Review: Crazy Horse and Custer: Born Enemies, S. D. Nelson

Review: Crazy Horse and Custer: Born Enemies, S. D. NelsonCrazy Horse and Custer: Born Enemies by S.D. Nelson
Published by Harry N. Abrams ISBN: 1419731939
on November 9, 2021
Genres: Biography, Childrens, History, Nonfiction, Young Adult
Pages: 144
Format: Hardcover
Source: Library
Buy on Amazon
Buy on Bookshop.org

This post contains affiliate links you can use to purchase the book. If you buy the book using that link, I will receive a small commission from the sale.

Goodreads
four-stars

With photographs and stunning illustrations from acclaimed author-artist S.D. Nelson, this thrilling double biography juxtaposes the lives of two enemies whose conflict changed American history: Crazy Horse and George Custer.

In 1876, Lakota chief Crazy Horse helped lead his people’s resistance against the white man’s invasion of the northern Great Plains. One of the leaders of the US military forces was Army Lt. Col. George Armstrong Custer. The men had long been enemies. At the height of the war, when tribalism had reached its peak, they crossed paths for the last time.

In this action-packed double biography, S. D. Nelson draws fascinating parallels between Crazy Horse and Custer, whose lives were intertwined. These warriors were alike in many ways, yet they often collided in deadly rivalry. Witness reports and reflections by their peers and enemies accompany side-by-side storytelling that offers very different perspectives on the same historical events. The two men’s opposing destinies culminated in the infamous Battle of the Greasy Grass, as the Lakota called it, or the Battle of the Little Bighorn, as it was called by the Euro-Americans.

In Crazy Horse and Custer, Nelson’s gripping narrative and signature illustration style based on Plains Indians ledger art, along with a mix of period photographs and paintings, shines light on two men whose conflict forever changed Lakota and US history. The book includes an author’s note, timeline, endnotes, and bibliography.

This book approaches the biographies of Crazy Horse and George Armstrong Custer by drawing parallels between their lives. It is striking that the two men who would face each other at the Battle of Little Bighorn were born a year apart and died a year apart. I appreciated that Nelson did not engage in the hagiography of either man but instead demonstrated their humanity, flaws and all. Truthfully, though, it’s hard for Custer to come across well to a modern reader, revered as he might have been at the time of his death. The author even points out that in our current time, Crazy Horse is largely admired while Custer is reviled.

I first became interested in this history when I saw the film Little Big Man as a middle schooler. It’s a great film and one of the first (if not the very first) revisionist Western. Though the main character is a White man who is kidnapped by Cheyenne as a child and assimilated into the tribe, some (though admittedly not all) of the Cheyenne characters are played by Native actors, and indigenous people are shown in a more sympathetic light than Hollywood had traditionally depicted them. After seeing this film, I started to read about what happened with Custer, who is a character in the movie.

This book seems to be pitched to late middle-grade readers. I admit I learned a lot I didn’t know about both men. I had no idea Custer and his father were pro-slavery, for example. I knew next to nothing of Crazy Horse’s biography. The book is organized into short chapters that alternate between the biographies of both men. The author explains that he feels uniquely qualified to tell this story as the descendant of a Lakota woman who married a White man who had served under Custer in the Army until being honorably discharged before the Battle of Little Bighorn.

Though the intended audience for this book is probably middle schoolers, anyone with a passing interest in the history of the so-called Indian Wars might enjoy reading this book. I appreciated the author’s artwork as part of the storytelling as well. Crazy Horse and George Armstrong Custer both come alive in the pages of this book.

four-stars

November Reading Round-Up

I haven’t had much time to do reviews lately, so I’m going to gather up a few short reviews for books I’ve read since finishing the last book I reviewed, Sourdough Culture. I re-read Toni Morrison’s Song of Solomon and Colson Whitehead’s The Underground Railroad as I was teaching both books this month. I tried something I have never done before I listened to both books as I took my daily walks at 1.3x speed. I found I was able to keep up and get through the readings more quickly. I’m not sure it would work with books I’ve never read before, but it was a great timesaver for re-reading books I needed to read for work.

I also re-read Frankenstein along with Michael Ian Black’s podcast Obscure. It was interesting, as Michael pointed out some of the book’s flaws, and I have to admit I hadn’t noticed these storytelling issues in the past, largely, I believe, as a result of English teacher conditioning. I’d be the first to admit not all classics are great, but it was interesting to read this book along with someone who didn’t like it.

November Reading Round-UpThe 1619 Project: Born on the Water by Nikole Hannah-Jones, Renée Watson, Nikkolas Smith
Published by Kokila ISBN: 0593307356
on November 16, 2021
Genres: Childrens
Pages: 48
Format: Hardcover
Buy on Amazon
Goodreads
five-stars

The 1619 Project’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson. A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

This book was outstanding. I often purchase children’s books for classroom use even though I teach high school because if you can explain a topic to a child, pretty much anyone can understand it. Over the last five years or so, in particular, children’s publishing has made a much greater effort to incorporate books about children of color by authors of color. They still have a way to go, but it’s important for all children to see themselves in books, and it’s also important for all children to learn about people who are different from them. Dr. Rudine Sims Bishop developed the term “mirrors, windows, and sliding glass doors” to explain this concept. The sliding glass doors are an invitation to enter, to go inside. I was able to attend a keynote at a recent English teacher’s conference in which the author Nikole Hannah-Jones and illustrator Nikkolas Smith discussed the making of this book, and it was fascinating to hear about the way Smith developed the artwork, which is gorgeous. What I love most about this book is the counternarrative it offers to a colonist’s perspective that an indigenous culture had no culture. Naturally, this is never true, but it’s a lie that is often told to justify treating people as less than human. This would be a great gift for any child’s library, and it should also be in every school and classroom library.

November Reading Round-UpGrace: Based on the Jeff Buckley Story by Tiffanie DeBartolo, Pascal Dizin
Published by First Second ISBN: 159643287X
on April 28, 2019
Genres: Biography
Pages: 160
Format: Paperback
Buy on Amazon
Goodreads
three-stars

A moving graphic biography for music lovers, Grace: The Jeff Buckley Story is painstakingly researched and created in collaboration with Jeff Buckley's estate.

California, 1991. All his life, people have told Jeff Buckley how much he looks like his father, the famous ’60s folksinger he barely knew. But Jeff believes he has gifts of his own: a rare, octave-spanning voice and a songwriting genius that has only started to show itself. After he falls in love with a mysterious girl in New York, he sets out to make a name for himself outside his father’s shadow. What follows are six turbulent years of music, heartbreak, hope, and daring—culminating in a tragedy that’s still reverberating in the music world today. Written by Tiffanie DeBartolo and with art by Pascal Dizin and Lisa Reist, this graphic novel biography uses archival material provided by Jeff’s mother, Mary Guibert, to reveal the young songwriter in the process of becoming a legend.

This book was good. Let me start by saying that I’m a huge fan of Jeff Buckley’s, and I have been for a long time. I recently went to see a touring production of Hadestown with my husband, and once my husband pointed out that Orpheus was giving off Jeff Buckley vibes, I couldn’t unsee it. I listened to the off-Broadway production and discovered that Damon Daunno pretty much sounds just like Jeff Buckley.

And he even resembles him a bit. Broadway performer Reeve Carney has been tapped to play Jeff Buckley in a film production based on the artist’s life. I remembered I had this graphic biography on my wishlist, so I went ahead and purchased it. I felt that at times, the story was not treated with seriousness, but this feeling has more to do with the art than the writing. I really didn’t care for the art; the cover led me to believe I’d be seeing something different inside the book, and while some of the art was fantastic, most of it was too cartoony. The story sort of peters out after Buckley records Grace, and I would have liked to have seen more of his story. The book seems to imply that Buckley committed suicide, which is a rumor that has been given no credit by anyone who knew him.

November Reading Round-UpWe Are Still Here!: Native American Truths Everyone Should Know by Traci Sorell, Frané Lessac
Published by Charlesbridge Publishing ISBN: 1623541921
on April 20, 2021
Genres: Childrens
Pages: 40
Format: Hardcover
Buy on Amazon
Goodreads
five-stars

Twelve Native American kids present historical and contemporary laws, policies, struggles, and victories in Native life, each with a powerful refrain: We are still here! Too often, Native American history is treated as a finished chapter instead of relevant and ongoing. This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

This was another classroom library purchase, and I think it explains very succinctly what issues indigenous people have experienced with settler colonialism in the USA. I was not surprised to learn one of the sources for the information was David Treuer’s The Heartbeat of Wounded Knee. I learned much of the information covered in this children’s book from Treuer’s book. However, as I said before, if you can explain it to a child, you can explain it to anyone. One of the reviewers on Goodreads complained this would not make a great read-aloud for children, and I would say I agree with that assessment. It’s more of an information text for people of all ages who want to learn about the issues the book discusses.

November Reading Round-UpChange Sings: a Children's Anthem by Amanda Gorman, Loren Long
Published by Viking Books for Young Readers ISBN: 0593203224
on September 21, 2021
Genres: Childrens
Pages: 32
Format: Hardcover
Buy on Amazon
Goodreads
five-stars

A lyrical picture book debut from Youth Poet Laureate Amanda Gorman and illustrator Loren Long. “I can hear change humming/ In its loudest, proudest song. / I don’t fear change coming, / And so I sing along.” In this stirring, much-anticipated picture book by inaugural Youth Poet Laureate and activist Amanda Gorman, anything is possible when our voices join together. As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves.

In contrast to the previous book, this book was made for read-alouds, and it’s no wonder, as Amanda Gorman is a brilliant young poet. This book’s catchy language will appeal to people of all ages, as well. I would highly recommend it to anyone thinking of gifts for children, especially. I’m not sure if it has a place in my classroom library, as it doesn’t focus on a single issue, though the artwork makes it clear the book is about community organization. I think that’s what would make the book appealing to children, however. It’s a beautifully written and beautifully illustrated book.

Update 12/2: I have removed the name of one of the illustrators of Grace by request. I retrieve all metadata on books from Goodreads.

Midyear Catchup Reviews

Riss Design

Grad school has certainly cut into my reading, but I knew going into my degree program that something would need to give. I am still doing a ton of reading, but it’s mostly scholarly articles and research. I did manage to read a few things I haven’t had a chance to review on my blog, though.

My husband and I listened to Esi Edugyan’s Washington Black, read by Dion Graham, who was an excellent narrator. The novel is the story of Washington Black, who is enslaved on a sugar plantation in Barbados when he meets Christopher “Titch” Wilde, a scientist and inventor who changes Washington’s life. The two men embark on an adventure in a balloon that takes them all the way to the North Pole.

I really liked this one. It’s part historical fiction and part fantasy and part road trip. Some reviewers I’ve read mention the book drags a bit in the second half, and I would agree with that assessment, but nothing put me off wanting to finish it. If you haven’t read it, definitely pick it up, and I can’t recommend Dion Graham’s narration highly enough. Rating: ★★★★★

Heart and Soul: The Story of America and African Americans is a children’s book that came across my radar at an English teacher conference I usually attend each year. This book is an incredibly illustrated series of vignettes in African-American history as told by a grandmotherly narrator. Kadir Nelson both writes an illustrates the story. I plan to use it as a mentor text in my Social Justice class next school year. This is one of those books I wish I had as a kid. I loved reading about science and history, and I believe this one would have fascinated me. What I loved most about it is that anyone of any age can enjoy it. It’s perfect to share with children, but it’s one of those books I think the adults would enjoy as much as the kids, and it would be perfect for storytime. An instant classic! Rating: ★★★★★

Kwame Alexander collaborated with Kadir Nelson on The UndefeatedThis is another book I bought as a mentor text for my students. The Undefeated is a poem by Kwame Alexandar that celebrates the strength and resilience of African Americans. Once again, this is a children’s book that will appeal to all ages. Adults will enjoy the references to historical figures, and children will enjoy the wordplay and images—actually, adults will enjoy those, too. Kadir Nelson’s artwork is brilliant, yet again, and reading these two books made me want to search out everything he writes and/or illustrates. You can check out a video trailer for the book below. Rating: ★★★★★

 

 

Review: A Wrinkle in Time, Madeleine L’Engle

Review: A Wrinkle in Time, Madeleine L’EngleA Wrinkle in Time (Time Quintet, #1) by Madeleine L'Engle, Anna Quindlen
Published by Square Fish ISBN: 0312367546
Genres: Classic, Fantasy/Science Fiction, Young Adult
Pages: 247
Buy on Amazon
Goodreads
four-stars

Meg Murry and her friends become involved with unearthly strangers and a search for Meg's father, who has disappeared while engaged in secret work for the government.

I first read this novel in elementary school, probably fourth or fifth grade. I decided I wanted to see the movie, but since it had been so long since I had read the book, I thought I should read it again.

Wrinkle in Time Old Cover
The cover of the copy of A Wrinkle in Time I had when I was a kid.

Things I remembered:

  • Meg Murry is pretty badass.
  • Charles Wallace is an awesome character.
  • Mrs. Whatsit, Mrs. Who, and Mrs. Which are a lot of fun.
  • There is this thing called a tesseract, and Meg has to save her father.

Things I had no memory of whatsoever:

  • The religious overtones.
  • Wow, Meg and Calvin got really close fast, didn’t they?
  • Just how long Meg’s father had been gone.

New observations:

  • Meg and Charles Wallace might be on the autism spectrum. My children are, and Meg and Charles Wallace remind me of them.
  • The storyline really moves fast. I mean, much faster than I remembered. Almost too fast (see below).

I haven’t read a middle grades novel in a long time, and I kept thinking, hold up! You’re going too fast! You need to develop that a bit more! I thought maybe, well, this is the speed you need to go with middle grades fiction, but after finishing the book, I’m not so sure. I think some parts were just unevenly developed. As a result, I didn’t buy Meg and Calvin’s friendship. Too fast, even for a kids’ book. I forgot how creepy Camazotz was. In the end, IT was not as scary to me as the spreading darkness. Plus, hold up: what parent leaves a child behind on Camazotz like Mr. Murry does? Unthinkable. I will probably read the other books in the series because I never did read the whole series. I think I read A Wind in the Door. That’s probably it.

I’m counting this book as my children’s classic for the Back to the Classics Challenge.

four-stars

Review: Haroun and the Sea of Stories, Salman Rushdie

Salman Rushdie’s novel Haroun and the Sea of Stories is the story of Haroun Khalifa, the son of storyteller Rashid. Rashid has lost his “gift of gab” after his wife, Haroun’s mother, leaves him for the boring, clerkish Mr. Sengupta, their neighbor. The Khalifas live in the country of Alifbay in a sad city that has forgotten its name. When Rashid attempts and fails to tell a story at a political rally (he makes something of a career telling stories at such rallies), he is quite literally run out of town and must go to the Valley of K and redeem himself at a rally for Mr. Snooty Buttoo. Or else. Mr. Snooty Buttoo takes Rashid and Haroun out on the Dull Lake in a ship, and Haroun wakes in the night to find a Water Genie disconnecting his father’s invisible tap, from which all his stories spring. Haroun is whisked away by the genie to speak to the Walrus, leader of the Eggheads who control the Processes to Complicated to Explain on the moon of Kahani, or Story, where the societies of Gup and Chup are about to go to war over the pollution of the Sea of Stories and the kidnapping of Guppee princess Batcheat.

Haroun and the Sea of Stories is ostensibly a children’s or young adult book, but the philosophical underpinnings and questions it raises are definitely meant for people of all ages to ponder. It was the first book Rushdie wrote after the fatwa dictated by the Ayatollah Ruhollah Khomeini put Rushdie’s life in danger in an attempt to silence Rushdie’s own stories. It’s a fantastic novel that explores the complexities of where stories come from and what happens when they are “polluted” by those who would attempt to use them for their own ends or to silence them altogether. Motifs such as freedom of speech, the truth or reality of stories, creating meaning from stories in a modern world, and the purpose of stories and storytelling are at the center of what looks, at first blush, like a fantasy children’s tale. It’s a thoughtful meditation on the importance of stories. Rushdie apparently began telling the story orally to his son at bathtime, and it later evolved into this book.

I will start teaching it tomorrow to students in my ninth grade World Literature course. I should have finished the novel a long time ago, but it’s not been an easy year for me in a lot of ways, and perhaps it’s for the best that I waited to read it so that it is quite fresh for me. It means I wasn’t able to help as much as I wanted to with the initial planning of the novel, but I am blessed to have wonderful colleagues who stepped in when I wasn’t ready, and I feel I can contribute now. I’m so glad we picked this book, not just because it has a hero’s journey motif, which is one focus for the year, and not just because we were able to introduce an Indian author where previously we had a white British author, but also because it’s an excellent book that speaks to our schoolwide essential question: How do we honor and harness the power of our stories?

Rating: ★★★★★

Review: My Sister Lives on the Mantelpiece, Annabel Pitcher, narrated by David Tennant

I’m not going to lie. I downloaded this audio book because David Tennant is the narrator. I had been looking for a quick audio book, and started searching some of my favorite actors and actresses to see which ones they might have read, and that is how I found this book. Once I read a few reviews, I decided to give it a shot. So very glad I did.

My Sister Lives on the Mantelpiece is the story of Jamie Matthews. Jamie lives in London with his shattered family because, as the title says, his sister Rose’s ashes are in an urn on the mantelpiece. Well, most of them. After her death in a terrorist attack similar to the 7/7 bombings, Rose’s parents couldn’t agree about what to do with her remains. Five years later when Jamie is ten, Jamie’s mother leaves his father for a man in her grief support group. Jamie’s father moves Jamie and Rose’s twin sister Jas up to the Lake Country for a fresh start. As he starts drinking heavily and neglecting the children, Jamie begins to make friends with Sunya, a girl at school. The only problem is that she’s Muslim, and as Jamie’s father always says, Muslims killed his sister.

This book is absolutely charming, even though Jamie has such a hard time of it, mainly because of the humor with which Annabel Pitcher imbues Jamie. As maddening as almost all of the adults are, and as sad as Jamie’s experiences are, in Pitcher’s hands, the story is never maudlin or pathetic because Jamie isn’t. He copes with his absentee parents and struggles with his feelings about his father’s prejudice against Muslims with a sense of humor that sparkles. For example:

“I stared up at the sky and raised my middle finger, just in case God was watching. I don’t like being spied on.”

The characters, especially the children (but sadly, also the horrible adults) leap off the page with a delightful realism that might remind some of J. K. Rowling. I think the novel is a middle grade novel, as Jamie is ten, but truthfully, anyone of any age might enjoy it. Touching on grief, family strife, bullying, friendship, and racism, in less skilled hands it would be too much, or at the very least, it wouldn’t work. But Pitcher handles it beautifully. Moreover, the message about racism and prejudice is particularly important in the current political climate. I wish I knew more kids I could recommend the book to, but recommending it to you will have to do. Annabel Pitcher will make Jamie Matthews your new hero.

It probably goes without saying that David Tennant was an excellent narrator. I can always tell I am enjoying an audio book when I actually volunteer to do the dishes more than my fair share because I want to listen. His reading only underscores the book’s charm and humor.

It’s one of the best ones of the year for me.

Rating: ★★★★★
Audio Rating: ★★★★★

Jamie and his family move from London to Ambleside in Cumbria in the Lake District, so I’ll count it as a book set in Cumbria.

Review: The Last Battle, C. S. Lewis, narrated by Patrick Stewart

The Last Battle is the final book in C. S. Lewis’s Chronicles of Narnia series. It begins with an evil ape named Shift, who bosses around a donkey named Puzzle under the pretense of being the donkey’s friend. The two find a lion skin, and Shift gets the bright idea of having Puzzle wear it so they can fool everyone into thinking Puzzle is Aslan. A bunch of people believe it. There is a bit with some dwarfs. There is a centaur and a unicorn. The Pevensies, minus Susan, and Eustace, Jill, Digory, and Polly, are all pulled back to Narnia after a mysterious bit with a train. A bunch of people worship the evil god Tash and want him to come but aren’t very happy when he shows up.

I don’t know what heck I read.

Listen, I have no problem with Christian allegory. Despite what J. R. R. Tolkien thinks, a good case can be made for The Lord of the Rings as Christian allegory, especially if you put it with The Silmarillion. I also happen to be a Christian. However, in this novel, Lewis sacrificed the plot in favor of ham-handed allegory. And it’s not even good.

I was already prepared for the “problem of Susan,” as I had run into commentary on the subject prior to reading the book, but it bears mentioning that leaving Susan completely bereft of family because she’s a normal teenager is truly heinous. What, girls should not grow up and become women? That’s not pure enough?

But what really bothers me is that it’s supposed to be Christian allegory, and everyone’s killing people right and left. What the heck? I mean, I gather it’s more Revelations than Book of John, but still…

My advice to anyone who, like me, didn’t read these as a child and decides to read them as an adult is to read The Magician’s Nephew, The Lion, the Witch and the Wardrobe, Prince Caspian, and The Voyage of the Dawn Treader and leave it at that. Maybe The Horse and His Boy if you want to learn more about those characters, who only get a few mentions in the last couple of books and otherwise don’t figure much into the grand narrative. Stay far, far away from the final two books.

Racist, sexist, sloppily written, muddled, pile of crap. I don’t understand why a writer would desecrate his own writing like that. Patrick Stewart couldn’t save it, though his narration was brilliant. WORST. ENDING. EVER.

I so hate C. S. Lewis.

Book Rating: ½☆☆☆☆
Audio Rating: ★★★★★

Review: The Silver Chair, C. S. Lewis, narrated by Jeremy Northam

The Silver Chair (The Chronicles of Narnia)The penultimate book in C. S. Lewis’s Chronicles of Narnia is The Silver Chair. This book features the Pevensie siblings’ cousin Eustace Scrubb, who first appeared in The Voyage of the Dawn Treader, and Jill Pole, a classmate of Eustace’s at a boarding school called Experiment House. Eustace and Jill are being chased by bullies when they are magically whisked to Narnia and become embroiled in a quest to find the missing Prince Rilian, the son of King Caspian X, who is now an old man.

*Sigh*. Where to start with this hot mess. I didn’t like it from the start because it’s quite clear that Lewis is attempting to skewer progressive education in his characterization of Experiment House, but rather than create a good satire, he winds up sounding like an old fart who doesn’t know what he’s talking about (“Back in my day, we took switches to kids and prayed in school!”). Eustace and Jill are not nearly as likable as the Pevensies. Puddleglum is fun, but then I think I liked him mainly because of Jeremy Northam’s voice characterization—he had the best West Country accent. The male superiority is maddening. Jill actually says, “Where I come from, they don’t think much of men who are bossed about by their wives.” Um… What? I can’t imagine Lucy Pevensie saying such a thing. Yes, I know all about Susan being interested in lipstick and stockings in the next book. Which I will read to say I’ve read the whole series.

It’s clear Lewis was thinking of Sir Gawain and the Green Knight by having the Lady of the Green Kirtle kidnap and enchant Prince Rilian, but the stories diverge quite a bit aside from a passing similarity, which is a bit of a pity, because the rest of the plot is unremarkable. For a children’s book, the pace bogs down rather unforgivably once the characters go underground, and the plot is predictable from the start to the finish. Jeremy Northam’s narration, however, is superb. I just wish he had better material to work with. One thing I figured out after reading this book—I would love to visit Hogwarts and Middle Earth, but I have zero desire to go to Narnia.

Book Rating: ★★☆☆☆
Audio Rating: ★★★★★

Review: The Voyage of the Dawn Treader, C. S. Lewis, narrated by Derek Jacobi

C. S. Lewis’s fifth novel in The Chronicles of Narnia is The Voyage of the Dawn Treader. Lucy and Edmund Pevensie are visiting their terrible cousin Eustace Scrubb (who “almost” deserves the name) and are drawn back into Narnia through a picture of a ship hanging in a guest bedroom at their aunt and uncle’s house. They find themselves on King Caspian X’s ship the Dawn Treader, which is headed on a course to the Lone Islands to find the seven lords Caspian’s usurping uncle Miraz banished. Accompanying the king on his voyage are the ship’s captain, Lord Drinian, and the irrepressible mouse knight Reepicheep.

One of the things I liked about this book is that each of the characters, excepting Edmund, is tempted and tested. There aren’t any real enemies at the focus, as in first four books of the series. Of course, they encounter bad people, such as the slave traders, who must be vanquished before they can move on, but there is not one great enemy they must defeat, aside from themselves. Reepicheep is probably one of Lewis’s best characters. He’s fearless and adorable at the same time. He deserves his own series. I suppose he might be why we have Brian Jacques’s [amazon_link id=”0142302376″ target=”_blank” ]Redwall[/amazon_link] and Kate DiCamillo’s [amazon_link id=”0763625299″ target=”_blank” ]The Tale of Despereaux[/amazon_link].

I was reminded several times of the Camelot knights’ quest for the Holy Grail as I read. For instance, the scene in which the children encounter the three hairy sleeping men at the banquet table and the resulting quest to go to the uttermost East and leave one of their company behind there reminds me of [amazon_link id=”0140445218″ target=”_blank” ]Sir Percival’s story in the Grail quest[/amazon_link]. If you haven’t read it, Percival goes to the Grail castle and encounters the Fisher King, but ultimately fails in his quest to retrieve the Grail, while Galahad succeeds. Galahad is taken up into heaven. Reepicheep, then, is Sir Galahad. I also thought of The Odyssey many times, especially when the ship encountered the Dark Island, where dreams come true—the description of the unseen terror that lay in wait put me to mind of Scylla and Charybdis. Actually, a bit later on, the book itself referenced the part of The Odyssey when Odysseus covers his ears with beeswax and has himself lashed to the mast so he can listen to the sirens.

I’ve already said my peace about Aslan, so I won’t rehash it here, but suffice it to say I don’t feel any differently after this book. The device of the painting drawing the children into Narnia doesn’t make as much sense to me as the wardrobe or Susan’s horn.

Derek Jacobi, as you might expect, is an outstanding narrator. His characterization of Reepicheep is particularly praiseworthy, but really, I could listen to him all day on potentially any subject (except the Earl of Oxford, but I digress). He has done a substantial number of audio books besides this one. I would highly recommend listening to his narration of this book.

When I first tried to read this series many years ago, my memory was that I stalled out somewhere in the middle of The Voyage of the Dawn Treader. I have no memory at all of the stories after The Lion, the Witch and the Wardrobe from that time, so it’s possible I started this book, but I’m rather wondering if I didn’t stall out in the middle of Prince Caspian now. Not sure, and I probably never will be, but this one was highly enjoyable. I have to say, the entire series has been exceptionally narrated, with the lamentable exception of The Lion, the Witch and the Wardrobe. I’m looking forward to Jeremy Northam’s reading [amazon_link id=”0062314610″ target=”_blank” ]The Silver Chair[/amazon_link] and Patrick Stewart’s reading [amazon_link id=”0062326988″ target=”_blank” ]The Last Battle[/amazon_link]. After I finish this series, I think I’ll return to Diana Gabaldon’s series on audio.

Book Rating: ★★★★½
Audio Rating: ★★★★★

Review: Prince Caspian, C. S. Lewis, narrated by Lynn Redgrave

Prince CaspianI finished listening to C. S. Lewis’s Prince Caspian over the weekend, and I haven’t had a chance to do my review yet.

Prince Caspian takes place one Earth year after the Pevensie siblings—Peter, Susan, Edmund, and Lucy—have returned from Narnia through the wardrobe. They are at the train station preparing to go off to school, when they are suddenly whisked back to Narnia. It takes them some time to realize where they are because everything has changed. While they have been gone, hundreds of years have passed in Narnia, and they discover they have been summoned because Narnia once again has great need of their services. Prince Caspian, rightful king of Narnia, has had his power usurped by his evil Uncle Miraz, and he can’t defeat his uncle alone.

Each of the novels in this audio book series is narrated by a different great British actor. I found Kenneth Branagh’s reading of The Magician’s Nephew utterly charming, while Michael York’s reading of The Lion, the Witch and the Wardrobe a bit spottier. Alex Jennings’s read of The Horse and His Boy was also good. Lynn Redgrave’s reading of Prince Caspian is excellent. She did a masterful job capturing the characters’ voices and using different types of accents. She managed to inject the patronizing tone of older siblings into Peter and Susan, and her characterization of the dwarfs Trumpkin and Nikabrik made me glad whenever they took the “stage.” I also particularly enjoyed her characterization of Doctor Cornelius, Reepicheep, and Trufflehunter. It looks like she has narrated a few other audio books, so I have to recommend her highly. What a shame she is no longer with us.

Of the four Chronicles of Narnia books I’ve read or re-read this year, I would say Prince Caspian comes in a strong second after The Lion, the Witch and the Wardrobe. The Pevensies strike me as similar to King Arthur: they will come when Narnia has great need of them, and the device of Susan’s horn to call them was clever (and somewhat evocative of other myths). I really loved some of the minor characters in this one. Caspian is likeable, but Trumpkin, Reepicheep, Trufflehunter, and Doctor Cornelius are loveable. I like the idea that Narnian time passes at a different rate. I wonder if I can say this, though, without making someone angry: I just don’t like Aslan. He’s not bad, he’s just so heavy-handed a symbol. I realize it would wreck Lewis’s Jesus allegory if he removed Aslan from the stories, but I would find them more interesting if they had to figure out how to defeat the enemies without him as a deus ex machina. I also don’t find his personality particularly compelling. I understand his role in the stories, but he just doesn’t interest me as much as the children do. I suppose that if he is supposed to represent Jesus, then I’m not really sure I like this particular characterization of Jesus. Jesus struck me as less judgey and more gentle. I know he overturned the moneychangers’ tables at the Temple, but I mean on the whole. Aslan is forgiving, too; I’m doing a sloppy job putting my finger on their differences. Suffice it to say that I don’t find him as much fun as the other characters.

In all, this was a very enjoyable reading. I know I’m liking an audio book when I find excuses to wash the dishes so I can listen to a book while I do it. I mean, that’s just crazy, right?

Book Rating: ★★★★½
Audio Rating: ★★★★★