Change of Plans

Readers might recollect that I am participating in the Historical Fiction Challenge.  I have a change of plans.  Instead of reading Ferrol Sams’ Run with the Horsemen for the challenge, I will be reading Emily Brontë’s Wuthering Heights. It is my recollection that I didn’t finish the novel in high school, and now I would like to read it.  I haven’t decided for sure, but I’m thinking of substituting Edward P. Jones’ The Known World for Jane Austen’s Northanger Abbey.  Actually, I’m going to go ahead and make the substitution.  I think reading Wuthering Heights and Northanger Abbey back to back will be fun.

For the record, if you’re keeping track, I have already read Confessions of a Pagan Nun by Kate Horsley and Nothing Like the Sun by Anthony Burgess.  I am currently reading Wide Sargasso Sea by Jean Rhys (which I will probably finish soon).  I still plan to read Jonathan Strange and Mr. Norrell by Susanna Clarke.

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Nothing Like the Sun

Nothing Like the SunI’m sure Anthony Burgess’s Nothing Like the Sun is like nothing I’ve ever read before.  The novel is subtitled A Story of Shakespeare’s Love-life; Burgess’s essential claim is that Shakespeare’s literary genius was borne out of his lust.  It’s an interesting thesis, as desire can be quite a motivator, and Burgess manages to convince.

The novel is rich with period detail and dialogue; indeed, it might take some time for the casual reader to become accustomed to Burgess’s use of Early Modern English.  For readers familiar with Shakespeare’s sonnets and plays, the novel is a delight of allusions.  I found myself wishing I were much more familiar with Shakespeare even than I am, having taught several of his plays (and some of them many times) because I feel sure that some allusions passed me by.

Burgess crafted a plausible, entertaining narrative from the few scraps of information we have about Shakespeare’s life and in the process, held a lens up to Shakespeare’s work and times, exposing both work and times as sublime and filthy at the same time.  I would recommend this book highly to anyone interesting in learning more about Shakespeare or about Elizabethan England.

Because I am in a Shakespeare frame of mind, I plan to take a break from the Historical Fiction Challenge and read The Book of Air and Shadows next.  As always, I’ll let you know how it turns out.

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Confessions of a Pagan Nun

Kate Horsley’s Confessions of a Pagan Nun has been on my to-read list for at least a couple of years, and I finally decided to take it off the shelf and read it. Serendipitously, I discovered the Historical Fiction Challenge and was able to use this book as part of the challenge.

For those of you who may have read The Virgin Blue by Tracy Chevalier (review here) or The Mists of Avalon by Marion Zimmer Bradley, the premise of this novel is not new. Confessions of a Pagan Nun is told from the viewpoint of a woman a the crossroads in history: she is born into a pagan culture and watches, reporting her observations, as Christianity gradually subsumes paganism and druidism. Gwynneve, the narrator, longed to learn to read and become a druid as a child. She tells her story from the monastery of St. Brigit, where a confluence of strange events leads to wild accusations against her.

This book is different from The Virgin Blue and The Mists of Avalon because Gwynneve sees wisdom and beauty in both Christianity and paganism; she also sees violence and ignorance in both, and boldly reports what she sees. I was reminded that while history is written by the victors, the truth usually reveals itself, and words have the power to transmit the truth when we have nothing else. It was refreshing to read a book about the conflict between paganism and Christianity that casts neither as evil in and of themselves, but lay bare that men have used both to their own ends for the worse.

Confessions of a Pagan Nun is a quick, enjoyable read. In terms of historical fiction, I saw no inaccuracies that I could tell, having studied this time period — 6th century British Isles — quite a bit. I certainly think that should one be interested in learning about life in 6th century Ireland, this book would not disappoint.

One of these days, I need to re-read The Mists of Avalon. It’s one of my all-time favorite books. My next book for the Historical Fiction Challenge is Nothing Like the Sun by Anthony Burgess (yes, author of A Clockwork Orange). This book is about Shakespeare’s love life, a topic which never fails to inspire much speculation and not a few pretty good stories.

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Confessions of a Neglectful Reader

I have had Kate Horsley’s novel Confessions of a Pagan Nun for so long that I did a search of my blog to see when I first mentioned it. I don’t know when I bought it, but I planned to read it as long ago as the summer of 2005. I seem to remember buying with a birthday gift card, so it may be that I didn’t have it yet that summer; it was on my wish list for a while before I bought it. In any case, it has been sitting on my bookshelf for too long, and I really have wanted to read it for a long time, so it’s my current work in progress. However, I have decided my choice to wait until now to read this book is well-timed: I can include it as part of the Historical Fiction Reading Challenge. To complete the challenge, I must read six historical fiction novels in six months. I plan to read the following as part of the challenge:

  • Confessions of a Pagan Nun by Kate Horsley: Sixth-century Ireland as Christianity supplants paganism.
  • Nothing Like the Sun by Anthony Burgess: Sixteenth-century England, the story of William Shakespeare’s love life.
  • Jonathan Strange and Mr. Norrell by Susanna Clarke: Nineteenth-century England, rival magicians change history. This one feels a bit like cheating because I put it aside as part of another challenge, but I never finished it. I really want to finish it, and maybe a challenge will help me.
  • Wide Sargasso Sea by Jean Rhys: Nineteenth-century Caribbean, the mad woman in the attic tells her side of the story.
  • The Known World by Edward P. Jones: 1840’s Virginia, the story of black slaveowners in the antebellum South.
  • Run with the Horsemen by Ferrol Sams: 1930’s Georgia, Porter Osborne grows up on a farm during the Depression.

I have many books like Confessions of a Pagan Nun that I bought some time ago and haven’t read yet. And I try to tell myself that when I’m in the bookstore, but I don’t often listen.

On an unrelated note, I have added a new feature to the sidebar. Random quotes about books and reading will appear. If you have one you want to share, feel free to leave it in the comments; maybe I will add it to my collection.

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Ahab’s Wife

Ahab's WifeFrom one brief mention of Ahab’s wife in Moby-Dick, in the manner that God fashioned Eve from Adam’s rib, Sena Jeter Naslund has fashioned Ahab’s Wife:

[W]hen I think of all this; only half-suspected, not so keenly known to me before—and how for forty years I have fed upon dry salted fare—fit emblem of the dry nourishment of my soul!—when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts—away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow—wife? wife?—rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey—more a demon than a man!… I see my wife and child in thine eye (Moby-Dick, Chapter 132 “The Symphony”).

And what sort of a woman would be a match for Captain Ahab? Naslund’s Una Spenser is Ahab’s feminine counterpart — where Captain Ahab is consumed by vengeance, Una learns forgiveness for all; Ahab is destroyed by his hate for the white whale, while Una survives and prospers because of her love. This, then, is a woman to marry Ahab.

You do not need to read Melville’s Moby-Dick in order to appreciate Ahab’s Wife, but I would strongly recommend that you do so, for your appreciation will be much deeper. Una begins her story in medias res, as memorably as Melville begins Moby-Dick: “Captain Ahab was neither my first husband nor my last.” Una is pregnant and decides to travel to Kentucky to have her child. She recounts the two most horrible moments of her life, then takes us into her past when she was twelve and first moved to the Lighthouse home she shared with her Aunt Agatha, Uncle Torchy, and cousin Frannie.

At the age of sixteen, Una runs away to sea as a “cabin boy,” and encounters horrors as her ship is destroyed by a whale and she is forced to survive on an open boat in the water. She endures a disastrous marriage and is forced to use her sewing needle to support herself. She feels immediate attraction to the elemental Ahab, and the two are happily married until Ahab encounters Moby-Dick in the Sea of Japan.

Una crosses paths with many luminaries of her age: astronomer Maria Mitchell, writer and transcendentalist Margaret Fuller, abolitionist Frederick Douglass, and writers Nathaniel Hawthorne and Ralph Waldo Emerson. Naslund’s many literary allusions, from The Odyssey, to Shakespeare, to The Faerie Queene, and many more will delight book lovers.

Naslund has a gift for language, and she breathes life into Una — I wished as I read that I could have really known her! — and makes her setting so real, I felt I was there. I have read some enjoyable books, but this might be one of only a handful that transcend other literary fiction to such a degree that I feel sure it will have a place in the canon of Literature with a capital L one day. And Una Spenser is a remarkable character and proper soulmate for Ahab.

Read other reviews:

[tags]Ahab’s Wife, Sena Jeter Naslund, Moby-Dick, Herman Melville, Una Spenser, Captain Ahab[/tags]

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