Review: Weyward, Emilia Hart

Review: Weyward, Emilia HartWeyward by Emilia Hart
Narrator: Aysha Kala, Helen Keeley, Nell Barlow
Published by Macmillan Audio on March 7, 2023
Genres: Fantasy/Science Fiction, Historical Fiction
Length: 10 hours and 51 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

I am a Weyward, and wild inside.

2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century.

1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom.

1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom.

Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

This was an engaging read. I know I’m enjoying an audiobook when looking extra forward to my walks so I can listen and when I actually don’t mind doing dishes. I like to listen to audiobooks when doing tasks that don’t require concentration. In fact, I actually listened while sitting on the couch and mindlessly playing with a coloring app. That’s how I know I am really enjoying a book: when I have trouble putting it down.

Of the three characters, Altha was probably my favorite. I really liked the narrator who read her part quite a lot. Kate’s story resembled the plot of Sleeping with the Enemy. However, I didn’t find that to be purposeful or stilted—I suppose when you get down to it, stories of abusive relationships will often sound familiar.

Men do not come off too well in this book, but to be fair, Violet’s brother Graham, Kate’s father Henry, and a minor character, Adam Bainbridge, are all good, decent men. However, all the other male characters are flat evil, using their power as men to hurt the women in their lives. It seems to me the difference is fear. The good men in this book are not afraid of women and are not threatened by female autonomy. They also view women as fully human. This book has a lot to say about the harm of misogyny—both to women and men.

The family historian in me loved the idea of discovering the rich history of one’s ancestors in the way that both Violet and Kate do. Who wouldn’t want to discover they had inherited a centuries-old cottage and a gift for communicating with animals?

The setting is also well-drawn in all three eras. The idea that the families who stayed in Crows Beck flitted into all three women’s stories as minor characters—the Kirkbys, the Metcalfes—made the story feel more like an authentic family saga while also offering an Easter egg for the reader.

I highly recommend this book to anyone who likes historical fiction about witches. I also love how it reclaims the title of “witch” from its negative history. It’s a great read.

five-stars

Review: Madhouse at the End of the Earth: The Belgica’s Journey into the Dark Antarctic Night, Julian Sancton

Review: Madhouse at the End of the Earth: The Belgica’s Journey into the Dark Antarctic Night, Julian SanctonMadhouse at the End of the Earth: The Belgica's Journey into the Dark Antarctic Night by Julian Sancton
Narrator: Vikas Adam
Published by Random House Audio on May 4, 2021
Genres: Nonfiction
Length: 13 hours 28 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

The harrowing true survival story of an early polar expedition that went terribly awry—with the ship frozen in ice and the crew trapped inside for the entire sunless, Antarctic winter.

In August 1897, thirty-one-year-old commandant Adrien de Gerlache set sail aboard the Belgica, fueled by a profound sense of adventure and dreams of claiming glory for his native Belgium. His destination was the uncharted end of the earth: the icy continent of Antarctica. But the commandant's plans for a three-year expedition to reach the magnetic South Pole would be thwarted at each turn. Before the ship cleared South America, it had already broken down, run aground, and lost several key crew members, leaving behind a group with dubious experience for such an ambitious voyage.

As the ship progressed into the freezing waters, the captain had to make a choice: turn back and spare his men the potentially devastating consequences of getting stuck, or recklessly sail deeper into the ice pack to chase glory and fame. He sailed on, and the Belgica soon found itself stuck fast in the icy hold of the Antarctic continent. The ship would winter on the ice. Plagued by a mysterious, debilitating illness and besieged by the monotony of their days, the crew deteriorated as their confinement in suffocating close quarters wore on and their hope of escape dwindled daily. As winter approached the days grew shorter, until the sun set on the magnificent polar landscape one last time, condemning the ship's occupants to months of quarantine in an endless night.

Forged in fire and carved by ice, Antarctica proved a formidable opponent for the motley crew. Among them was Frederick Cook, an American doctor—part scientist, part adventurer, part P. T. Barnum—whose unorthodox methods delivered many of the crew from the gruesome symptoms of scurvy and whose relentless optimism buoyed their spirits through the long, dark polar night. Then there was Roald Amundsen, a young Norwegian who went on to become a storied polar explorer in his own right, exceeding de Gerlache's wildest dreams by leading the first expeditions to traverse the Northwest Passage and reach the South Pole.

Drawing on firsthand accounts of the Belgica's voyage and exclusive access to the ship's logbook, Sancton tells the tale of its long, isolated imprisonment on the ice--a story that NASA studies today in its research on isolation for missions to Mars. In vivid, hair-raising prose, Sancton recounts the myriad forces that drove these men right up to and over the brink of madness.

Belica in the ice by Adrien de Gerlache
Belgica dans la glace by Adrien de Gerlache

This is a terrific nonfiction account of a harrowing experience in Antarctica during the Heroic Age of Antarctic Exploration. Julian Sancton’s author’s note and notes on sources demonstrate a thorough and dedicated effort to tell the story of the Belgica’s winter trapped in the ice as faithfully and accurately as possible. However, his writing style renders the story as gripping as any adventure film. In fact, I can’t believe this book hasn’t been made into a movie. Surely someone out there has purchased the rights and plans to film it.

This book reminded me quite a bit of Into Thin Air by Jon Krakauer. I can’t say I had the desire to travel to Antarctica before reading it, and if I did, I’ve been cured—much like Krakauer convinced me climbing Everest is not in my future (not that I wanted to, but after reading Into Thin Air, I really didn’t want to). I knew the crew survived mostly intact because this account existed, but it was harrowing to read, and Sancton kept me guessing how in the world these men would get out of Antarctica alive.

I have to say, Roald Amundsen comes across as a complete and total badass. I don’t know that I would have liked him personally, but no one could argue he wasn’t brave. Look at this dude.

Belica in the ice by Adrien de Gerlache

He’s a complete and total Viking.

I highly recommend this book. Even if you think you are not interested in Artic or Antarctic exploration, trust me, this book is captivating. I also recommend the audiobook. The author clearly enjoyed reading this breathtaking adventure, and his narration added a good deal to my enjoyment of the book.

 

five-stars

Review: Country, Michael Hughes

Review: Country, Michael HughesCountry by Michael Hughes
Narrator: Michael Hughes
Published by HarperAudio ISBN: 0062940333
on October 1, 2019
Genres: Historical Fiction
Length: 7 hours 19 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

A vivid and brutal reimagining of Homer's Iliad, set in the Troubles of the late twentieth-century.

That was the start of it. A terrible business altogether. Oh, it was all kept off the news, for the sake of the talks and the ceasefire. But them that were around that part of the country remember every bit. Wait now till you hear the rest.

Northern Ireland, 1996.

After twenty-five years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactly they have been fighting for.

When an IRA man's wife turns informer, he and his brother gather their old comrades for an assault on the local army base. But the squad's feared sniper suddenly refuses to fight, and the SAS are sent in to crush this rogue terror cell before it can wreck the fragile truce, and drag the whole region back to the darkest days of the Troubles.

Inspired by the oldest war story of them all, this powerful new Irish novel explores the brutal glory of armed conflict, and the bitter tragedy of those on both sides who offer their lives to defend the honour of their country.

What a fantastic book. I am not sure what it says about the progress of humanity that setting a retelling of The Iliad amidst the end of the Troubles works so well, but it’s masterful. Working knowledge of neither The Iliad nor the Troubles is absolutely required to appreciate this book, but you will appreciate it on an entirely different level if you’re familiar with both. The characters are not caricatures or cardboard cutout representations of Greek and Trojan heroes; Hughes fleshes them out so fully that rather than a retelling, the story feels like it’s happening all over again, and this time, to real people. It’s well written, too, and I’m extremely glad I listened to the audiobook, read by Hughes, though a word of warning: a decent understanding of a Northern Irish dialect is required. Hughes manages to pick up some of Homer’s cadence while still making the story completely his own.

This book reminded me a little bit of Marlon James’s A Brief History of Seven Killings. In my review of that book, I wrote, “I’m not sure what to say about this book. It’s hard for me to recommend it to anyone because it’s really violent and disturbing, but it was completely captivating at the same time. I was riveted.” I might say the same about this book. I have a feeling this book will be one of my top reads of the year. I highly recommend it to anyone interested in the Troubles.

five-stars

Review: The Pull of the Stars, Emma Donoghue

Review: The Pull of the Stars, Emma DonoghueThe Pull of the Stars by Emma Donoghue
Narrator: Emma Lowe
Published by Hachette Audio on July 21, 2020
Genres: Historical Fiction
Pages: -2
Length: 9 hours 6 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

Dublin, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work, risk, death and unlooked-for love, by the bestselling author of The Wonder and ROOM.

In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia’s regimented world step two outsiders—Doctor Kathleen Lynn, on the run from the police, and a young volunteer helper, Bridie Sweeney.

In the darkness and intensity of this tiny ward, over three days, these women change each other’s lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work.

In The Pull of the Stars, Emma Donoghue once again finds the light in the darkness in this new classic of hope and survival against all odds.

This book is yet another book I picked up to fulfill a reading challenge, in this case, the Decades Reading Challenge, and I thoroughly enjoyed it. It’s probably one of the most harrowing books I’ve read in a while, and Nurse Julia Power is a worthy hero. I also had an opportunity to learn about Dr. Kathleen Lynn, whom I’d never heard of, and she was a fascinating historical figure. The 1918 flu pandemic and the aftermath of World War I in Dublin are drawn in sharp relief. It’s hard to believe, but Donoghue finished this book in March 2020, just as the world was beginning to come to grips with the fact that COVID-19 was a global pandemic and threat to millions of lives. I did not realize that the 1918 flu pandemic killed more people than World War I. Why is it that we have discussed this horrible pandemic so little? Would we have actually learned from history? I suppose that’s something we never do as a species, so probably not. The book made me extremely glad that I gave birth to my children when 1) more modern medical practices existed, and 2) a pandemic was not raging. All the women everywhere, at every time in history, who gave birth under such uncertain circumstances are heroes.

five-stars

Review: To the Bright Edge of the World, Eowyn Ivey

Review: To the Bright Edge of the World, Eowyn IveyTo The Bright Edge of the World by Eowyn Ivey
Narrator: John Glouchevitch, Christine Lakin, Kiff Vandenheuvel
Published by Hachette Audio on August 2, 2016
Genres: Historical Fiction
Length: 13 hours 27 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

In the winter of 1885, Lieutenant Colonel Allen Forrester sets out with his men on an expedition into the newly acquired territory of Alaska. Their objective: to travel up the ferocious Wolverine River, mapping the interior and gathering information on the region’s potentially dangerous native tribes. With a young and newly pregnant wife at home, Forrester is anxious to complete the journey with all possible speed and return to her. But once the crew passes beyond the edge of the known world, there’s no telling what awaits them.

With gorgeous descriptions of the Alaskan wilds and a vivid cast of characters —including Forrester, his wife Sophie, a mysterious Eyak guide, and a Native American woman who joins the expedition—TO THE BRIGHT EDGE OF THE WORLD is an epic tale of one of America’s last frontiers, combining myth, history, romance, and adventure.

In the Middle Ages, mapmakers used to draw dragons, sea monsters, and other mythical creatures to mark the unknown: “Here be dragons.” Lt. Col. Allen Forrester must have understood the impulse. I loved this epistolary novel about an expedition to explore the fictional Wolverine River in Alaska. The characters come to life through letters, diary entries, and artifacts such as advertisements, photographs, drawings, and much more. I was listening to the audiobook, and I checked out the hardcover from the library so I could examine some of these artifacts as I read.

I probably wouldn’t have picked up this book had I not been participating in the Decades Reading Challenge and needed a book set in the 1880s or 1890s. I didn’t think I was much interested in reading about Alaska or its exploration. However, the book had good reviews, and I thought I’d at least check it out. I’m so glad I did because Eowyn Ivey managed to captivate me on a subject and setting I wasn’t much interested in.

The descriptions of Alaska were lyrical, and I rooted for the expedition to make it. More than that, Ivey transformed Sophie Forrester’s story—waiting at home for her husband to return and taking up photography—into a fascinating tale to equal her husband’s. I particularly loved the coda at the end.

Along with the Forresters’ story, Ivey also weaves the tale of the blossoming friendship between Walt Forrester, a descendant of the Colonel’s brother, and Josh Sloan, who works at a museum in Alaska. Walt wants to bequeath the Forrester papers and artifacts to the museum. I was charmed by their letters back and forth to each other.

The audiobook is excellent, but if you read it, do yourself a favor and have a paper copy on hand to experience the full multimedia experience this book offers.

 

five-stars

Review: Sea of Tranquility, Emily St. John Mandel

Review: Sea of Tranquility, Emily St. John MandelSea of Tranquility by Emily St. John Mandel
Narrator: John Lee, Dylan Moore, Arthur Morey, Kirsten Potter
Published by Random House Audio on April 5, 2022
Genres: Contemporary Fiction, Fantasy/Science Fiction
Length: 5 hours 47 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

The award-winning, best-selling author of Station Eleven and The Glass Hotel returns with a novel of art, time, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon three hundred years later, unfurling a story of humanity across centuries and space.

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.

Two centuries later a famous writer named Olive Llewellyn is on a book tour. She's traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive's bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.

When Gaspery-Jacques Roberts, a detective in the Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.

A virtuoso performance that is as human and tender as it is intellectually playful, Sea of Tranquility is a novel of time travel and metaphysics that precisely captures the reality of our current moment.

Sometimes I feel like books find us when we need them. I read Emily St. John Mandel’s wonderful book Station Eleven and found it unlike anything I’d read before. And then, I found myself living amidst a pandemic, and snatches of that book came back to me and terrified me. As soon as I heard about Sea of Tranquility, I put it on my to-read list. There were passages of great beauty in Sea of Tranquility, but more than anything, what I admired about the book was recognizing what it was like to live through a pandemic and what it is like to contend with understanding the impact of colonization and even to wonder if the reason everything seems surreal is that we’re living in a simulation.

Emily St. John Mandel has said she is fascinated with the way we behaved in February 2020, when we could see the pandemic distantly but really didn’t understand it would affect us in the United States in the same way as it affected people first in China. I remember my own thinking at the time was that SARS had been contained, and Ebola had been contained. Still, as Mandel reminds us in this book, SARS can always come back in a new guise—my understanding is that we owe the speed with which a vaccine was developed for COVID to the fact that research had long been underway on how to vaccinate for SARS using mRNA vaccines. One of the characters in Sea of Tranquility has written a pandemic novel—Olive Llewellyn seems to be a version of Emily St. John Mandel contending with the popularity of Station Eleven and its adaptation (which is also great!). In Olive’s novel Marienbad, she writes

We knew it was coming.

We knew it was coming and we prepared accordingly, or at least that’s what we told our children—and ourselves—in the decades that followed.

We knew it was coming but we didn’t quite believe it, so we prepared in low-key, unobtrusive ways—”Why do we have a whole shelf of canned fish?”…

We knew it was coming and we were breezy about it. We deflected the fear with careless bravado…

Pandemics don’t approach like wars, with the distant thud of artillery growing louder every day and flashes of bombs on the horizon. They arrive in retrospect, essentially. It’s disorienting. The pandemic is far away and then it’s all around you, with seemingly no intermediate step.

I found myself nodding along as Olive contemplates the surreality of living through a pandemic—meeting via hologram (and how exhausting it is) is the Zoom of 2203; the loneliness is the same. Olive’s contemplation of the sirens and what they mean is chilling. I remember during one particularly surreal moment in 2020, a local church sent a car around the neighborhood with a recording playing over a loudspeaker that they were praying for everyone. Olive reflects during one of her holographic interviews:

My point is, there’s always something. I think, as a species, we have a desire to believe that we’re living at the climax of the story. It’s a kind of narcissism. We want to believe that we’re uniquely important, that we’re living at the end of history, that now, after all these millennia of false alarms, now is finally the worst that it’s ever been, that finally we have reached the end of the world.

After that section of the novel, I had to pause the audiobook and cry for a minute because it seemed like something slid into place. Our world is not uniquely terrible. Living through the pandemic was not uniquely terrible. The world has always been terrible. Imagine what it was like to live through the Plague. Yet in the midst of all that terribleness is beauty. It’s impossible to read Sea of Tranquility without glimpsing those moments of beauty, too. What we don’t always understand is that we create those moments, in spite of everything.

five-stars

Review: The Age of Innocence, Edith Wharton

Review: The Age of Innocence, Edith WhartonThe Age of Innocence by Edith Wharton
Narrator: David Horovitch
Published by BBC Audiobooks ISBN: 1602838771
on July 13, 2010
Genres: Classic, Historical Fiction
Length: 12 hours 5 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

In the exclusive world of upper-class New York, Newland Archer anticipates his marriage to May Welland, a beautiful young girl from a suitable family "who knows nothing and expects everything.: Into this well-ordered community May's cousin, the captivating and exotic Countess Olenska, arrives.

Many years ago when I was in undergrad, I watched Martin Scorsese’s film based on this novel. I remember I was still in college because I took a course called American Realism and Naturalism, and we read another of Wharton’s novels, Summer. I remember being excited to read the book because I had loved The Age of Innocence so much, but I didn’t enjoy Summer very much. Later, I read Ethan Frome and enjoyed that book quite a lot. I am not sure why I haven’t read The Age of Innocence until now. I tried to pick it up a few years ago, but I’m not sure I was in the right frame of mind. In any case, I finally decided to read it since Audible offered it for free with my membership. I must say that the film is quite faithful to the book. Perhaps that is why I waited so long to read the book—I had heard the movie was a faithful rendition of the story. The differences between the book and the film are minor; perhaps the largest difference is that Ellen Olenska has dark hair, while Michelle Pfeiffer is blond, and May Welland is blond, while Winona Ryder has dark hair. Other than that, the film is entirely faithful to the book in all but the most minor details… except for one critical detail. Newland Archer is a dick.

Daniel Day-Lewis manages to make the viewer care for and empathize with Newland Archer. The novel’s Newland Archer is selfish. He becomes engaged to a vapid society girl, congratulating himself on the notion that she’ll never surprise him and always know the right thing to say. Meanwhile, he falls in love with May’s cousin Ellen, if you could call it love, because I’d contend he only ever fell in love with an idealized version of the person he thought Ellen was. Idealization is powerful; the real person can never live up to the perfect dream concocted in the mind. I think Newland realizes that by the end of the book, too. I’m not sure he ever realizes how he has mistreated two women. If he was in love with Ellen before he married May, then he never should have married May. Once he married May, he should have stopped playing around with Ellen’s heart. To me, May is the most innocent party in the whole affair. I don’t think she was as dumb as Archer thought, either. I think she was just satisfied with their life. Newland secretly was, too, or else he would have found a way to do what he thought was going to make him happy.

When I saw the film, I felt frustrated with Newland for not going upstairs to see Ellen again at the end. After reading the book, I have a much greater understanding as to why he didn’t. He never had the courage of his convictions, not really. Ellen did. You might even argue that May did, to an extent. But Newland was afraid to really live and to really love, so he spent his life instead of saving it, to paraphrase one of his own sayings.

In spite of Newland’s maddening behavior, I loved the book, as I suspected I would. Edith Wharton captures Gilded Age New York like only a critical insider could possibly capture it. In her hands, Old New York society feels as perilous as any literary monster. It devours its own, and if one could personify it, it might be one of the more compelling and frightening villains in literature.

five-stars

Review: Ten Steps to Nanette: A Memoir Situation, Hannah Gadsby

Review: Ten Steps to Nanette: A Memoir Situation, Hannah GadsbyTen Steps to Nanette by Hannah Gadsby
Published by Allen & Unwin ISBN: 1742374034
on March 29, 2022
Genres: Memoir
Pages: 400
Format: Hardcover
Source: Library
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Goodreads
five-stars

Multi-awardwinning Hannah Gadsby transformed comedy with her show Nanette, even as she declared that she was quitting stand-up. Now, she takes us through the defining moments in her life that led to the creation of Nanette and her powerful decision to tell the truth-no matter the cost.

"There is nothing stronger than a broken woman who has rebuilt herself."—Hannah Gadsby, Nanette

Gadsby's unique stand-up special Nanette was a viral success that left audiences captivated by her blistering honesty and her ability to create both tension and laughter in a single moment. But while her worldwide fame might have looked like an overnight sensation, her path from open mic to the global stage was hard-fought and anything but linear. Ten Steps to Nanette traces Gadsby's growth as a queer person from Tasmania—where homosexuality was illegal until 1997—to her ever-evolving relationship with comedy, to her struggle with late-in-life diagnoses of autism and ADHD, and finally to the backbone of Nanette—the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling. Equal parts harrowing and hilarious, Ten Steps to Nanette continues Gadsby's tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time.

I had this book on hold in the library for so long that I forgot I’d done so. I was eager to read it because I found Nanette profoundly moving.  If you’ve seen Nanette or Gadsby’s newer show Douglas, some of the material in the memoir will be familiar to you. There are some traumatic details in the memoir that Gadsby elides, while other events are given more context than she has previously given in her show. We are all in charge of our stories and tell them the way we need to tell them, so I was unbothered—this is a memoir after all. I was fascinated by Gadsby’s stories about learning she had ADHD and autism. Her descriptions of how she struggled with tasks and frustrated others felt so familiar to me as I have watched my own children struggle in similar ways. Some parts of the memoir are much longer—Gadsby’s formative years take up the longest chapter—but I understand why the book was broken up the way it was. She is grouping parts of her life together in ways that explain where Nanette came from, so some parts just have to be longer. Gadsby sprinkles footnotes throughout, and they reminded me of Gadsby’s asides during her shows. I’m not sure how they’d impact the audiobook, but I didn’t find them distracting in the hardcover. I’d definitely recommend this memoir to anyone who has appreciated Hannah Gadsby’s shows and wants to know more about her creative process and inspiration.

five-stars

Mid-April Reading Update

I finished a couple of books this week and decided to roll the reviews together.

Mid-April Reading UpdateA Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life by George Saunders
Published by Random House on January 12, 2021
Length: 14 hours 44 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

My husband and I listened to this on audiobook. He has been trying to get me to read George Saunders since an aborted attempt at Lincoln in the Bardo. I just couldn’t follow that one on audio, but I do want to try to read it in print. I see this book as a companion to Thomas C. Foster’s How to Read Literature Like a Professor. Essentially, it’s a master class in how literature works using short stories by several Russian authors as a focus for analysis. If I had to pick a favorite short story, it would probably be “The Nose” (Chekov) or perhaps “Alyosha the Pot.” The book has a wonderful cast of narrators, including Rainn Wilson, B. D. Wong, Glenn Close, Phylicia Rashad, and Nick Offerman. Saunders narrates the analytical parts. I bought a print copy for use in my classroom. I’m not yet sure how I might use it, but I can see the potential.

Mid-April Reading UpdateThe Familiars by Stacey Halls
Published by MIRA on February 19, 2019
Genres: Historical Fiction
Pages: 335
Format: E-Book, eBook
Source: Library
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Goodreads
three-stars

Young Fleetwood Shuttleworth, a noblewoman, is with child again. None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Gray, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.

Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.

Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Gray and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

I love reading books about witches, “real” or not, and I wanted to like this book more. It was compelling enough for me to finish; however, some of the author’s choices were perplexing. I didn’t find the protagonist, Fleetwood Shuttleworth, to be all that engaging, and I kept thinking about how much more interesting the story might have been if the protagonist had been one of the accused witches. It seems like a missed opportunity to me to have a relatively privileged outsider tell the story of the Pendle Witch Trials. Also, Fleetwood rides a horse all over Creation while hugely pregnant. I’m not sure how she got on the horse, never mind rode it, in that condition. Granted, I’m not a horsewoman, so what do I know. Another issue I had was that Fleetwood discovers early in the book, within the first few pages, that her husband is secretive, and she finds he’s hiding even more important information. They have a falling out, and it seems implausible when they reconcile. The author didn’t really lay the groundwork for that reconciliation to make sense. Still, I did learn some things about this interesting historical event.

Review: The Good Lord Bird, James McBride

Review: The Good Lord Bird, James McBrideThe Good Lord Bird by James McBride
Narrator: Michael Boatman
Published by Penguin Audio on August 20, 2013
Genres: Historical Fiction
Length: 14 hours 35 minutes
Format: Audio, Audiobook
Source: Library
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Goodreads
five-stars

Henry Shackleford is a young slave living in the Kansas Territory in 1857; the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry s master quickly turns violent. Henry is forced to leave town with Brown, who believes he is a girl.

Over the ensuing months, Henry, whom Brown nicknames Little Onion, conceals his true identity as he struggles to stay alive. Eventually, Little Onion finds himself with Brown at the historic raid on Harpers Ferry in 1859, which was one of the major catalysts for the Civil War.

An absorbing mixture of history and imagination, and told with McBride s meticulous eye for detail and character, THE GOOD LORD BIRD is both a rousing adventure and a moving exploration of identity and survival.

I absolutely loved this book, and I think listening to the audiobook was a major reason why. Michael Boatman’s narration is excellent. I loved his characterization of John Brown and Owen Brown in particular. In style, this book reminded me a great deal of Mark Twain, particularly Huckleberry Finn. McBride’s portrayal of John Brown is sympathetic yet realistic. Through the voice of his narrator, Henry, we have a full picture of a complicated man: a religious zealot called by God to end slavery and a man who truly believed all people are equal. I honestly haven’t read enough about the real John Brown to know if the characterization is completely accurate, but it definitely rings true.

I love it when historical fiction asks me to research, too, and this book had me checking out other sources so I could learn about John Brown. Confederate President Jefferson Davis once said that what he feared was “thousands of John Browns.” It’s interesting to ask what might have happened had John Brown not conducted his raid on Harper’s Ferry or engaged in the skirmishes in Bleeding Kansas. Would the war have happened later? Would the South have organized in the face of ardent abolitionism? In any case, it’s difficult for me not to admire his dedication to the cause of freedom for African Americans at a time when that was not just unpopular but illegal. His tactics were violent, but it’s probably true that nonviolent protest would have accomplished nothing. After all, it took a bloody war to resolve the question of slavery, and the question of racism is still open.

I appreciated McBride’s invention of Henry as a narrator. He offered an opportunity to interpret John Brown’s actions through the lens of one of the enslaved people Brown was attempting to free and also to offer an outside perspective that is both sympathetic and critical of Brown. This balance makes it easier for McBride to draw a more complex picture of Brown and his followers than if he had chosen a narrator from among them or even a further outsider.

There is a chunk of the story in the middle when Henry is separated from Brown that I didn’t find as enjoyable. During this section, Henry is working in a hotel/whorehouse and falls in love with one of the prostitutes. However, he is disguising himself as a girl, so it’s complicated. I’m wondering now, as I finished the book, if that section added to the story or not. I suppose it depends on whether the reader sees this as a story of John Brown or a story of Henry Shackleford. I tend toward the former, and I will admit that part of the book slowed down the story’s momentum a bit for me, but not enough for me to dock any stars.

One literary aspect I appreciated was McBride’s clever use of motifs. For example, on several occasions, Brown wants to stop and pray when the group is in danger, and his son Owen is often the one to tell him to wrap it up so they can get out of danger. Another example is Brown’s directive to Henry to “hive the bees,” or try to rouse support for Brown’s cause among the Black population. He brings both motifs back touchingly at the end of the novel. We know how John Brown’s story ends, but McBride managed to make it satisfying and true to the characters he created. The first thing I did upon finishing this book is to check out Deacon King Kong, another of McBride’s novels. I wanted more. I can’t wait to watch the film!

five-stars