Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe, narrated by Matthew Blaney

Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe, narrated by Matthew BlaneySay Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe
Narrator: Matthew Blaney
Published by Random House Audio on 2019
Format: Audio, Audiobook
Source: Audible
Buy on Amazon
Goodreads
five-stars

From award-winning New Yorker staff writer Patrick Radden Keefe, a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville’s children knew it was their mother when they were told a blue safety pin was attached to the dress–with so many kids, she had always kept it handy for diapers or ripped clothes.

Patrick Radden Keefe’s mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past. Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

I read this book on the recommendation of an English teacher friend, Carol Jago. She is one of the most voracious and widely-read people I know, and she has never recommended a book that wasn’t brilliant. This book is no exception. If you are like me and do not know much about The Troubles, this book is a great introduction that will leave you wanting to know more. I know, for example, that I want to read Ed Moloney’s book Voices from the Grave: Two Men’s War in Ireland. If I’m being honest, even though I understand why Ireland was partitioned, it doesn’t make a lot of sense to me that the island is still divided, and I have a feeling it won’t be for too many more years.

I first remember hearing anything about The Troubles as a child, when the Irish Republican prisoners’ hunger strike in the early 1980s was in the news. I remember being really confused by the whole thing. Further, I remember feeling horrified that it was happening. The Troubles were mostly out of the new in the U.S., however. It was easy to know nothing about what was happening in Northern Ireland. Every once in a while, a story about some action or other by the I.R.A. would show up on the news. An episode of Star Trek: The Next Generation called “The High Ground” centered on the struggles of the Ansata rebels against the Rutians—it was a very thinly veiled allusion to The Troubles. The Ansata rebel leader’s name was even Kyril Finn. Finn is not only a common surname in Ireland, but it’s also potentially a reference to Fionn mac Cumhaill, a mythological figure in Ireland and the inspiration for the Fenian Brotherhood, a precursor to the I.R.A. Commander Data makes a reference to terrorism effectively achieving the reunification of Ireland in 2024. The episode aired in 1990. At that time, it seemed unlikely, but Brexit will change the border between Northern Ireland and the Republic—as Keefe wonders in his book’s conclusion, I can’t help but speculate if, after years of bloodshed, it will be the politics of Brexit that finally prompt the reunification of Ireland on the same timeline, more or less, as Star Trek predicted. The idea is so incendiary that RTÉ has never aired the episode, and it only aired on the BBC in 2007.

Sinn Fein politician Gerry Adams does not come off well, and his repeated insistence that he was never in the I.R.A. strikes me as a bald-faced lie. The Price sisters, Dolours and Marian, are written in their complexity: at the same time as you know they engaged in terrorist acts, and you want to condemn them, they also come off as, well, kind of badass, and you want to admire them for that. I mean no disrespect to their victims in saying so. The descriptions of their force-feeding during their hunger strike are harrowing, and Keefe makes a fairly good case for the lifelong aftereffects seriously impacting the sisters’ health. Above all, Jean McConville emerges as a poignant victim. Whether or not she was a “tout,” as the I.R.A. claimed, she can’t have been providing much useful information, and if she was spying for the British, one can hardly blame her for trying to take care of her ten children, whose lives were irrevocably destroyed by their mother’s murder.

My husband and I listened to this on audio together. Matthew Blaney is an actor from Northern Ireland, and I have to say, it’s something else to hear this story narrated by someone who sounds like the people Keefe is writing about. I would definitely listen to Matthew Blaney read again, even if I have to put up with Steve mimicking an Irish accent into the bargain. His reading is an interpretation of the text—where he emphasizes, the listener learns to pay attention. As much as I recommend the audio, I know I missed some details (as well as the Notes), so I downloaded the book on Kindle for a re-read when I get the chance.

Definitely one of the top nonfiction books I’ve read in some time. It’s gripping, and it is told almost like a mystery novel (especially if you don’t know as much about The Troubles). The book’s final revelations will leave your head spinning.

I made a Spotify playlist about music inspired by The Troubles.

five-stars

Review: Born a Crime, Trevor Noah

Review: Born a Crime, Trevor NoahBorn A Crime: Stories from a South African Childhood by Trevor Noah
Narrator: Trevor Noah
ISBN: 1473635306
on November 15, 2016
Genres: Memoir, Nonfiction
Format: Audio
Buy on Amazon
Goodreads
five-stars

The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.

One of the comedy world's brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race, and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his focus inward, giving readers a deeply personal, heartfelt and humorous look at the world that shaped him.

Noah was born a crime, son of a white Swiss father and a black Xhosa mother, at a time when such a union was punishable by five years in prison. Living proof of his parents' indiscretion, Trevor was kept mostly indoors for the first years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, take him away.

A collection of eighteen personal stories, Born a Crime tells the story of a mischievous young boy growing into a restless young man as he struggles to find his place in a world where he was never supposed to exist. Born a Crime is equally the story of that young man's fearless, rebellious and fervently religious mother—a woman determined to save her son from the cycle of poverty, violence, and abuse that ultimately threatens her own life.

Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Noah illuminates his curious world with an incisive wit and an unflinching honesty. His stories weave together to form a personal portrait of an unlikely childhood in a dangerous time, as moving and unforgettable as the very best memoirs and as funny as Noah's own hilarious stand-up. Born a Crime is a must read.

A colleague recommended that I read this book, though it had been sort of on the periphery of my radar for some time, as I enjoy Trevor Noah on The Daily Show and had heard good things about his memoir. My colleague said that listening to the audiobook was especially a treat, and my advice is that if you do read this book, do yourself a favor and let Trevor Noah read it to you. He is an incredible narrator, and hearing the memoir in his own words definitely added to my enjoyment of the book.

Trevor Noah had one heck of a childhood. He comes across as resourceful, clever, and funny, but it’s clear that he learned all of these attributes from his mother, Patricia, who emerges in many ways as the real hero of Trevor Noah’s memoir. I dare you to read this book and not cry at the very end. She is an incredibly strong woman, and Noah’s love for her shines through the entire book.

Moments of the book will have you laughing out loud, while others will make you cry. Born a Crime is a fantastic memoir, gripping and engaging from start to finish. You will definitely walk away from it with admiration for Trevor Noah’s strength… and his mother’s.

I’m counting this book for January’s motif in the Monthly Motif Challenge: New to You Author. I think this is Trevor Noah’s only book; I haven’t read anything he’s written before.

five-stars

Review: Americanah, Chimamanda Ngozi Adichie

Review: Americanah, Chimamanda Ngozi AdichieAmericanah by Chimamanda Ngozi Adichie
Narrator: Adjoa Andoh
Published by Anchor ISBN: 0307455920
on March 4th 2014
Genres: Contemporary Fiction
Pages: 589
Format: Audio, E-Book
Buy on Amazon
Goodreads
five-stars

From the award-winning author of Half of a Yellow Sun, a powerful story of love, race and identity.

As teenagers in Lagos, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. The self-assured Ifemelu departs for America. There she suffers defeats and triumphs, finds and loses relationships, all the while feeling the weight of something she never thought of back home: race. Obinze had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.

Thirteen years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a blogger. But after so long apart and so many changes, will they find the courage to meet again, face to face?

Fearless, gripping, spanning three continents and numerous lives, Americanah is a richly told story of love and expectation set in today’s globalized world.

Third time’s a charm. I have tried to finish this book twice before, and I stalled out in about the same place both times. I decided to try to finish it this time because Carol Jago is leading a book club discussion of the book on Facebook for the National Council of Teachers of English members. I knew the problem with not being able to finish the book was me. Everyone I know who has read this book loved it, and I love Adichie, too, and I knew I should love this book. For some reason, I was just getting stuck right around the first part that focuses on Obinze. For what it’s worth, I do think the Obinze sections drag a bit, and I’m not sure why because his story is interesting, especially his sojourn as an undocumented immigrant in the UK.

When I was at lunch at work a couple of weeks ago, I complained about getting stuck with this book. One of the people listening to me complain asked me if I’d tried the audiobook. I listen to audio books all the time, but I had this one Kindle, so no, I hadn’t tried the audiobook, but I decided it might be just the thing to get me past being stuck. Once I got past that part, I admit I was riveted by the book. I was puttering around the house the last week or so, listening whenever I could.

One quibble I think I have with the book is the notion that Ifemelu’s blogs take off so quickly in popularity. I suppose some people get lucky in that regard, and yes, I’ve been approached for advertising on my education blog (which I don’t feel comfortable doing), but it seemed a bit unrealistic to me that her blogs both became so popular so fast. However, in the grand scheme of the book, this issue is so minor as to be nearly nonexistent. Adichie offers a thoughtful critique of race and class America, the UK, and Nigeria, as her characters explore their identities and struggle to make it as immigrants.

I understand a movie is in the offing, and that Lupita Nyong’o has been cast as Ifemelu and David Oyelowo as Obinze. The book could certainly make a good film, though I wonder how it will capture all the complexity of the novel. I could see teaching this novel at the college level, though I think it might be a bit too long for high school students, even in AP classes. However, it would offer wonderful opportunities for discussion with a class novel study. I would recommend this book to everyone, but I think white liberals especially have something to learn from this book.

five-stars

Review: The Restaurant at the End of the Universe, Douglas Adams

Review: The Restaurant at the End of the Universe, Douglas AdamsThe Restaurant at the End of the Universe (Hitchhiker's Guide, #2) by Douglas Adams, Martin Freeman
Narrator: Martin Freeman
Published by Random House Audio on July 3, 2006
Pages: 6
Format: Audio
Buy on Amazon
Goodreads
four-stars

Facing annihilation at the hands of the warlike Vogons is a curious time to have a craving for tea. It could only happen to the cosmically displaced Arthur Dent and his curious comrades in arms as they hurtle across space powered by pure improbability, and desperately in search of a place to eat.

Among Arthur's motley shipmates are Ford Prefect, a longtime friend and expert contributor to the Hitchhiker's Guide to the Galaxy; Zaphod Beeblebrox, the three-armed, two-headed ex-president of the galaxy; Tricia McMillan, a fellow Earth refugee who's gone native (her name is Trillian now); and Marvin, the moody android who suffers nothing and no one very gladly. Their destination? The ultimate hot spot for an evening of apocalyptic entertainment and fine dining, where the food (literally) speaks for itself.

Will they make it? The answer: hard to say. But bear in mind that the Hitchhiker's Guide deleted the term "Future Perfect" from its pages, since it was discovered not to be!

LENGTH 5 hrs and 50 mins

My husband and I finished listening to this one tonight. I had previously listened to and reviewed The Hitchhiker’s Guide to the Galaxy, but I hadn’t gotten around to this one yet. After listening to Hitchhiker’s Guide together, we decided to keep going.

These books are relatively short and pretty funny. My husband remarked after we finished the book that Douglas Adams must not have been an outliner, and I agree, this one felt like it meandered a bit—literally like the writer might have been going along for the ride to see where the characters would take him. I’m not sure it is quite as good as The Hitchhiker’s Guide, but it’s not bad, and Martin Freeman is an excellent narrator. The production values on this audiobook are considerable as well. At times, Freeman’s voice is digitally altered. I believe this series of audiobooks was released to coincide with the film in 2005, in which Freeman played Arthur Dent.

The book is no good as a standalone. It picks up right where The Hitchhiker’s Guide leaves off, and it ends without tying together any loose ends. It feels very much like what it is: a book in the middle of a series. It’s definitely a fun book and probably more fun in audio

four-stars

Review: Murder on the Orient Express, Agatha Christie, narr. Kenneth Branagh

Review: Murder on the Orient Express, Agatha Christie, narr. Kenneth BranaghMurder on the Orient Express by Agatha Christie
Narrator: Kenneth Branagh
Published by HarperAudio ISBN: 0062847929
on October 24th 2017
Format: Audio
Buy on Amazon
Goodreads
five-stars

A new recording of the most widely read mystery of all time, performed by Kenneth Branagh.

Now a major motion picture from Twentieth Century Fox, releasing November 10, 2017 and directed by Kenneth Branagh.

"The murderer is with us - on the train now..."

Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. One of his fellow passengers must be the murderer.

My husband and I decided to listen to this on audio as we cook dinner—listening to books while we cook has become a habit. I hadn’t read this one yet. In fact, I haven’t read anything else by Agatha Christie except And Then There Were None. I had the advantage of not having the mystery spoiled for me, so I will not spoil it for you, either (just in case). However, I will say it was quite a satisfying murder mystery, and I was guessing up until the end.

This was my first Hercule Poirot book, and I haven’t really watched any movies or television featuring the character, either. He definitely owes something of a debt to Auguste Dupin and Sherlock Holmes, and I liked him. Kenneth Branagh is an excellent narrator. He does accents really well, which is something I noted when listening to his reading of Heart of Darkness. He even does a really good American accent. His reading of Mrs. Hubbard was fantastic.

I know the reason he read this book is that it’s a movie tie-in for the film he directed and starred in last year. I might want to watch it. It has a stellar cast, though reviews on IMDb are not awesome.

If you haven’t read this book, treat yourself to this audio version. You won’t be disappointed. Kenneth Branagh is a great reader.

This book counts towards the British Books Challenge, as Agatha Christie is a British writer, though the book is set in modern-day Croatia (Yugoslavia at the time). Because of its setting, I’m also counting it for the Literary Voyage Around the World Challenge. I’m counting it as my selection for a classic crime story for the Back to the Classics Challenge.

five-stars

Review: House of the Seven Gables, Nathaniel Hawthorne

Review: House of the Seven Gables, Nathaniel HawthorneThe House of the Seven Gables by Nathaniel Hawthorne
Published by Brilliance Audio ISBN: 1597371343
on June 25th 2006
Genres: Classic
Pages: 13
Format: Audio
Goodreads
three-stars

From the author of >The Scarlet Letter comes a landmark of American literature, an embodiment of the greed which can compel people to treacherous actions.

Hawthorne's The House of the Seven Gables is a study of guilt and renewal from generation to generation. At the time of the Salem witch trials, the patriarch of the Pyncheon family finds himself so covetous of his neighbor’s property that he is led to sinister deeds, turning the community against his neighbor who is ultimately hanged for witchcraft. Though his plot to acquire the land is successful, the dying man's curse on the Pyncheon family comes true generation upon generation. That is, until six generations later when the long-hidden truth is revealed….

This novel is part of Brilliance Audio's extensive Classic Collection, bringing you timeless masterpieces that you and your family are sure to love.

My family visited the actual House of the Seven Gables some years ago.

I’m not sure how much resemblance the actual house shares with Nathaniel Hawthorne’s fictional version, but ever since visiting the house, I’ve had Hawthorne’s The House of the Seven Gables on my TBR pile. I picked it up to read some years ago and stalled out. My husband suggested we listen to it as we cook dinner, and I was game.

First, let me say the narrator, Buck Schirner, was great. His Hepzibah Pyncheon was brilliant. In theory, the story idea is intriguing as well: a house with a storied history, haunted by the ghosts of the past, including an accused Salem witch; a family curse. There are some genuinely good moments. As a whole, the book doesn’t compare to The Scarlet Letter, or even to Hawthorne’s short stories. After a certain point, I was just ready for it to be over, to be truthful. I don’t know what it says that my favorite character is the little boy, Ned Higgins, who develops a taste for Hepzibah’s gingerbread menagerie.

This book counts as my Nineteenth Century Classic for the Back to the Classics Challenge.

three-stars

Review: Alias Grace, Margaret Atwood

Review: Alias Grace, Margaret AtwoodAlias Grace by Margaret Atwood
Published by Doubleday Nan A. Talese ISBN: 0385475713
on November 2, 2017
Genres: Historical Fiction
Pages: 468
Format: Audio
Buy on Amazon
Goodreads
five-stars

From the number one New York Times best-selling author of The Handmaid's Tale

Soon to be a Netflix Original series, Alias Grace takes listeners into the life of one of the most notorious women of the 19th century.

It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.

An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories?

Captivating and disturbing, Alias Grace showcases best-selling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

The miniseries Alias Grace is a Halfire Entertainment Production made for CBC and Netflix.

I think I’ve mentioned this before, but my husband and I like to listen to audiobooks while we cook dinner, and I have picked most of them. We made a deal that I would pick one more, and I was supposed to surprise him and pick whatever I wanted, and then it would be his turn. We had tried to listen to Lincoln in the Bardo, but I just couldn’t follow the story in audio. That was the last book my husband picked, I think. I thought long and hard about which book to pick. I almost picked The Handmaid’s Tale because I don’t think he’s read it, but I have read it, and I had wanted to read Alias Grace. I thought maybe my husband would like it because it is based on a true crime story, and he is something of a true crime aficionado.

Both of us liked the novel quite a lot. I think we are planning to watch the Netflix series, too. My husband remarked several times about what an excellent writer Margaret Atwood is. I am not sure if we were meant to think about Dreiser’s An American Tragedy, which was also based on a true crime. To my way of thinking, Alias Grace has more than a healthy dose of Naturalism as well. It explores themes of mental health, treatment of women, sexuality, and gender as well as social issues involving Irish immigrants. Grace emerges as a sympathetic character, but at the same time, it’s difficult to know who she really is, especially by the end. Atwood weaves the narrative together well through the frame device of Dr. Simon Jordan, an American interested in mental health issues, who visits Grace to learn more about her story and the infamous murders that resulted in her imprisonment as a teenage girl.

Sarah Gadon plays Grace Marks in the Netflix adaptation of the novel, and she does a worthy job with the narration of this novel as well. This one is definitely worth a listen.

five-stars

Review: Tess of the D’Urbervilles, Thomas Hardy

Review: Tess of the D’Urbervilles, Thomas HardyTess of the D'Urbervilles by Thomas Hardy
Narrator: Simon Vance
Published by Public Domain Books on December 31st 1969
Genres: Classic
Pages: 411
Format: Audio
Buy on Amazon
Goodreads
four-stars

The chance discovery by a young peasant woman that she is a descendant of the noble family of d'Urbervilles is to change the course of her life. Tess Durbeyfield leaves home on the first of her fateful journeys and meets the ruthless Alec d'Urberville. Thomas Hardy's impassioned story tells of hope and disappointment, rejection and enduring love.

I have had this book on my TBR pile for a long time, but I was finally moved to pick it up by a recent post on my friend Robin’s blog Better Living Through Beowulf. In this post, Robin, who is a college English professor, writes that Tess is “more relevant than ever” as more and more accusations of sexual harassment and rape come to light, and, as Robin suggests, “certain defenders of Roy Moore, Donald Trump, and Bill Clinton have avoided examining too closely what transpired.” Robin’s particular genius is in applying literature to the current moment. He’s a master at seeing literature as a mirror that reflects our world today, no matter when it was written. I’d love to be a student in his class.

Tess is often painted as spineless, lacking any ability to stand up for herself whatsoever. I don’t see her that way. She actually stands up for herself quite a lot. But she is also a lower-class woman in the late nineteenth century, so no one listens to her, and indeed, most people seem to feel they can abuse her however they like. I find it odd that most of the reviews and analyses about Tess that I have read refer to Alec D’Urberville’s rape of Tess as “ambiguous.” I suppose it could be ambiguous if you think her repeated attempts to push him away, her repeated refusals of his advances, and the fact that he came upon her while she was asleep and attacked her “ambiguous.” Seriously? People read it and think it might not have been a rape? That’s precisely why this book matters. As a victim, Tess is even hoodwinked into thinking she is at fault, that she is somehow to blame for being raped. That she is a fallen woman. And due to the Victorian notions of piety, everyone from her family to her rapist to the man she ultimately marries treats her that way. It’s maddening. I definitely don’t see her as someone who doesn’t stand up for herself so much as she is mowed over by a great big tank.

I really disliked Tess’s family, who seem to use her and unfairly depend on her financially. I disliked her husband, who is a hypocritical prig (and Tess should have told him to shove it when he finally showed up, but sometimes we do stupid things when we’re in love). And Alec D’Urberville is the ultimate dastardly villain, even twirling a mustache, for crying out loud.

I’m glad I finally read the book. I have been wanting to for a long time, and though the characterization in the novel suffers because Hardy was trying to make a POINT, the beautiful descriptions of the landscape redeemed the book for me.

As usual, Simon Vance is a brilliant narrator. I highly recommend him if you are looking for audio books and are not sure which narrators to pick.

The Backlist Reader Challenge 2017I can’t remember when this book first went on my TBR pile, but it was probably years ago, so I’m counting it for the Backlist Reader Challenge.

Unrelated: I have a new plugin that allows me to pull some automated data about books I review, but it also changes the layout of posts a bit. If you have opinions about it, please share.

four-stars