Review: A Lullaby for Witches, Hester Fox

Review: A Lullaby for Witches, Hester FoxA Lullaby for Witches by Hester Fox
Published by Graydon House on February 1, 2022
Genres: Fantasy/Science Fiction, Historical Fiction
Pages: 352
Format: E-Book, eBook
Source: Library
Buy on Amazon
Buy on Bookshop.org

This post contains affiliate links you can use to purchase the book. If you buy the book using that link, I will receive a small commission from the sale.

Goodreads
four-half-stars


Two women. A history of witchcraft. And a deep-rooted female power that sings out across the centuries.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

One hundred and fifty years later, Augusta Podos takes a dream job at Harlowe House, the historic home of a wealthy New England family that has been turned into a small museum in Tynemouth, Massachusetts. When Augusta stumbles across an oblique reference to a daughter of the Harlowes who has nearly been expunged from the historical record, the mystery is too intriguing to ignore. But as she digs deeper, something sinister unfurls from its sleep, a dark power that binds one woman to the other across lines of blood and time. If Augusta can’t resist its allure, everything she knows and loves—including her very life—could be lost forever.

I enjoy a good witch book, and this was a pretty good witch book. As a bonus, it’s set in my current home state of Massachusetts in the fictional town of Tynemouth, somewhere on the North Shore (my best guess, based on its proximity to the real cities of Salem and Boston). Parts of Margaret’s story seemed stilted, I think in part because of the author’s choice to bring her into the present to reflect on her growing power in several italicized sections. The Margaret sections set entirely in the past rang true. I am not sure how else Fox might have accomplished her storyline, but those passages always took me out of the story for a minute. However, I kept turning the pages, wanting to know what would happen. Some of my questions remained unsatisfied, but I’m afraid they’re spoilers. If you highlight the text that follows this paragraph, you’ll see my spoiler questions, but if you don’t want the story spoiled, you can keep reading the paragraph that follows the spoilers section.

Spoilers!

  1. I never found out exactly how Augusta and Margaret were related. I worked on the assumption that she’d be a direct descendant until Margaret was killed before her child could be born. After that, I didn’t know how Augusta could be related to Margaret. 
  2. I also wanted to know more about Augusta’s family history. Fox teased several times that there were some big reveals buried in the boxes of mementos of her father, and Augusta sifts through them a few times, even finding Margaret’s comb and a family tree with the name Montrose, the maiden name of Margaret’s mother. “Bishop” was also on the family tree, and Bridget Bishop was executed during the Salem Witch Trials. Fox wouldn’t be the first writer to use Bridget Bishop as a real witch, if that’s the case—Deborah Harkness makes her protagonist in A Discovery of Witches a descendant of Bridget Bishop and a real witch.
  3. What exactly happened to Margaret? Did she vanish? Is she still out there, lurking? 

I understand some character names from Fox’s other books appear in this book as well, but this was my first book by Hester Fox. I liked it enough that it will not be my last. She reminds me a bit of Brunonia Barry in how she captures Massachusetts’s witchy history, and I really liked the idea that Augusta worked in a museum—the former home of a prominent family. There is a hint of Barry’s characterization from The Lace Reader and A Map of True Places in this book. I will always have a soft spot for Brunonia Barry because I won a trip to Salem, MA in connection with her book A Map of True Places, and I’m convinced it was a sort of beginning that led to our moving to MA two years later. I will also always have a soft spot for Salem, and truthfully, I’d love to live on the North Shore one day.

I really enjoyed Fox’s comment in her acknowledgments, offering “thanks and admiration” to “the many museum workers and volunteers who are actively decolonizing the field and making museums more equitable places, both for the audiences they serve and in the stories they tell.” This idea plays out in the novel in how Augusta and her co-workers work to remember the stories of the women of Tynemouth. For far too long, the stories of so many people have been forgotten, and this is especially true of women and people of color. Fox tried to include both in this novel. She was more successful in capturing the women, but I appreciated watching Augusta try to uncover forgotten stories for her exhibit.

four-half-stars

Review: Conversion, Katherine Howe, narrated by Khristine Hvam

My most recent audio book was Conversion by Katherine Howe and read by Khristine Hvam. Conversion alternates between two stories. Colleen Rowley is a high school senior at St. Joan’s Academy in Danvers, Massachusetts. She’s currently in a heated competition for school valedictorian and is stressed about getting into Harvard. Her classmates suddenly develop mysterious ailments—one girl has an apparent seizure, but soon another girl is losing her hair, while others develop tics and coughing fits. What is going on?

The other story is that of Ann Putnam, Jr., one of accusers in the Salem Witch Trials, and a real historical figure who later confessed to being “deluded by Satan” and apologized for her role in the deaths. As she tells the story of her involvement in the trials to Reverend Green, it becomes increasingly clear she’s still disturbed (which might not be historically accurate, but it was fun). What exactly caused the girls of Salem Village to think they were bewitched in 1692? And what was wrong with the girls at St. Joan’s 320 years later?

When Colleen is given an extra credit assignment by her AP US History teacher to read Arthur Miller’s The Crucible and write a paper about why Miller changed the details connected to some of the girls—Ann Putnam in particular—she discovers an eerie connection between the events in the Witch Trials and the girls’ illnesses at St. Joan’s that no one else seems to have noticed.

Katherine Howe has written about Salem before, particularly in The Physick Book of Deliverance Dane (which happens to be one of my favorite historical fiction novels). In fact, Deliverance Dane, her daughter Mercy, and her descendant Connie Goodwin all make cameo appearances in this novel (which I rather enjoyed). In this case, she was also inspired the the story of a mysterious illness that afflicted students at at high school in Le Roy, New York. The true cause of the “hysteria” in the Witch Trials has been debated, and we will likely never have an answer—just perhaps more plausible theories. In juxtaposing the events in modern-day Danvers (which used to be Salem Village) and Puritan Salem, Howe shows us it’s just possible that the girls were under a great deal of stress and that their treatment as girls and, in some cases, lower class servants, contributed to the deaths of innocent people when the witchcraft accusations began to fly. It’s certainly a plausible explanation and takes into account that perhaps the girls really were faking at first and later became caught up in a shared delusion.

Conversion is a highly enjoyable book that has a lot to say about the stress teenagers are under in today’s competition for grades and college spots and also the ways in which we discount teens’ voices. I should think that teenagers would find a lot to relate to, and at the same time, they would learn some interesting things about American history and literature.

The narrator, Khristine Hvam, did an excellent job not only capturing the voices of the teenaged girls, but also the old New England cadence of Ann Putnam’s speech. She was perfect for the novel, and she’s one of the better book narrators I’ve heard. I am really glad I listened to the audio book with the exception of one reason: the Author’s Note was not included in the reading, and it has some interesting information for readers. I had to track it down so I could read it.

I really liked this interview at Bustle and this other review at the Nerdy Book Club.

Rating: ★★★★★
Audio Rating: ★★★★★

(P. S.: Some of the novel is set in the past, but as the focus is more on the present, I have decided not to count it for the Historical Fiction Reading Challenge.)

The Physick Book of Deliverance Dane

I stayed up until the wee hours of the morning this morning to finish Katherine Howe’s debut novel The Physick Book of Deliverance Dane. This novel intertwines two stories. The first is the story of graduate student Connie Goodwin, who we meet as she is sitting for her oral qualifying exam for the doctoral program in history at Harvard. The qualifying exam is a clever device, which allows for Howe to give readers unfamiliar with the Salem Witch Trials some background without feeling too much like exposition. Before we meet Connie, however, we meet Deliverance Dane, a healer or cunning woman attending to a sick little girl. The stories of these two women intertwine when Connie agrees to prepare her grandmother’s house in Marblehead for sale. In perusing the bookshelves, Connie finds an old Bible with a key inside. She pulls a piece of parchment with the name Deliverance Dane written on it out of the key. Her pursuit of Deliverance Dane and her story, as well as the story of her Physick Book, become Connie’s quest.

As I said in my previous post, I really enjoyed this book for several reasons. The subject matter is a story I’ve always found fascinating. I was also, as a genealogist, able to relate to Connie’s search through generations for the book and the people whose lives it touched. There is a moment in the book when Connie and Sam, a “steeplejack” whom she meets as he’s restoring an old church, wax philosophical about people who have lived in the past:

“It’s weird, isn’t it?” asked Sam, leaning closer to her over the card table and dropping his voice.

“What’s weird?” she said, turning to him.

“That you can have this whole entire life, with all your opinions, your loves, your fears. Eventually, those parts of you disappear. And then the people who could remember those parts of you disappear, and before long all that’s left is your name in some ledger. This Marcy person—she had a favorite food. She had friends and people she disliked. We don’t even know how she died.” Sam smiled sadly. “I guess that’s why I like preservation better than history. In preservation I feel like I can keep some of it from slipping away.” (76)

Connie responds:

“I can see that. But history’s not as different as you might think.” She brushed her fingers over Marcy Lamson’s name scrawled on the page. “Don’t you think Marcy would be surprised if she knew that some random people in 1991 were reading her name and thinking about her? She probably never even imagined 1991. In a way”—Connie hesitated—”it offers her a kind of immortality. At least this way she gets to be remembered. Or thought about. Noticed.” (76)

Those are thoughts that I think cross the minds at some point of almost anyone who studies his/her family history. I have often wondered about the name in my family research in the same way that Sam describes, while also thinking, as Connie does, that they might be surprised to remembered or noticed so long after they’re gone. I don’t know how my great-great-grandmother Stella would feel about my publishing her diary, for instance. She might actually not have been too happy about it!

Howe’s research shines in the period detail she crafts for scenes set in the past, as well as the description of Connie’s grandmother’s home on Milk Street and the environs around Harvard, Salem, and Marblehead. She has also clearly researched witchcraft and divination, and her descriptions of spells ring with authenticity.

Katherine Howe descends from two of the accused witches: Elizabeth Howe, who was executed, and Elizabeth Proctor, whom many may remember as the wife of The Crucible‘s protagonist, John Proctor. I cannot imagine having this sort of family history without being interested in the subject matter.

Howe conducted an interview with Wonders and Marvels that is well worth a listen, and via Twitter, she directed me to A Midwife’s Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812, which she describes as part of the inspiration for Prudence Ballard’s diary in the novel. I look forward to reading more of her work. I know a book is really good when after I finish it, I have the strange wish that I had written it myself.