Published by Park Row on March 7, 2023
Genres: Historical Fiction
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A spellbinding tale about two daring women who hunt for truth and justice in the perilous art of conjuring the dead.
1873. At an abandoned chÃ¢teau on the outskirts of Paris, a dark sÃ©ance is about to take place, led by acclaimed spiritualist Vaudeline Dâ€™Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identities of the people who killed them, she is highly sought after by widows and investigators alike.
Lenna Wickes has come to Paris to find answers about her sisterâ€™s death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult. When Vaudeline is beckoned to England to solve a high-profile murder, Lenna accompanies her as an understudy. But as the women team up with the powerful men of Londonâ€™s exclusive SÃ©ance Society to solve the mystery, they begin to suspect that they are not merely out to solve a crime, but perhaps entangled in one themselvesâ€¦
I did not enjoy this book as much as Sarah Penner’s first book,Â The Lost Apothecary. The story was not as compelling to me. The ending held some surprises, and I liked the scripted process Penner created for the sÃ©ance. I also appreciated the fact that Penner created a plausible Victorian lesbian romanceâ€”it didn’t feel tacked on, but I think Lenna thought about her attraction to Vaudeline at weird timesâ€”like when she was angry with her. Vaudeline, the medium, was an interesting character. I didn’t find Lenna or her deceased sister Evie compelling, and Mr. Morley was a cartoonish Snidely Whiplash type.
Too much of a caricature. I also wanted a bit more of a feel for the setting, which is something I got fromÂ The Lost Apothecary. There was a bit of a feel for the setting, but not much. I saw a Goodreads reviewer describe this book as a “great concept, average execution.” That’s exactly the way I felt.