My Grandfather

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Through Anne, I found Magnolia Glen and a very touching story about Vickie’s grandfather.

There are some wonderful stories in my own family. I don’t mean wonderful in the sense that they are about happy times or admirable people (although there are those stories, too.). I mean it in the literal sense. Full of wonder. Sometimes I have thought to myself that it sounds like fiction. But then they do say the truth is stranger than fiction.

A couple of years ago my paternal grandfather died. I had never met him. This is due mainly to my father. I have only inklings of how awful his childhood was. I know his mother abandoned him and his three brothers and sister when he was only five. Aunt Debbie was an infant. I know his stepmother was abusive. Reading her letters now, I have a theory that she has schizophrenia. At any rate, the way she strings thoughts together is not normal. I know he was so poor he only owned one shirt in fourth grade. He wore it every day and was teased. I know he ate rice with milk for breakfast, presumably because his family couldn’t afford commercial cereal. I know he has this weird name-brand transfixion that Mom explains by saying he always had to get the cheapest brand of whatever item when he was a kid. And, as kids will, he felt cheated by that. I’m sure back in that time the store brand or generic imitations were probably not as good as they are now. I know that his grandmother, the only person in his childhood who showed him love (so my mother says) died in as horrendous a car accident as you can imagine when he was around 14. I know his stepmother kicked him out of the house when he was 16. He had to fend for himself and try to finish high school on his own. He did. He was the only one of the boys who did. He had a full scholarship to go to college in Florida, but couldn’t afford the air fare. So he joined the Air Force. My father despises his stepmother and didn’t have much care for his father — at least that is how it looked to me. The way it has been described to me, Grandpa was extremely passive and did little to protect his children from the wrath of the stepmother. My mother keeps in touch with her. If this has ever bothered Dad, he never let on. But he won’t have a thing to do with his family. It’s like he took a chainsaw to his family tree and cut off his branch.

That is how I didn’t know about Grandpa’s life until he died. My mother sent me the obituary. I had always known my grandfather was adopted, but we always had the name wrong. His natural mother remarried a man with the last name Leidel (I think), so Dad always assumed that was his father’s last name. It wasn’t. I discovered my grandfather, whom I had always known to be David Edwin Swier was actually born Edwin Guy Gearhart. He was about 10 when he was adopted. I was astounded by this news. I had always assumed he was adopted as a much smaller child, and I never knew that his given name had been changed. According to his obituary, his natural parents had been Omar Alfred Gearhart and Gertrude Nettie Perkins.

I was fortunate to find someone who knew what happened at a genealogy message board. Her father had been one of my grandfather’s natural brothers. She had been to visit some of the other siblings. My great-grandfather, Omar Gearhart, had an accident. Head injury. He was never the same after that. He began drinking. He was abusive to his wife. If memory serves, he was abusive to the children, too. He was murdered by his business partner, leaving Gertrude alone and pregnant, with lots of children to feed. She wasn’t able to find work for herself. The older children got work where they could. But it was the Great Depression. The family began to starve. The younger children lined up, waiting for their turn at Gertrude’s breast. I’m not sure what the older children ate. Gertude was told Washington State authorities were going to come and take her children. She must have felt desperate and scared. It’s possible that the idea that they would be separated, live in orphanages, and never see her again was devastating. She met with her pastor. He brought the issue before the congregation. The congregation adopted the children. They were separated, but most of them allowed the children to remain in contact with their natural mother and siblings. My grandfather must have, because my father clearly remembers his natural great-grandmother and an aunt, an older natural sister of my grandfather’s.

After I found this out, I was asked why I kept the Swier line, which my dad’s second cousin Rick has meticulously researched back to the eighteenth century in the Netherlands, in my family tree. After all, isn’t genealogy all about who you are related to? Where your hair color and hands came from? Isn’t it all about whose blood flows in your veins? I guess it is. But it is also about family, history, and remembering. I personally think what the Swiers did by taking in a starving ten-year-old boy and calling him as much their own as their natural daughters was… wonderful. It speaks to the more admirable qualities of human nature. It speaks of love. And to me, it makes them as much my family as the Gearharts are.


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The Virgin Blue

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I ordered Tracy Chevalier’s book The Lady and the Unicorn from Amazon after traveling down a winding path of searches for historical research/detective fiction similar to The Da Vinci Code or The Rule of Four, but better because all the pieces of great writing would be tied in together. I still haven’t read The Lady and the Unicorn, but it is my next project.

Where am I going with this? I was at Kroger the other day, and a book display caught my eye. I saw a book by Tracy Chevalier that caught my eye. I thought to myself, didn’t she write that book I ordered? This book was called The Virgin Blue. I picked it up and looked at the synopsis on the back cover:

Meet Ella Turner and Isabelle du Moulin — two women born centuries apart, yet tied together by a haunting family legacy. When Ella and her husband move to a small town in France, Ella hopes to brush up on her French, qualify to practice as a midwife, and start working on a family of her own. Village life turns out to be less idyllic than she expected, however, and a strange series of events propels her on a quest to uncover her family’s French ancestry. As the novel unfolds — alternating between Ella’s story and that of Isabelle du Moulin four hundred years earlier — a common thread emerges that pulls the lives of the two women together in a most mysterious way.

Okay, that sounded like something I’d like. And it was on sale for several dollars off the suggested retail price. So I put it in my cart and went in search of the milk. I didn’t know it then, but I think that might have been a key moment in my life — my decision to buy that book. After absorbing myself in the book for a few days, looking at the author’s website, and thinking about the ways stories come to us, I realize that I really do want to write more. I do have more stories in me. I just need to sit down, think, and make time to get them out.

The Virgin Blue is Chevalier’s first book. After the success of Girl with a Pearl Earring, I think it was republished in the UK and published for the first time in America. I keep thinking of the threads that tie families together. It has to be more than sharing a similar hair color or nose shape. I think memories are passed down, too. I think I have some of them. I think that might be why some people believe in reincarnation. They don’t know how to explain these flashes of memories or visions about life in another time that seem so clear that it might be confused with their own memories.

The characters in this movie were well-drawn. I liked them all, except for the ones Chevalier didn’t mean for us to like (Etienne Tournier, the awful husband of Isabelle du Moulin). I really liked the storyline, too. Despite shifting between time periods, it was never hard to follow or jerky, and there were often parallels in the two stories. Some people who reviewed Chevalier’s books don’t like the coincidences. I do. I think it speaks to the serendipity of our lives. The twists and turns that take us in unexpected directions. You can play this what-if game. Each person we meet and place we go is like a tapestry we weave into our lives. Pull out a thread and it falls apart. If the color was different, our lives would look totally different. That, to me, is what this book is about. The way we construct ourselves, built on the foundation of our family history. As Faulkner so astutely noted, “The past isn’t dead. It isn’t even past.”


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Good News (At Last)

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I seem to have finally found a job. What a relief! More details about that soon.

I was in Athens today, and I released my copy of The Rule of Four. They have built a new parking deck for North Campus, which was something that was sorely needed. I parked there and hiked across one of the quads, past the library, to Park Hall. I opened the door and walked in. The library smell of books. It was so familiar. The grooves worn in the stairs by all the students climbing up to second floor lessons. It was empty. I got a few odd looks from graduate assistants and professors who must have wondered why I was there. I felt embarrassed. I didn’t want anyone to see me leave the book. I left it on a bench in the foyer, then left the way I had come.

I think they have done something to the street at the corner of Baldwin and Sanford Dr. I don’t remember there being brick there before, nor posts to keep cars off the stairs next to Park Hall. Has that been a problem? Or maybe it was done to discourage bicyclists and skaters. There are some new buildings, which somehow made it seem easier to hike. I wonder if they had to level some of those hills to build new buildings?

I was just about to slip between Waddell Hall and Lustrat when I looked. The spurt of water caught my eye. There is a fountain there where I used to sit on a wrought iron bench donated by a class in the 1800s. My spot. I started to go over and sit for a moment, but I stopped. I told myself I was being sentimental, and I walked by. I didn’t smell any honeysuckle on the path. I wonder if I just didn’t pass by the right place.

Sometime I wonder if all those Georgia fans, the ones who wear red and black and go to football games, really get that place. Maybe I don’t either. Maybe it’s lots of different things to different people. The whole time I went there, I never went to a single football game. But I often sat by a bubbling fountain on North Campus, on an ancient bench, surrounded by monuments to the history of UGA.


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The Rule of Four

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At the end of the Author’s Note, Ian Caldwell and Dustin Thomason state that they are “deeply indebted to those two [Italian Renaissance and Princeton] settings of the the mind.” In the end, I think this book was more about its setting at Princeton than anything else. The setting overwhelmed the plot.

I think The Rule of Four suffers from its frequent comparisons to The Da Vinci Code. The latter is part of a relatively new genre. I’m not sure what you’d call it — historical research thriller? The Rule of Four is less about a centuries-old mystery surrounding a Renaissance book than it is about Princeton and four guys who became friends there.

In The Da Vinci Code, you see characters working on puzzles and watch as they figure out the answers in real time. The biggest mistake the authors of The Rule of Four make is they don’t do that. In this book, a character will solve a riddle offstage and share it with another character later. That made me feel cheated because I didn’t see it happen. The authors also frequently jump back and forth between time. It wasn’t difficult to follow, but it stopped the forward momentum of the plot. As I mentioned earlier, though, the real star of the book in the authors’ minds is the setting. The setting is lovingly, painstakingly rendered in this book to the point that it overwhelms the plot. The writing was good if you’re looking for description, but aside from that, it was mainly allusory (and for the dummies reading the book, the characters describe where the allusions came from).

I almost laughed out loud at the poor narrator at the end. I don’t think it would be giving too much away to say that a 26-year-old man waxing retrospective about events that happened only four years ago and attempting to sound as wizened and reflective as if it happened 40 years ago just didn’t work for me. That, to me, was the youth of the authors showing. I suspect they’ll cringe when they read that chapter in say 20 years or so.

I think the novel is being done a real disservice when it’s compared to The Da Vinci Code. As a coming-of-age novel, it works fine. It wasn’t a real page-turner, per se. I had trouble really caring about the characters. They’re much more realistic and less wooden than Dan Brown’s cardboard cutout stand-ins for plot advancement, but there was still something lacking. Even when I learned Paul is an orphan or Tom nearly died in the car accident that killed his father, I didn’t really feel affected by that. Later on, during the novel’s climax, several bad things happen all at once, and I just didn’t care.

I’m not really sure why this book is the darling of the critics right now. I don’t want to send the message that this book was awful. It wasn’t, or I wouldn’t have finished it. I think I’ve only ever forced myself to finish one awful book (if you follow that link and know me from my former screen name, you’ll see my review). At the same time, the book shows a lack of maturity on the part of the writers. They must not be long out of college, and it shows, because they are still mired in that love-affair with academia. They don’t know about poopy diapers or bills, and it shows. There is little that resembles real life for the over-30 set, but I imagine younger twentysomethings will find much to love in this book. Had I read it at that age, I might have enjoyed it more. It did make me wax nostalgic for college, I admit. But as Thomas Wolfe noted, you can’t go home again. Even if places don’t change (though they often do), we do, and our perspective makes it difficult for us to see things the same way as we once did. Maybe that’s my problem with this book. I’m too far removed from 22 to appreciate it. If I do decide to release this book, I will have to do it on a college campus to be sure it reaches its intended audience.


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The Lost Boys

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My radio blog offering this time is, well, different. For many of you, this music might be an acquired taste. It’s Renaissance Rock. Well, what rock music would have sounded like had it existed in the Renaissance. Let me introduce The Lost Boys, who perform at the Georgia Renaissance Festival and also do lots of other things around Atlanta in various other incarnations. I happen to think they’re awesome and very clever at filking. Their lyrics are witty and intelligent. I wouldn’t hesitate to share them with students.

The Lost Boys are “Clarence” (Kelley Yearout), guitars and vocals; Johnny Ozbourne (Charles Holmes), bass, guitar, and vocals; Michael Starr (Michael Guss), drums, guitar, percussion, and vocals; and String (Matthew Trautwein), guitar, lute, violin, vocals, banjo, fretless bass, keyboards, mandolin, mouth harp, pennywhistle, percussion, viola, broadsword, machete, and wine bottle.

Before The Lost Boys formed a “group,” I had seen Matthew Trautwein perform several times at the Ren Fest. When I wrote my book, I based my character Dafydd on him. Dafydd was solemn and brown-eyed (in his original incarnation). He was the most serious musician in my group of minstrels. If anyone is interested in my book, I just wanted to say I’m trying to figure out how to share it with my readers. What would work better for you? Subscription to it via e-mail? Reading it over the web? Downloading it as an e-book? I can do any of those. I’m thinking I would probably want to charge about $5.00 for it. Let me know what you think…

Anyway, back to the set list. These tracks come from both Lost Boys albums, Rogues in a Nation and Bedlam, which can be purchased from CD Baby (a company that sells indepedent CDs). I was really happy with their service, so if you like The Lost Boys, I encourage you to order the CDs. They were $12 each. But I have to say that if you can come to the Georgia Renaissance Festival (and let me know, so I can go with you!), you need to check them out live. Their shows have a lot of energy and enthusiasm that doesn’t translate to the recordings.

Set List:

  1. Art Thou Ready? (Bedlam) — I begin with this one, because it seems like a great opener. They opened the most recent show I saw with this one.
  2. Rogues in a Nation (Rogues in a Nation)
  3. Desdemona (Rogues in a Nation) — If I ever get to teach Othello, I will be sorely tempted to play this excellent plot synopsis for my students. Click here for lyrics.
  4. Hamlet Blues (Bedlam) — Listen for filks of “Hey, Joe” and “I Used to Love Her (But I Had to Kill Her)”
  5. The Horn (Bedlam) — from William Shakespeare’s As You Like It
  6. The Sheriff’s Revels (Dance in Shadow) (Rogues in a Nation) — Rousing instrumental.
  7. She Moved Through the Fair (Bedlam)
  8. Henry and Anne (Bedlam) — Little ditty ’bout Henry and Anne…
  9. Serf Music (Bedlam) — Do you love me, little serf-er girl? Couldn’t resist. Sorry.
  10. Loch Lomond (Bedlam) — A tune what brings a tear to the eye of any Scotsman. This one included.
  11. Ode to an Unfetter’d Fowl (Rogues in a Nation) — I have to end with this tune, which is quite literally and figuratively The Lost Boys’ “Freebird.” There’s a definite spark missing from the recording in comparison to the live version. The harmonizing vocals are more pronounced live, and I think there is less of a “lead” vocal. Still, the violin (or fiddle, if you like) solo is great.

The lyrics to “Desdemona” follow. If you want lyrics to the other tunes, let me know.

Desdemona

Oo my little pretty one, my pretty one,
When you gonna give me some,
Desdemona
From your daddy we did run,
Yeah, we did run, but now you’re under
Suspicion, Desdemona
O you dirty ho, Iago, he done told me
You doin’ Cassio, but not no mo,

O why did you have to lie,
Desdemona

I gave you a little gift, a handkerchief,
But now you got me seeing red,
Desdemona
Got it runnin’ through my head,
Got you in bed, ’cause of somethin’
Iago said, Desdemona
O you dirty ho, Iago, he done told me
You doin’ Cassio, but not no mo,

O come on, won’t you tell me why,
Desdemona

Oo I got a pillow here,
Gonna put the pillow on your
Head-demona!
Oo I’m gonna smother you, smother you,
Gonna smother you ’til you’re
Dead-demona,
O you dirty ho, Iago, he done told me
You doin’ Cassio, but not no mo,

‘Cause now you’re gonna die
Desdemona

© 2001 Absolute Music and © 1979 Capitol Records. Wise Brothers Music LLC O/B/O Small Hill Music, ASCAP.

Back to set list.


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Interview-o-rama

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I had two interviews today — well, yesterday, I guess, since it’s after midnight. About one minute into the first, I told myself that if that job were offered to me, I’d run. What was wrong? It was an alternative school, which I already knew and wasn’t happy about. However, the building was ancient and unkempt. It looked like a prison. The principal was wearing a purple shirt and matching purple reptile-skin shoes. I wish I was kidding. I cringed when I heard him explain the expectations he has for his “inscructors.” He answered the phone twice during the interview — one was a cell call from someone who spoke loudly enough that I could tell it was a family member or friend. How rude. During an interview, I give the interviewer my full attention. I expect the same consideration. The capper? It’s a middle school position. Middle school alternative school with a boss who wears purple shoes? No thanks.

The second was at a somewhat flaky, but interesting private school. We’ll see about that one. One other school is desperate to talk to one of my references. She’s a hard person to catch, so I hope they can get hold of her. If they listen to her, I’ll have that job. I have another interview Monday. Now the faculty at the Monday school would be great to work with, but the school is kind of similar to an inner-city school. Still, if you have a great faculty and good support from the administration, you can have good experiences with those types of settings. Or maybe I’m being optimistic. I do need to look at schools realistically. I know what my strengths and weaknesses are, and I really don’t need to be in a place where discipline is a big problem.

I need to go back and get my Master’s degree. It’s going to be hard with the kids being so young and Steve doing opera. Still, my career seems to be stalling, and I think the lack of the Master’s is one reason why. I also need to get serious about seeking National Board Certification. The money that will cost initially is daunting, but I think it would pay back exponentially.

I’m still working on The Rule of Four. I’m thinking I’ll finish it this weekend. I want to reserve my opinions until I’m finished, but I can tell you already the review will be mixed.


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Reunions and Networking

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Today, I went to a combination reunion party/retirement party/teacher network opportunity/collaborative examination of the student teaching program from which I graduated in 1997.

I didn’t want to get up and go this morning. My bed was warm. I told myself I might get an interview out of it, though, and that I wanted to see Sally. So I went.

This is Sally. She’s one of the best teachers I’ve ever had, something which is not commonly said about college professors (because they don’t teach — they profess), but is commonly said about Sally. She’s amazing. And she’s retiring. I’m really happy for her, but education is going to be a very different place without her. She leaves behind some big shoes to fill.

As it happens, I was able to snag an interview opportunity today. The English department head for one of the high schools near UGA is deeply involved in the student teaching program that Sally and her frequent collaborator Peg Graham designed.

I will always remember the moment at a GCTE conference several years back when I introduced Sally to Shelia, the other great teaching influence in my life. Shelia was my high school 11th and 12th grade English teacher and later my department head when I went to work at the same school. It is largely because of Shelia that I chose to teach English. It is largely because of Sally that I’m still a teacher. When I introduced these two women, I looked at them and told them they were the best teachers I’d ever had. It meant so much to see them there together, sharing one space.

We filled out memory cards for scrapbooks today, and I forgot to write about this then. I wish I had.


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Beloved

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This is a cross post of my journal entry at BookCrossing about this book.

I am not really sure what to say after reading this book. Of course, it was probably the most graphic illustration of the evils of slavery that I’ve read. So much literature I’ve read in the past really tries to whitewash that horrific institution. More than that, it taught me much about the reasons for problems in our current society. I admit to being shocked when I made the connection. Why should this or that still be so? Because it takes longer than 140 odd years to get over something this completely devastating. It takes longer than that to rebuild families, to learn how to swim in the world. I am very glad I read this book. I’m not sure I could read it again.

I felt Morrison’s way with words was incredible. When Ella said things that die bad don’t stay in the ground. When Paul D said Sethe had two legs, not four. Her characters were so eloquent that they made it look effortless. As I writer, I know making your characters sound this natural, but still say something profound is anything but effortless.

I think this is possibly one of the best ghost stories I’ve read. My favorite visual was the one of Beloved’s handprints in the cake.

I, on the other hand, am not feeling terribly profound today. I did receive three phone calls from administrators yesterday (on top of meeting with the headmaster for the school that can’t decide between me and someone else). Only problem is one was from Savannah, which is far, far from here; one was from an alternative school, and I’m not sure I can do that; and the third was from what looks like a kind of flaky private school. I’m calling all three back though.

P.S. I’m thinking of joining the SCA again. I’ve been told I’m a giant nerd. Okay. Well.


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Perfect Day

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Sarah and I spent the whole day together, just the two of us. We had been planning to go to the Renaissance Festival for some time. When I woke up, Sarah was already dressed and ready to go, simply waiting for me to get up. She asked me for what must have been the tenth time if I had purchased the tickets. I ran a load of dishes in the dishwasher, got dressed, and we left.

We had breakfast at Burger King on the way. When we arrived, the faire had only been open for about 15 or 20 minutes. We were busy all day. We didn’t really eat a whole lot — there was much to do and see. Sarah seemed to want to try everything, and I let her. She made a candle. She tried this bungee thing. She slid down this huge slide. She dragged me into a maze. We watched a hilarious parody of Macbeth, which she loved. She got her hair braided. She said that was her favorite part. We watched a joust, comedy swordfighting by Hack and Slash, and the Lost Boys — the renaissance rock and roll band. I bought some herbs for homemade first aid ointments I plan to try to make. I bought some earrings. I really couldn’t even go look at the hair sticks, because I love them — but I plan to cut my hair too short to be able to wear them. I didn’t want to be tempted. We had tea and scones.

It threatened to rain in the morning and early afternoon — it sprinkled a little. The cloud cover actually helped keep things cool. It didn’t get hot until late afternoon.

We capped off the evening with a mother-daughter only dinner at The Melting Pot. Cheese fondue, salad, and chocolate fondue. Sarah loved it. Not only was it fun, but it also tasted great.

She said it was the perfect day.

Sometimes I feel like I don’t give her a whole lot as a mother. We live paycheck to paycheck. This visit to the Ren Fest was brought to us by Uncle Sam’s tax return savings for dummies program. Her brother and sister demand a lot of my time because they are so little. She very rarely has me all to herself. That sort of fun is usually the kind of thing she associates with being with her father. I have the feeling she’ll remember today for a long time, if not always, and I am so happy I was able to give it to her.


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Finished

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Well, post-planning is over. I still haven’t received a straight answer about why I didn’t get the job I thought I had. I get the distinct feeling I’m being ignored, which of course makes me wonder about some things.

That said, I had a grueling interview with the principal of a private Jewish high school yesterday. It lasted for 2 hours and 45 minutes. It looks as though I am being seriously considered, along with one other person. She seemed very positive — she noted I should have received professional development credit for writing my Beowulf teacher’s guide. I had never thought about that before. Hmm. She liked a lot of the things I said and showed her — student work I’d graded, writing assignment ideas, my two teacher publications. I think it would be a rewarding place to work. And I should probably hear from her early next week. So. There’s that.

I’m very glad to be finished with school. I feel very tired. This worrying about the job search is too much. I’m trying to just do what I need to do and not fret so much. It’s hard.

Tomorrow I have errands to run. Saturday, Sarah and I are going to the Georgia Renaissance Festival. Sunday, I’m resting. I hope.


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