. It truly took my breath away. One might almost have thought Emily Dickinson herself was standing there. After that thought, my second thought was, “She was so tiny!”

Emily Dickinson means a lot to me. Her poetry brought me comfort after a very difficult loss. Martha Ackmann’s book is well worth your time if you’d like to indulge in a delightfully intimate portrait of the poet in some of her most momentous events.

Emily Dickinson's Bedroom
Emily Dickinson’s Bedroom © Dana Huff
Emily Dickinson's Grave
Emily Dickinson’s Grave © Dana Huff

Note: Please do not reproduce these images. I am permitted to share them as long as I do not seek to profit from them, but I am not able to control what happens to them once they are stolen, and I have pursued websites with DMCA takedown notices for taking these images without permission or credit.

five-stars

Midyear Catchup Reviews

Riss Design

Grad school has certainly cut into my reading, but I knew going into my degree program that something would need to give. I am still doing a ton of reading, but it’s mostly scholarly articles and research. I did manage to read a few things I haven’t had a chance to review on my blog, though.

My husband and I listened to Esi Edugyan’s Washington Black, read by Dion Graham, who was an excellent narrator. The novel is the story of Washington Black, who is enslaved on a sugar plantation in Barbados when he meets Christopher “Titch” Wilde, a scientist and inventor who changes Washington’s life. The two men embark on an adventure in a balloon that takes them all the way to the North Pole.

I really liked this one. It’s part historical fiction and part fantasy and part road trip. Some reviewers I’ve read mention the book drags a bit in the second half, and I would agree with that assessment, but nothing put me off wanting to finish it. If you haven’t read it, definitely pick it up, and I can’t recommend Dion Graham’s narration highly enough. Rating: ★★★★★

Heart and Soul: The Story of America and African Americans is a children’s book that came across my radar at an English teacher conference I usually attend each year. This book is an incredibly illustrated series of vignettes in African-American history as told by a grandmotherly narrator. Kadir Nelson both writes an illustrates the story. I plan to use it as a mentor text in my Social Justice class next school year. This is one of those books I wish I had as a kid. I loved reading about science and history, and I believe this one would have fascinated me. What I loved most about it is that anyone of any age can enjoy it. It’s perfect to share with children, but it’s one of those books I think the adults would enjoy as much as the kids, and it would be perfect for storytime. An instant classic! Rating: ★★★★★

Kwame Alexander collaborated with Kadir Nelson on The Undefeated. This is another book I bought as a mentor text for my students. The Undefeated is a poem by Kwame Alexandar that celebrates the strength and resilience of African Americans. Once again, this is a children’s book that will appeal to all ages. Adults will enjoy the references to historical figures, and children will enjoy the wordplay and images—actually, adults will enjoy those, too. Kadir Nelson’s artwork is brilliant, yet again, and reading these two books made me want to search out everything he writes and/or illustrates. You can check out a video trailer for the book below. Rating: ★★★★★

 

 

Sunday Post #1: Resolutions

Sunday PostI’m very excited to have found a new-to-me book meme in the Sunday Post.

I discovered the that house that may have inspired Mr. Darcy’s estate is for sale, and I was curious, so I did a quick Google search, and I thought I must have seen that house in a Jane Austen movie, but IMDb doesn’t list the house as a shooting location for any of them. However, two of my favorite books, which I didn’t know had been adapted for film, did appear as shooting locations: Jonathan Strange & Mr. Norrell and The Thirteenth Tale. What gives? Why are we not hearing about these movies/series in the US? Anyone know? If nothing else, the success of shows like Downton Abbey and Doctor Who must have proven we have fairly sizable appetite for British television over here in the States. I haven’t heard a thing about either production. A quick Amazon search reveals you can purchase the The Thirteenth Tale as a DVD import, but it’s pricey and most likely won’t work with US DVD players. I really want to see it. It looks like maybe Jonathan Strange and Mr. Norrell will be on BBC America some time this year.

This week, I started reading Kathleen Kent’s second novel, The Wolves of Andover, which appears to have been reissued and retitled The Traitor’s Wife. Kathleen Kent’s website doesn’t explain the change in title. I had the opportunity to meet Kathleen Kent at an English teachers’ conference some years ago, which is when I originally purchased this book—actually, now that I’m thinking, I can’t remember if I did purchase it or if it was provided for free. In any case, I would had purchased it even if I hadn’t gone to conference and met Kent because I enjoyed her first novel, The Heretic’s Daughter. I suppose the change in title was meant to echo the title of that first novel, as both are about the Carrier family in Massachusetts. The first novel is mainly the story of Thomas and Martha Carrier’s daughter, Sarah. Martha Carrier was one the accused in the Salem Witch Trials, and her children were made to testify against her. The Wolves of Andover or The Traitor’s Wife is the story of how Thomas and Martha Carrier met and married. Here’s the trailer:

I have had the book for a long time. I was able to get it signed, and it’s dated, so you can see how long it was on my shelf before I picked it up:

The Wolves of AndoverKind of ridiculous, given I really do and did want to read it. I have had sort of a mediocre couple of reading years in 2013 and 2014, so I’m hoping 2015 will be better. So far, so good. I was able to complete three books and reviews during the first week of January:

I especially loved the first and third, which are new favorites.

I made a resolution, of sorts, to do more with this blog. I do review all the books I read, but aside from that, there isn’t as much discussion of books and reading as I would like, so I hope that participating in a few weekly memes and sharing news, questions, and other reflections might help me. Every year, it seems, I rediscover some time in December, when I’m on winter break (which can’t be a coincidence), how much I love writing on this blog. Then I get busy, and I don’t read as much as I want to, and weeks go by with no updates. It doesn’t have be all about reviews, and I often say that we make time for the things we value. If I truly value blogging here, I should make the time for it. I also need to give myself permission to make it whatever I like. It’s a reading blog, yes, but it’s also my blog, and if I want to write about other things, that should be okay. I second guess myself about writing on other topics a lot, however.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme.

Summer Reading: Greek and Roman Myth

ancient greece photo

I have been taking an online course in Greek and Roman Mythology offered by Penn State through Coursera. I have just two weeks left, and most of my reading this summer has been for this course. I have fallen a bit behind in documenting my reading as well, which is something I hope to fix. I thought, however, that I would share the texts we have read, along with my brief reviews.

First, we read Fagles’ translation of [amazon_link id=”0140268863″ target=”_blank” ]The Odyssey[/amazon_link]. As I had so recently listened to Ian McKellen read Fagles’ translation, I opted not to re-read it, and I seemed to do just fine with the coursework.

The next text was Hesiod’s [amazon_link id=”019953831X” target=”_blank” ]Theogony[/amazon_link]. I had never read the Theogony before, and I admit I found parts of it quite interesting, at least in terms of origins for some of the popular myths with which I was familiar, including the displacement of Cronus by Zeus. This particular translation renders Uranus and Gaia as Heaven and Earth, respectively, and I admit because of unfamiliarity with the myths, I had to look that up. I think I would have liked it had their names not been translated. I found it interesting to learn, through the lectures, that the translation of “Chaos,” rendered in this translation “Chasm,” is not disorder so much as a void, which seems much more in line with the concept of the Big Bang and a move increasing toward entropy rather than away from it. In all, however, Theogony reads a little more like the “begats” in the Bible, and is not nearly as interesting as the other texts we read, though I can see why we read it.

Next we read two [amazon_link id=”0872207250″ target=”_blank” ]Homeric Hymns[/amazon_link]: the Hymn to Demeter and the Hymn to Apollo. The Hymn to Demeter recounts the story of Hades and Persephone, and the Hymn to Apollo recounts both Apollo’s birth and establishment of his Oracle at Delphi. For some reason, I didn’t get the requested translation, and I think the translations I used were a bit flowery and probably not as good. I don’t remember finding them to be all that gripping. To be honest, I can’t remember what I read much at all, which is probably not a good sign.

Afterward, we moved into Greek tragedy and read Aeschylus’s [amazon_link id=”0226307905″ target=”_blank” ]Agamemnon[/amazon_link] and [amazon_link id=”0226307913″ target=”_blank” ]Eumenides[/amazon_link]. When I was in high school, I got my hands on a list—I think I found it in a book—of texts all high school students should read in order to prepare for college. I knew my high school reading was sorely lacking, partly because I had moved so much that I went to three different high schools, and partly because we just didn’t read much. I read a lot of the books you probably remember reading in high school on my own. At any rate, Agamemnon was on that list, and I tried to read it back then and gave up. Reading it now, I think I can see why. For a play in which some interesting stuff happens, we sure don’t get to see any of it. It’s mostly some back-and-forth between Clytemnestra and the Chorus. I liked Eumenides better, mainly because it was an interesting look at jurisprudence, which was also how the course’s professor approached the play in his lectures. Talk about being damned if you do and damned if you don’t! Orestes must avenge his father’s murder, but in so doing, he must kill his mother, invoking the wrath of the Furies.

After this point in the course, I fell behind. I was supposed to read [amazon_link id=”0226307905″ target=”_blank” ]Oedipus Rex[/amazon_link] (which I have actually already read and taught before) and [amazon_link id=”0226307913″ target=”_blank” ]The Bacchae[/amazon_link], but I haven’t finished either one yet. Reviews to come once I do. I has been a long time since I read Oedipus Rex, but I am enjoying it great deal more than I liked either of the Aeschylus plays. However, I have had to put these readings aside in order to try, as much as possible, to catch up because this week, I was supposed to have read Books 1-5 of [amazon_link id=”0679729526″ target=”_blank” ]The Aeneid[/amazon_link] translated by Robert Fitzgerald, and I have to read Book 6 for next week as well as Books 3, 12, and 13 of Ovid’s [amazon_link id=”014044789X” target=”_blank” ]Metamorphoses[/amazon_link].

I think the texts were well chosen in terms of a good introduction to Greek and Roman myth, and I have to say I have learned a great deal from the lectures. I do happen to think that the pace of the course is too fast and the demands are too high for a Coursera course. I think a lot of people take Coursera courses to dip in a learn a little bit, and honestly, this one is as demanding as a normal college course in terms of time. However, it is a great course, and no one is twisting your arm making you take the quizzes or write the essays—you only do that if you want a certificate. But you know me. I have to be Hermione Granger about it. As a result, I don’t think I’ve had a chance to really savor what I’m learning. In fact, I can’t keep up.

Photo by uzi yachin

The Trouble with Amazon Reviews

Amazon reviews can be helpful. I find them particularly valuable when I’m buying an appliance I’m not too sure about, but I admit that there are some aspects of Amazon reviews—of all types—that I find problematic. I never rely on Amazon book reviews, for instance.

In order to present my case, I selected a book I read in the last few years, Jude Morgan’s [amazon_link id=”B004P5OPAW” target=”_blank” ]Charlotte and Emily: A Novel of the Brontës[/amazon_link]. You can read my review of this book here. For the record, I loved it.

Charlotte and Emily by Jude MorganForgive the apostrophe error in the title; it’s not mine. Note that the book is rated at 4.5 stars with only 12 reviews.

On Goodreads, the same book:

Charlotte and Emily by Jude Morgan The rating is 3.76 stars with 120 reviews and 471 ratings.

To be fair, this book’s title in the UK is The Taste of Sorrow (much better title, but the publisher likely thought Americans wouldn’t get it), and Goodreads compiles reviews for both titles. Amazon does not, so I searched for that book and found only 5 more reviews (all 5-stars). Amazon UK’s site has 58 reviews for The Taste of Sorrow averaging 4 stars.

The first issue I see is that literary fiction, especially from authors who are not as well known (especially in the US), don’t receive a lot of reviews on Amazon. Compare the number of ratings for each book. The novel was rated only 12 times by Amazon reviews, but it received 471 total ratings, 120 of which also had written reviews, on Goodreads. As a result, one review, either direction, makes a big difference. With books that receive a large number of Amazon reviews, the ratings tend to even out to numbers that resemble those on Goodreads more closely, but for niche books that don’t have a wide audience, Amazon isn’t often that helpful for readers trying to decide whether or not to read a book.

Amazon requires written reviews; readers cannot simply rate a book on a star system without writing an explanation of their rating. While I find that requirement helpful, as often understanding the reason for the review helps me more than a simple star-rating, I can understand why some people might not want to bother.

On the other hand, I find Amazon reviews often focus on the packaging or some other insignificant detail of the book when what I want to know is whether it’s a good book or not. I find it maddening that so many Amazon reviewers still do not understand this concept: the review is for the product itself, not for the service, the packaging, or any other element. I don’t care if it was packaged well and arrived promptly.

One recent trend I’ve noticed on Amazon is for reviewers to write amusing, over-the-top reviews for products that it’s clear they haven’t used, but that they find funny. A case in point is the product page for Sugar Free Gummi Bears, which has pretty much devolved into TMI toilet humor. It’s so bad that the same kind of reviews are being written on the product pages for regular Gummi Bears, which, to my knowledge, do not seem to have the same purported laxative effect as the sugar-free ones. Amazon doesn’t do anything to prevent these kinds of reviews. I don’t want to be a downer, as I actually do think these kinds of reviews can be fun (maybe not the Gummi Bears in particular, but you have to admit the reviews for the Mountain’s Three Wolf Moon tee-shirt are classic). I like amusing reviews. I just want to know that people who are reviewing a product are familiar with it and not just writing reviews to be funny. There is a way to write funny reviews that are also helpful.

A final issue I have with Amazon reviews is that you can rate reviews as either helpful or not. A lot of people use this function exactly as it’s supposed to be used: to upvote reviews that are particularly helpful and downvote reviews that are not helpful. However, a significant number of Amazon users use this feature to downvote reviews with which they disagree, especially if you didn’t like a book they loved or if you loved a book they hated. Or perhaps because they’re capricious and/or ignorant. Who knows?

One of the reasons I started a book blog many years ago is that I didn’t like reviewing my books on Amazon, for all the reasons I’ve shared here. Had Goodreads existed back when I started this blog, the blog might not exist, as I still find Goodreads very helpful and probably would have decided to write books reviews there. Barnes and Noble, with its focus on books and more literary bent, is also helpful, though it suffers from the same issues with literary fiction as Amazon: Charlotte and Emily has only 7 reviews on their site.

I very rarely write Amazon reviews, but at this stage, I think I’m giving up on writing them completely. Any authors who share books with me with the hopes of seeing them reviewed on Amazon have a right to know so that they can decide whether they want to share books if they will be reviewed only on my blog, Goodreads, and Shelfari. I think Amazon’s review system is broken, and I believe sharing my reviews in these other venues is ultimately more helpful, even if fewer people will read them.

None of my concerns about Amazon reviews prevent me from purchasing products from the site, but they prevent the site from being as useful as it might be.

The Fellowship of the Ring, J.R.R. Tolkien, Rob Inglis

The Fellowship of the Ring (The Lord of the Rings, Book 1)I have been listening to Rob Inglis’s audio recording of J.R.R. Tolkien’s The Fellowship of the Ring while making soap. He’s a fantastic reader, and I thoroughly enjoyed listening to him read Tolkien. In particular, Inglis does a fabulous job with all the songs in Tolkien. Case in point, I have never much cared for the Tom Bombadil section of The Fellowship of the Ring, though I did enjoy the part where he rescued the hobbits from the barrow wights; however, this time, I quite enjoyed the magical old fellow. Same with Galadriel’s songs. His voice characterizations are quite good. I think Aragorn comes off as sounding a bit too old, but I have no other complaints. Inglis’s characterization of the hobbits is particularly good.

I decided to re-read these stories some time ago, but I find I often become bogged down in the middle of [amazon_link id=”0547928203″ target=”_blank” ]The Two Towers[/amazon_link] somewhere. I decided perhaps listening to the books might work better for me, but the books have only recently become available on Audible. If you haven’t heard them before, give Rob Inglis’s reading a chance. He’s one of the best readers I have heard, and I can’t imagine that Tolkien himself wouldn’t approve heartily of Inglis’s rendition of his work.

Rating: ★★★★★