In Progress: The Physick Book of Deliverance Dane

I am about halfway through The Physick Book of Deliverance Dane, and what a delightful read it has been so far. Not since I first picked up Diana Gabaldon’s Outlander have I read a book that contains a confluence of so many things that interest me or that I can relate to. First of all, I was taken aback when the protagonist, Connie, referred to her grandmother as “Granna.” That’s what I call my grandmother, and I have always believed I invented it. I had to do a Google search to assure myself that other women have indeed been called Granna. You can learn more about my own Granna at my genealogy blog.

Second, Connie studies Colonial American history, a time period I have always found fascinating. She finds a mysterious key with a piece of parchment tucked inside its pipe or barrel or whatever you want to call the hollow part of an old key. The parchment has the name Deliverance Dane written on it. Connie sets out on a quest to find out more about Deliverance, whom she discovers was part of the Salem Witch Trials furor in 1692. I have been fascinated with this aspect of American history since about fourth grade. I just couldn’t believe that people in my own country, which prides itself now on freedom, had acted in such a bizarre fashion. I still don’t understand it.

Finally, in the last chapter I read, Connie is reading the diary of Prudence Lamson Bartlett. I was struck by how similar the diary entries were to my own great-great-grandmother Stella Bowling Cunningham’s own diary—so devoid of comment on emotions (although Stella occasionally discusses being irritated at someone), so repetitive in their description of the seemingly menial tasks of life. But as Connie says, “In some respects, Prudence’s daily work was her inner life” (158). In the last entry that Connie recounts, this is the entire text:

Febr. 24, 1763. Too cauld to write. Mother dies. (163)

I felt tears well into my eyes, despite the seemingly lack of emotion on the part of Prudence. Connie ascribes it to Prudence’s “cold practicality, her obstinate refusal to reveal her feelings, no matter how culturally proscribed” (163). My own Grandma Stella’s diary was so similar in the respects of recounting the weather, the daily work, where she went, what she bought and how much it cost. I could feel her relief when she wrote the following entry for April 4, 1894:

I paid Mrs. Bragg $7.50 for board & am now even. Owe no man anything (i.e. in $ and cts.)

On the day when her own grandmother died, she wrote:

9-3-’94

Homer & I went to town early.
Grandma died at 6 P.M.
Mr. Amos came & we came home.
Bought a buggy from John Houston $20.00.
Papa was at Aunt Panthea’s.

It couldn’t be more like Prudence Bartlett’s diary in the way it recounts so much pain alongside the mundane. It’s so spooky that if I didn’t know better, I’d swear Katherine Howe must have cribbed my genealogy blog! If you like, you can read my Grandma Stella’s journal (PDF). I transcribed it from a photocopy of the original.

Staying up at night reading this book under the low light of a book lamp over the last few nights has been a pleasure indeed, and I can hardly wait to see what happens next in Connie’s research.

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Beaded Journal

Iliana held a contest in honor of her blog’s fifth anniversary, and I was one of the winners. My prize was one of her famous beaded journals. Take a look:

Wrapped Journal

I didn’t expect the journal to come wrapped. Look at the pretty paper and ribbons!

Beaded Journal

Here’s the unwrapped journal. Pretty colors!

Side of Journal

Here is the side of the journal. You can see the beads.

Open Journal Back

The journal opened from the back. Like Iliana says, the journals lie flat when opened.

Open Journal

Here’s the open journal.

Very pretty! If you would like to buy your own, visit Iliana’s Etsy store.

Happy anniversary!

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Interred with Their Bones

Cover of Interred with Their BonesJennifer Lee Carrell’s novel Interred with Their Bones is the story of Kate Stanley, accompanied by a series of helpful and untrustworthy sidekicks, who is searching for Shakespeare’s lost play Cardenio after being put on the scent of the play by her mentor, Rosalind Howard.

I wanted to like this book, but in the end, I wonder why Matthew Pearl alone of the writers I’ve read seems capable of writing a good literary thriller. Interred with Their Bones is a dizzying and sometimes quite poorly written reworking of The Da Vinci Code with Shakespeare at the center instead of the Holy Grail. It was a tedious read.

Let’s begin with characterization. Carrell suffers from the same problem that Dan Brown does with characterization. She fleshes out a few characters well enough to make them intriguing and somewhat believable, as Brown did with Sir Leigh Teabing, but her main character languishes, unknowable and ultimately impossible to sympathize with. Her characters Sir Henry Lee, the stage actor I imagined to be like a Patrick Stewart or Ian McKellen, both lions of the modern Shakespearean stage, was perhaps the most well-drawn character, with Athenaide Preston, a wealthy Shakespearean enthusiast, coming in a close second. The specter of Rosalind Howard never quite becomes as real or defined as I think Carrell wants her to be, and the remaining characters are somewhat flat caricatures straight out of a romance novel.

I think the premise of the book has merit, but it becomes bogged down in the argument over who Shakespeare really was. It seems clear to me that most people who raise this question have an agenda, and it would spoil too much of the plot (if you should want to read this book, which I don’t recommend), to tell you what Carrell’s agenda appears to be; however, I find the argument about Shakespeare’s supposed secret identity frustrating and tiresome, so perhaps it’s just me.

Another detail that rankles is that Kate is supposed to be a Shakespearean scholar. For someone we are supposed to believe is so knowledgeable about Shakespeare, she is startlingly slow on the uptake. Her opportunities both in scholarship and directing Shakespeare are implausible. Though Carrell explains this issue late in the novel, the answer is unsatisfactory. I think she might have done better to age her heroine a bit to make her success more believable. We are repeatedly told Kate is a prodigy by the characters around her as if they are trying to convince us to ignore all the evidence to the contrary. I believe Carrell wanted to make the book accessible to readers who are not familiar with Shakespeare, but I ultimately felt like I was being talked down to.

If you are looking for a light beach read or a quick mystery, this novel actually suffices better than The Da Vinci Code, but if you are a true fan of Shakespeare and a book lover, look elsewhere. I felt that Anthony Burgess’s novel Nothing Like the Sun was great, for a start.