Category: Music

Review: The Storyteller: Tales of Life and Music, Dave Grohl

Posted on by Dana
Review: The Storyteller: Tales of Life and Music, Dave GrohlThe Storyteller: Tales of Life and Music by Dave Grohl
Published by HarperAudio on October 5, 2021
Genres: Memoir
Format: Audio, Audiobook
Source: Audible
Buy on Amazon, Buy on Bookshop

This post contains affiliate links you can use to purchase the book. If you buy the book using that link, I will receive a small commission from the sale.

Goodreads
five-stars

So, I've written a book.

Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child.

This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

I loved this book. It’s one of the best memoirs I’ve read; I’d rank it right up with Bruce Springsteen’s memoir Born to Run. I was exactly the right age when Nirvana broke. I was a sophomore in college. I turned 20 the month Nevermind was released. All these years later, I still think “Smells Like Teen Spirit” captures the Gen-X zeitgeist. In the immortal words of Kurt Cobain, “Oh well, whatever, never mind.”  I mean, that’s pretty much the Gen-X ethos.

My favorite stories from the book (in no particular order):

  • Dave Grohl rescheduled a show in Perth, Australia, necessitating a ridiculous trip from Australia to the US and back just so he could take his daughters to the Daddy/Daughter Dance and honor his tour obligations. On the flight back to Australia, he suffered from both food poisoning and turbulence.
  • Grohl played drums with Tom Petty and the Heartbreakers on Saturday Night Live. Tom Petty apparently gives looks that tell entire stories. Apparently, Grohl nearly became a permanent Heartbreaker.
  • Grohl’s Republican father disowned him when he dropped out of high school to pursue music (with his mother’s blessing). His father’s parting words were classic.
  • Grohl bought himself the Joan Jett Barbie on a shopping trip with his daughters. Later, Joan Jett stayed with the Grohls at their house and read bedtime stories to Violet Grohl, Dave’s daughter.
  • Grohl apparently lived in a haunted house and had an encounter with a medium who told him his dreams about UFOs were real.
  • After Kurt Cobain’s death, Grohl retreated to a remote part of Ireland. His encounter with a hitchhiker with take your breath away, but I don’t want to give it away.

Grohl handled some aspects of his story with class: he has plenty of reason to blast Courtney Love, but he never even mentioned her in the book. Likewise, he maintained the privacy of his ex-wife and ex-girlfriends. He lays all of his success at the feet of his mother, and truthfully, she sounds like a lovely person. I definitely want to read her book now that I’ve read his.

Grohl’s memoir is aptly titled, for he is a born storyteller. I was highly entertained for the entire ride, and if you pick up this book, too, I highly recommend you listen to Grohl read the audiobook (you will not be disappointed).

Grohl put together an epic playlist with all the songs and/or artists he mentioned (thanks to my sister for sending it to me; she’s the biggest Dave Grohl fan I know).

five-stars

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Review: Never a Dull Moment: 1971—The Year that Rock Exploded

Posted on by Dana
Review: Never a Dull Moment: 1971—The Year that Rock ExplodedNever a Dull Moment: 1971—The Year That Rock Exploded by David Hepworth
Published by Recorded Books on June 9, 2016
Genres: History, Nonfiction
Length: 11 hours 39 minutes
Format: Audio, Audiobook
Source: Library
Buy on Amazon, Buy on Bookshop

This post contains affiliate links you can use to purchase the book. If you buy the book using that link, I will receive a small commission from the sale.

Goodreads
four-half-stars

A rollicking look at 1971—the busiest, most innovative, and resonant year of the 70s, defined by the musical arrival of such stars as David Bowie, Pink Floyd, Led Zeppelin, and Joni Mitchell

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie," The Rolling Stones' "Brown Sugar," The Who's "Baba O'Riley," Zeppelin's "Stairway to Heaven," Rod Stewart's "Maggie May," Marvin Gaye's "What's Going On," and more.

David Hepworth, an ardent music fan and well-regarded critic, was twenty-one in '71, the same age as many of the legendary artists who arrived on the scene. Taking us on a tour of the major moments, the events, and songs of this remarkable year, he shows how musicians came together to form the perfect storm of rock and roll greatness, starting a musical era that would last longer than anyone predicted. Those who joined bands to escape things that lasted found themselves in a new age, its colossal start being part of the genre's staying power.

Never a Dull Moment is more than a love song to the music of 1971. It's also an homage to the things that inspired art and artists alike. From Soul Train to The Godfather, hot pants to table tennis, Hepworth explores both the music and its landscapes, culminating in an epic story of rock and roll's best year.

I wanted to read this book for a long time for many reasons, chief of which is that 1971 is the year I was born but also because I knew it was such a great year for music. Hepworth’s thesis is that 1971 was the greatest year for rock music, and given the evidence he provides, he makes a fairly strong case. I don’t necessarily agree with all of his arguments, but I think he makes a great case, and he clearly has done his research. I was impressed by the breadth of music Hepworth covered, too; I think many rock writers tend to be kind of niche. The book was entertaining, and each chapter ends with a playlist (my version is embedded below). On the other hand, reviews I’ve read critique the author because he picked the year he turned 20, and most of us wax nostalgic for the music we heard when we came of age, no matter how good or bad it was. I think there is also something to this argument. Hepworth reasons that 1971 was the year rock turned 17, so it arguably was also coming of age that year.

One of the more fun arguments Hepworth makes is that if you put together the biggest solo songs by each of the four Beatles, you’d have one of the best Beatles albums ever made: George Harrison’s “My Sweet Lord” and “Isn’t it a Pity?,” John Lennon’s “Jealous Guy” and “Imagine,” Paul McCartney’s “Another Day,” “The Back Seat of My Car,” and “Uncle Albert/Admiral Halsey,” and Ringo Starr’s “It Don’t Come Easy.” Another Spotify user put together an imagined album, and I have to admit it’s compelling:

I listened to the audiobook, and this is one I’d recommend reading in print. You might spend less time looking up things later on. I found it challenging to look up all the songs for the playlist. There was one song I couldn’t find on Spotify, so it doesn’t appear in the playlist below, but I honestly can’t remember what the song was anymore (I’d never heard of it before, and it went right out of my head). If I have another quibble, I’d argue Hepworth devotes a lot of space in the playlist to songs that really haven’t stood the test of time and are not in the same league as the more well-known songs on the list. Of course, that’s just my opinion, and I’m also speaking from the vantage point of someone who doesn’t remember the songs when they came out. Ask me about the late 1980s and early 1990s, and I might have a playlist with as many idiosyncracies as Hepworth’s. He had “Anticipation” by Carly Simon on the list twice, too (eh, I just left it like that). I was a bit surprised by Hepworth’s selection for the best song on the best album of the year. I don’t exactly think he’s out of the left-field with the choice. It makes a ton of sense. I might have argued for another song released, ironically enough, the same month—November. I don’t know if it’s spoiler-y of me to share the song title, but if you want to know it, let me know. Both the song he argued for the one I argued for are in the playlist below. One final point: near the end of the book, Hepworth argues that rock’s future was embodied in Elvis Presley’s career turn that year: becoming a nostalgia act and playing his hits for Vegas crowds rather than making new music. He argues that most rock acts end up that way—playing their earlier songs as their creative output diminishes. It’s a bit hard to argue with as there are few rock bands I can think of who are making music as compelling as the music they made when they were young. I have to say that part of the book made me feel a bit sad. In all, I would recommend this book for anyone who likes classic rock and wants to zoom in on a particularly significant year.

four-half-stars

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Review: The Final Revival of Opal & Nev, Dawnie Walton

Posted on by Dana
Review: The Final Revival of Opal & Nev, Dawnie WaltonThe Final Revival of Opal & Nev by Dawnie Walton
Published by 37 Ink, Simon Schuster Audio on March 30, 2021
Genres: Contemporary Fiction, Historical Fiction
Length: 13 hours 17 minutes
Format: Audio, Audiobook
Buy on Amazon
Goodreads
five-stars

An electrifying novel about the meteoric rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later for one last tour.

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records.

In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth.

Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything.

Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

This book is AMAZING. I highly recommend listening to it on audio, as it’s read by a full cast including some pretty major players: Bahni Turpin, an award-winning audiobook narrator, voices Opal Jewel, and Tony-winning actor André De Shields (Hermes in Hadestown) voices Virgil LaFleur, Opal’s stylist and best friend. I wanted for those two characters, in particular, to be real people so that I could hang out with them and just listen to their stories. I loved everything about this book: the audiobook narration, the references to social media, the Rolling Stone-type magazine Sunny writes for, and the interview-style format.

I’m sure that fans of Daisy Jones & The Six would like it, but for me, it goes even deeper than that book to expose issues of sexism and racism in music. The story is both a fascinating look at rock’s history and its present. Dawnie Walton writes with authority on the subject, and as a lifelong music lover, it was so refreshing and fun to read about its history in a book like this. Walton couldn’t have bundled more of my personal interests into one book if she had tried—in fact, all she needed to do was make one of the characters a bread baker, and there’s literally nothing else to add. I highly recommend it to anyone who loves music.

five-stars

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Review: Born to Run, Bruce Springsteen

Posted on by Dana
Review: Born to Run, Bruce SpringsteenBorn to Run by Bruce Springsteen
Narrator: Bruce Springsteen
Published by Simon Schuster Audio on December 6, 2016
Genres: Memoir, Nonfiction
Length: 18 hours and 12 minutes
Format: Audio, Audiobook
Source: Audible
Buy on Amazon
Goodreads
five-stars

“Writing about yourself is a funny business… But in a project like this, the writer has made one promise, to show the reader his mind. In these pages, I’ve tried to do this.” —Bruce Springsteen, from the pages of Born to Run

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl’s halftime show. The experience was so exhilarating that Bruce decided to write about it. That’s how this extraordinary autobiography began.

Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs.

He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as “The Big Bang”: seeing Elvis Presley’s debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song “Born to Run” reveals more than we previously realized.

Born to Run will be revelatory for anyone who has ever enjoyed Bruce Springsteen, but this book is much more than a legendary rock star’s memoir. This is a book for workers and dreamers, parents and children, lovers and loners, artists, freaks, or anyone who has ever wanted to be baptized in the holy river of rock and roll.

Rarely has a performer told his own story with such force and sweep. Like many of his songs (“Thunder Road,” “Badlands,” “Darkness on the Edge of Town,” “The River,” “Born in the U.S.A.,” “The Rising,” and “The Ghost of Tom Joad,” to name just a few), Bruce Springsteen’s autobiography is written with the lyricism of a singular songwriter and the wisdom of a man who has thought deeply about his experiences.

I’m really behind on writing reviews. I actually finished listening to this book some time back, and if you choose to read it, let me highly recommend the audiobook, narrated by Springsteen himself. Here’s a teaser, courtesy PBS.

 

This memoir is a master class in the genre. In fact, I plan to order a paper copy of it so that I can use it in teaching narrative writing. It’s that good. In fact, it’s the best memoir I’ve read. I don’t say that lightly either, as I have read quite a few.

What makes this particular memoir a standout is its unflinching honesty and its poetic sensibility. Though we know Bruce Springsteen is a great songwriter, that kind of writing talent doesn’t always translate to other forms. I am a bit embarrassed to say how surprised I was that Springsteen’s memoir was so well-written.

I picked this up on Audible using one of my credits a long time ago, and I decided to listen to it at long last after enjoying Warren Zanes’s biography of Tom Petty so much. I like Bruce Springsteen’s music, but I must confess I was not what I’d call a fan. I would never change the station on one of his songs, but I also didn’t own a complete album, and the only album I had listened to in its entirety before reading this book was Born in the USA—my mom had that one when I was a kid. To be fair, I listened to that album a lot. One thing I tried to do as I read this book was go back and educate myself about Springsteen’s music, and holy hell is he amazing. I can’t believe I never listened to Born to Run all the way through. I have to say, “Jungleland” is probably my favorite of his songs.

Springsteen is also a voracious reader, and it shows in the allusions he makes to other books in the memoir itself. As an English teacher, catching those references was a real Easter-egg type of pleasant surprise. I often tell my students that if they want to be better writers, they need to read more. They need to observe what great writers do, what moves they make in their writing. Clearly, Springsteen understands the importance of reading for his writing, but I sense he just enjoys reading for its own sake.

Bruce Springsteen Writing
Bruce Springsteen Writing by Pamela Springsteen, the artist’s sister

When I reached the point in the memoir when Springsteen discussed the death of Clarence Clemons, I admit I cried a little, in spite of knowing very little about Clemons prior to reading this book. Springsteen’s ache over the loss of his friend and collaborator (and sometime co-conspirator) is palpable in his reading. I appreciated Springsteen’s frankness about his struggles with depression as well. It’s tragic that mental illness carries such a stigma, which prevents people from getting help. Springsteen talks about this stigma as well.

I highly recommend this wonderful memoir to anyone, especially music fans. If you are not a fan of Springsteen’s before you read, you will still enjoy this book—and you will probably be a fan afterward. I’ll close out with a playlist of my favorite Springsteen tracks, more or less in order.

five-stars

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Review: Petty: The Biography, Warren Zanes

Posted on by Dana
Review: Petty: The Biography, Warren ZanesPetty: The Biography by Warren Zanes
Narrator: Warren Zanes
Published by Audible Studios on December 15, 2015
Genres: Biography, Nonfiction
Length: 13 hours 57 minutes
Format: Audio, Audiobook
Buy on Amazon
Goodreads
five-stars

An exhilarating and intimate account of the life of music legend Tom Petty, by an accomplished writer and musician who toured with Petty

No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty’s music and the remarkable rock and roll history he and his band helped to write.

Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise. From meeting Elvis, to seeing the Beatles on Ed Sullivan, to producing Del Shannon, backing Bob Dylan, putting together a band with George Harrison, Dylan, Roy Orbison, and Jeff Lynne, making records with Johnny Cash, and sending well more than a dozen of his own celebrated recordings high onto the charts, Tom Petty’s story has all the drama of a rock and roll epic. Petty, known for his reclusive style, has shared with Warren Zanes his insights and arguments, his regrets and lasting ambitions, and the details of his life on and off the stage.

This is a book for those who know and love the songs, from "American Girl" and "Refugee" to "Free Fallin’" and "Mary Jane’s Last Dance," and for those who want to see the classic rock and roll era embodied in one man’s remarkable story. Dark and mysterious, Petty manages to come back, again and again, showing us what the music can do and where it can take us.

What a great loss to rock and roll. I think I might first have become aware of Tom Petty because my copy of Chipmunk Punk, featuring Alvin and Chipmunks squeaking out songs that were decidedly not punk music, had “Refugee” on it. Later, the video for “You Got Lucky” seemed to be on heavy rotation on MTV, and I admit it was interesting. You couldn’t get away from “Don’t Come Around Here No More” later. Rewatching that video recently, I was struck by how good Tom Petty’s acting is in the video.

However, I’m not sure I appreciated Tom Petty, truly became a fan, until college. I bought his back catalog and listened to the albums on repeat. I listened to them all again as I was reading this book, and I still remember each note. The first four albums, Tom Petty and the Heartbreakers, You’re Gonna Get It, Damn the Torpedoes, and Hard Promises, were on particularly high rotation, along with Southern Accents.

What I appreciated most about this biography was that Warren Zanes is an insider of sorts. In the 1980s, he was in the Del Fuegos and opened for Tom Petty and the Heartbreakers on tour. He spoke to many of Petty’s friends and associates, and the biography is unflinching in its honesty. Petty seemed like a reflective type of person, and he owned his mistakes. I particularly appreciated the reflections of fellow Heartbreakers Mike Campbell, Benmont Tench, and Stan Lynch as well as Petty’s long-time friend Stevie Nicks.

The part of the biography I found most compelling was Zanes’s account of Petty’s youth and adolescence, followed by his early days in Florida bands, such as Mudcrutch. His incredible work ethic was another interesting thread that ran through the book. It struck me that Petty enjoyed his English classes and didn’t consider them to be “studying” in the same way that his other classes were; you can hear that in his song lyrics. However, as a teacher, I couldn’t help but feel sad about how school crushes the spirits of so many creative people like Tom Petty. I think it was Benmont Tench who said in the book that Tom Petty was really good at convincing people to quit school and join his band.

When I heard Tom Petty died, I was crushed. He’s one of my favorite musicians of all time, and I’m grateful I was able to see him in concert once in 1992, for his Into the Great Wide Open tour. It was a great show. He was a consummate performer.

I put together a highly subjective list of my favorite Tom Petty tunes, more or less in order of preference. Some are deep cuts. I hope you enjoy it.

five-stars

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Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe, narrated by Matthew Blaney

Posted on by Dana
Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe, narrated by Matthew BlaneySay Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe
Narrator: Matthew Blaney
Published by Random House Audio on 2019
Format: Audio, Audiobook
Source: Audible
Buy on Amazon
Goodreads
five-stars

From award-winning New Yorker staff writer Patrick Radden Keefe, a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville’s children knew it was their mother when they were told a blue safety pin was attached to the dress–with so many kids, she had always kept it handy for diapers or ripped clothes.

Patrick Radden Keefe’s mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past. Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

I read this book on the recommendation of an English teacher friend, Carol Jago. She is one of the most voracious and widely-read people I know, and she has never recommended a book that wasn’t brilliant. This book is no exception. If you are like me and do not know much about The Troubles, this book is a great introduction that will leave you wanting to know more. I know, for example, that I want to read Ed Moloney’s book Voices from the Grave: Two Men’s War in Ireland. If I’m being honest, even though I understand why Ireland was partitioned, it doesn’t make a lot of sense to me that the island is still divided, and I have a feeling it won’t be for too many more years.

I first remember hearing anything about The Troubles as a child, when the Irish Republican prisoners’ hunger strike in the early 1980s was in the news. I remember being really confused by the whole thing. Further, I remember feeling horrified that it was happening. The Troubles were mostly out of the new in the U.S., however. It was easy to know nothing about what was happening in Northern Ireland. Every once in a while, a story about some action or other by the I.R.A. would show up on the news. An episode of Star Trek: The Next Generation called “The High Ground” centered on the struggles of the Ansata rebels against the Rutians—it was a very thinly veiled allusion to The Troubles. The Ansata rebel leader’s name was even Kyril Finn. Finn is not only a common surname in Ireland, but it’s also potentially a reference to Fionn mac Cumhaill, a mythological figure in Ireland and the inspiration for the Fenian Brotherhood, a precursor to the I.R.A. Commander Data makes a reference to terrorism effectively achieving the reunification of Ireland in 2024. The episode aired in 1990. At that time, it seemed unlikely, but Brexit will change the border between Northern Ireland and the Republic—as Keefe wonders in his book’s conclusion, I can’t help but speculate if, after years of bloodshed, it will be the politics of Brexit that finally prompt the reunification of Ireland on the same timeline, more or less, as Star Trek predicted. The idea is so incendiary that RTÉ has never aired the episode, and it only aired on the BBC in 2007.

Sinn Fein politician Gerry Adams does not come off well, and his repeated insistence that he was never in the I.R.A. strikes me as a bald-faced lie. The Price sisters, Dolours and Marian, are written in their complexity: at the same time as you know they engaged in terrorist acts, and you want to condemn them, they also come off as, well, kind of badass, and you want to admire them for that. I mean no disrespect to their victims in saying so. The descriptions of their force-feeding during their hunger strike are harrowing, and Keefe makes a fairly good case for the lifelong aftereffects seriously impacting the sisters’ health. Above all, Jean McConville emerges as a poignant victim. Whether or not she was a “tout,” as the I.R.A. claimed, she can’t have been providing much useful information, and if she was spying for the British, one can hardly blame her for trying to take care of her ten children, whose lives were irrevocably destroyed by their mother’s murder.

My husband and I listened to this on audio together. Matthew Blaney is an actor from Northern Ireland, and I have to say, it’s something else to hear this story narrated by someone who sounds like the people Keefe is writing about. I would definitely listen to Matthew Blaney read again, even if I have to put up with Steve mimicking an Irish accent into the bargain. His reading is an interpretation of the text—where he emphasizes, the listener learns to pay attention. As much as I recommend the audio, I know I missed some details (as well as the Notes), so I downloaded the book on Kindle for a re-read when I get the chance.

Definitely one of the top nonfiction books I’ve read in some time. It’s gripping, and it is told almost like a mystery novel (especially if you don’t know as much about The Troubles). The book’s final revelations will leave your head spinning.

I made a Spotify playlist about music inspired by The Troubles.

five-stars

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Review: U2 by U2, Bono, The Edge, Adam Clayton, Larry Mullen, Jr.

Posted on by Dana
Review: U2 by U2, Bono, The Edge, Adam Clayton, Larry Mullen, Jr.U2 by U2 by U2, U2
Published by It Books on December 1, 2009
Genres: Nonfiction
Pages: 460
Format: Paperback
Buy on Amazon
Goodreads
five-stars

U2 by U2 is the only definitive, official history of one of the most famous bands in the world, by the members of the band themselves. Bono, The Edge, Adam Clayton, and Larry Mullen offer a unique, insightful account of everything fans want to know, from U2's birth 25 years ago and its evolution to become the biggest band in the world to their personal dramas and successes to the politics and emotions that drive them and their music. As cool, elegant, and exciting as the band itself, U2 by U2 is a must-have for any music fan's collection.

It’s pretty cool right now, at least from what I can tell online, to dislike U2. Anytime I read comments on any articles about them, it seems like people really can’t stand them—Bono, in particular, is referred to quite often by the sobriquet “wanker.” I can’t figure out why, nor does it square with my experience of going to two U2 concerts, both sold out. Everyone seemed to be having a great time, and they were excellent performances. As far as I can tell, there are several reasons why people seem sour on U2: 1) they’re successful and have been for a really long time, 2) they are politically involved (though, to be fair, they always have been, so to be mad about it now seems disingenuous), and 3) they gave their album Songs of Innocence away for free to all iTunes users (I mean really, you don’t want it, just delete it). Maybe I’m missing some reasons, but these seem to be either the entire text or the subtext of all of the negative comments I have read.

I remember seeing their video for “Sunday Bloody Sunday” when it was on heavy rotation on MTV, soon after the single came out. I was intrigued because I knew this band was playing at Red Rocks, which is a natural amphitheater near Denver. I lived near Denver at the time and had been to Red Rocks, albeit not for a concert. It’s a really cool place, and as I lived in a “flyover” state (or that’s how it seemed to me at the time) and didn’t see my home reflected in media, this band playing at a venue I knew, a place I had been, intrigued me. It was a way of saying that my home existed apart from New York or California, which seemed to be all I ever heard about.

So I started paying attention.

And I noticed that I liked them, but this was before I was really buying my own music. When The Joshua Tree came out, I was fascinated. I loved their videos for that album. MTV was always on because I was in high school by then, and I loved that album. But I still didn’t own it yet because I was sort of running with the heavy metal kids, and I was sure it wouldn’t be considered cool. I know now how stupid that was, obviously, and I wish I could say I was the sort of person who never cared what people thought, but a judicious rejection of what others think is a relatively late development for me.

My French teacher used to play U2 music for us over the language lab headphones. I remember her saying “I don’t care if it’s your taste, it’s mine.” I loved those days. I probably never told her I appreciated it.

And then they released Achtung Baby, which was great, but they were acting kind of weird after that, and I wasn’t sure what had happened. As the 90’s rolled on, and a lot of what I heard them releasing didn’t appeal to me, I admit I didn’t pay as much attention, but my tape of The Joshua Tree was on heavy rotation during commutes in the late 1990’s. I was glad they sort of outgrew that “techno” phase and decided to play more to their strengths. To this day, I own all their entire albums except for Zooropa and Pop. Every once in a while, I will look on iTunes and see if I want the rest, and nope, still don’t. That’s not to say I don’t go back and give some songs a second chance. I have done that and discovered I actually like them. There are some gems on those albums, but there are also a lot of forgettable and plain, well, bad songs on them, too. I can appreciate they were trying to experiment, but I personally think they forgot what people liked about them.

The reason for this long introduction is to explain why I read this book. I was curious as to what made this band tick, how they came up with some of their ideas, how they managed to stay together so long (an apparently still seemed to like each other), and what exactly happened to them in the 90’s. The book is really written by music journalist Neil McCormick, whose interviewed the band and collected snippets from the band members’ own voices, starting at the very beginning and ending around 2006. If you’re thinking of reading, be prepared for the fact that there are a good twelve years not covered (to date), including three albums and the 30th anniversary of The Joshua Tree tour as well as the tribute album Ahk-toong Bay-bi Covered, which features the entire Achtung Baby album covered by artists like Jack White, Nine Inch Nails, Patti Smith, Depeche Mode, and Garbage. (I would have liked to have heard what the band thought of that tribute album.) In addition, their longtime manager, Paul McGuinness, has since passed away, and his voice contributes much of the story in this book. Their reflections on his passing, therefore, are also missing.

One big thing I learned is that the band should listen to Larry Mullen, Jr. more. He seems to have the most solid instincts about what will work, and it seems pretty clear to me that they didn’t listen to him as much as they should have in the 90’s.

If you’re a fan, you will learn pretty much whatever you’d like to know from this book. If you’re not a fan, I wouldn’t recommend this book. It won’t necessarily convert you if you’re among the group of people I mentioned at the beginning of my review. However, if you do love the band as much as I do, you will enjoy reading about how their albums came to be, and their reflections and recollections will make for an enjoyable excursion, especially if you were with them part of most of the way on their journey.

five-stars

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I Went to a U2 Concert

Posted on by Dana

U2 Cell Phone Lights

Last Sunday, I realized a dream I’ve had for a long time and went to a U2 concert with my family. They are touring in honor of the 30th anniversary of The Joshua Tree, which is a really important album for me. I can well remember watching MTV when that album had been released and seeing the now iconic video for “With or Without You.”

But even further back, I can recall being wowed by their video for “Sunday Bloody Sunday,” as it was shot at Red Rocks. Growing up in the Denver area, I had been to Red Rocks, though not for a concert, and it impressed me to see a music video shot in a place I had actually been.

In the late 1990’s, when I was finishing up my bachelor’s degree after taking three years off when my then husband was in the Coast Guard, I listened to The Joshua Tree on repeat in the car. I think it was at that time that “Red Hill Mining Town,” a song U2 never played live until this tour, became my favorite. I have a deep affection for that song, still, even if I recognize on a more objective level that it’s not even what I would consider their best song. It just means something to me.

U2 Concert

I thought hearing “Red Hill Mining Town” would be the moment that did me in during the concert, but it wasn’t. It was actually when U2 played “Beautiful Day,” another favorite of mine, and the Edge brought out that old Gibson Explorer of his. He has had that guitar a very long time. He describes the moment when he bought it in New York in the late 1970’s in the movie It Might Get Loud.

Knowing how long he has had it and what it means and thinking of the history of that guitar just reduced me to to tears when he started playing the opening notes of “Beautiful Day.” Such an amazing song and instrument, too. I have never cried at a concert before.

Speaking of It Might Get Loud, it was that movie that turned me into a Jack White fan. I admit to not having listened to his music much until that film, and I was already a big fan of both Jimmy Page and the Edge. It bothers me that a lot of people argue Edge doesn’t deserve a place in that film. If you ask me, it’s his presence in the film that makes it because he is so different from the other two. He doesn’t bother with the affectations that Jack White puts on (the fake child version of himself that he coaches along). He brings a lot of humility and self-deprecation to the storytelling in that film that the other two don’t necessarily bring. There is an honesty to the story he tells that is certainly missing from Jack White’s story, and is obscured under so many layers in Jimmy Page’s story—Jimmy Page always seems to keep at a distance when he’s being interviewed. The only time he really seems more or less open is when he is talking with the Edge and Jack White. The film is one of my favorites, actually.

Of course, U2 is a political band, and they always have been. People complaining about their politics obviously haven’t been listening to them or it wouldn’t still be a contentious issue. They’ve been openly political since at least War—you could even argue since Boy—so I’m not sure where these people have been. What I really loved about the concert I attended is that the band didn’t shy away from being political, but they were respectful and positive in the way they presented their views. It was clear to me that the band has a great deal of love and respect for America, and I’ll go on the record as saying they get too much crap for their earnestness and their politics. I suppose some people think it’s insincere, and others think they shouldn’t hold political opinions. I disagree on both counts, but even if they are not sincere, they’ve still done a lot of good in the world.

Another thing that struck me was just how good they are. Bono’s voice is great, and it’s clear he takes good care of it. If I had to hazard a guess, I’d say he avoids smoking, drinking, and bad vocal habits. The Edge, Adam Clayton, and Larry Mullen, Jr. are all still playing excellent music as well. We saw them at Gillette Stadium in Foxboro, which is where the New England Patriots play, and it’s a huge stadium, if you’ve never seen it. We weren’t at the very top, but we were fairly far away. The sound was good, even though everyone in the stadium was singing along. It was a little hard to hear what Bono said sometimes, which other people who were at the concert also complained about. I think the sound system probably wasn’t perfect, but it was good enough.

It was really special to hear one of my favorite albums played in its entirety. Of course they didn’t play every song I wanted to hear. If they had, we might still be at the concert. I have a lot of favorites. But they played “Sunday Bloody Sunday,” “New Year’s Day,” “Bad,” (which is always awesome in concert—I actually own two live versions of that song already), “Pride (In the Name of Love),” “Miss Sarajevo” (interesting choice, but it made a lot sense in the context of the show), “Elevation,” “Vertigo,” “Ultra Violet (Light My Way)” (with a moving tribute to women), “One,” and a new one, “The Little Things that Give You Away,” which will be on Songs of Experience when it’s released, in addition to the entire Joshua Tree album and “Beautiful Day,” which I had previously mentioned. Not a bad setlist at all. I gather that they are doing “A Sort of Homecoming” at some of the shows on this tour.

I mentioned owning two live versions of “Bad.” The one from the Wide Awake in America EP is transcendent. I actually have quite a lot (comparatively speaking) of live U2 music, and I also frequently watch their live performances on YouTube. They are a rare band in that so much of their music sounds as good if not better live than on a recording. Frankly, a lot of great musicians are studio musicians, and there is nothing wrong with that, but their live performances disappoint. Eric Clapton, for instance, is kind of boring live (at least he was when I saw him). On the other hand, Tom Petty is awesome, and so are Counting Crows. Both of those groups surprised me with how good they were live. I would say this concert was the best one I attended, though I haven’t gone to nearly as many as I would have liked to have gone to. I hope I will be able to see them perform live again. It was an incredible experience, and all the more so because my family enjoyed it so much, too.

Several of the concert-goers put the show up on YouTube. It’s nice to have this reminder of the concert I attended. I don’t think U2 are terribly fussy about people putting their shows up. There are some really old live clips online that have been on YouTube for years. I made a playlist of some of the video others took at the concert. I only had my iPhone with me, and I wanted to concentrate on enjoying the concert instead of capturing it. Sound and video quality varies, and I put several videos of the same song(s) in the playlist in an attempt to capture the show from multiple points of view.

 

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Music: True Love Lasts a Lifetime

Posted on by Dana
music photo
Photo by Neo Love

I don’t write much about my story as a musician and music lover. I was doing that Facebook meme that’s going around with the top ten high school albums, and it made me feel all nostalgic, and nostalgic for more than just the albums themselves, but the cassettes and the sort of cruddy boom box I had in my room. I remember taping the radio. I think a lot of us did that. By the time I was a teenager, vinyl was on the way out, and in any case, I didn’t have a stereo with a turntable, though my dad did, and it was so much more convenient to listen to cassettes with Walkmans as ubiquitous back then as iPhones are today for listening. I remember going to bed listening to my Walkman, which wasn’t a real Sony kind (though I think most of us called those cassette players Walkmans, regardless of the brand, sort of like Kleenex). Mine had an auto-reverse feature, so I would have the music playing all night, and as long as the batteries held out, it would be playing in the morning when I woke up, too. I remember sometimes the players would try to eat the tapes, and the tape would crinkle up like an accordion. The only way to fix it was to gently pull the tape out and use a pencil or pen to wind it back around the cassette spools. Sometimes, the tape would break, and you could fix it with Scotch tape, but afterwards it would always have a place that would skip.

Once I went to college, I got a real CD player, and I used to go to downtown Athens, GA, where I went to college, and look for used CD’s I could add to my collection. There used to be two really good music stories downtown. I am not sure if they’re still there; I haven’t been to Athens in a long time. I was really trying to figure out who I was back in those days, and I listened to a lot of different kinds of music. I had a roommate who played bass, and I pilfered her music collection and combined it with my own by making mix tapes. I loved making mix tapes, and I was told more than once that I was pretty good at it. Composing the correct order of songs and stretching to the end of the tape was an art of sorts.

In those days, music seemed like it was everything, and I still listen to some of the things I listened to back then. When I was in high school, I started playing guitar and took guitar class. I loved picking up instruments and seeing if I could play them. My sister starting playing clarinet, and I picked it up and worked my way through beginner exercises in her lesson book. The neighbor boy picked up the violin, so I borrowed it and tried a few of the exercises in his lesson book as well. When I was in eighth grade, I found a French horn tucked away among the school instruments. My eighth grade band was pitifully small, so my director was glad to let me take it home and see if I could make it work. I did. I played it most of that year, along with the flute, which was my first instrument, and I even had a solo in one of our concerts. I botched it, unfortunately, out of nerves. I never really liked being on display as a musician, and it’s probably that feeling, as much as anything, that prevented me from ever making a real go of playing music. I liked to blend into a large band. Anytime I had a solo or had to play in a small enough group that my contributions would be noticed, I hated it. But there was still something in me that wanted to be a good musician, even if just for myself. I bought myself an electric guitar for Christmas last year. I had wanted one forever. I immediately signed up for a guitar course—which turned out to be a really great course—through Berklee College of Music on Coursera. I love taking the odd online course here and there. So much fun to learn. And most of the courses I have taken have been music courses. I took a two-part introduction to the History of Rock, a Beatles course, and a Rolling Stones course. The guitar course was the first course I took that involved actually playing, and it could be brutal. I had to record myself doing exercises set by the instructor, and I was graded by my peers. If what I turned in didn’t sound good enough, my peers didn’t pass me, and that did happen. I could re-record the lesson and try again, which I also did. I learned more about music theory and good musicianship in that course than I did in seven years of band classes and two years of guitar classes in school. The band instructor at the school where I teach is a fine guitarist himself and has offered me lessons. I need to take him up on it! He said he would give me enough material in a single lesson to keep me busy for a month.

Like a lot of people, I really found music an escape when I was in high school, and it was then that I really started listening to it a lot. Around my mid-thirties, I started realizing I was disconnected from what was happening in music at that time. I think that happens to most people, but most people are okay with it and continue to enjoy the music they liked in their formative years in high school and their twenties. I wasn’t having it, though. I made myself listen to the music that was out there, and I found a new connection to music that I had come pretty close to losing. I discovered artists I had missed out on, like Jeff Buckley. I rediscovered my old loves. I found new favorites, like Jack White and his work with the White Stripes and the Raconteurs.

I am really glad I did wake up, if that’s what you want to call it, and return to that love of music. I’d like to think I will be the kind of person who tries to keep an ear to the ground and listen for new artists. One line I just love from Love Actually is a response of Karen’s after her husband Harry asks her what she’s listening to and seems surprised she still listens to Joni Mitchell: “I love her. And true love lasts a lifetime.” Of course, perhaps neither of them realize that they are also sort of discussing their marriage. But I think Karen is right about true music love, too. I do have some true music loves. True loves that have lasted a lifetime.

Here is a randomized list of 100 of my favorite songs, and when I say random, I mean it. I used a randomizer website to shuffle the order. So not carefully ordered like my old mix tapes, but still something of the flavor of those carefully curated music collections. All of these songs mean something to me, and many are old favorites, going back to childhood.

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Review: Revolution, Jennifer Donnelly, narrated by Emily Janice Card and Emma Bering

Posted on by Dana

I believe I’ve just finished reading my last book of 2015, and it was a re-read of one of my favorites, Jennifer Donnelly’s novel Revolution. This time, I listened to the audio book. I have this book in hardcover, Kindle, and audio book, but I hadn’t listened to it until this week. It was even better on a re-read than it was the first time I read it.

Since I reviewed the book last time I read it, this time, I really want to mention a couple of things that struck me. First, this book is tightly written. It all works. I picked up on so many things I missed on a first reading. The sections of Dante’s poetry correspond well to Andi’s descent into darkness and her literal descent into hell in the catacombs, where she is, naturally, accompanied by Virgil. I was so swept away with the plot the first time I read that I missed some of the artistry of the writing. Equally impressive is Donnelly’s research. She fictionalizes some details. Andi’s thesis focus, the composer Amadé Mahlerbeau, is fictional, as are her Nobel-prize winning father and his historian friend G. However, they all have their basis in historical or contemporary figures who do similar work. Another thing I noticed about Donnelly’s writing is that she allows the reader to be creative and connect the dots. She doesn’t knock you over the head with the connections. She wants you to do the work. She wants you to do some digging and find out what she has learned.

I also noticed how well Donnelly pulls off the twinning. Maximilien Robespierre and the schizophrenic Maximilien R. Peters, who is responsible for the death of Andi’s brother Truman, work very well in a pair and serve as an interesting symbol of the brutality and stupidity of the world and the cyclical nature of history’s desperate individuals. It’s almost not too hard to believe that Alex might reach across history, 200 years in the future, to save Andi and let her know that just because the world goes on, stupid and brutal, it doesn’t mean that she has to—she can be a positive force for good in the world. She can make people happy. The world can be a scary, crazy place. Particularly today, we see a lot of stories in the news that make us despair and make us want to give up. Perhaps in the end, all we have left to do is to do the good that we can. We don’t have to participate in the world’s brutality and stupidity.

Donnelly said in an interview that “a good story with a compelling character that’s well written should appeal to anybody.” I think that’s why this book is so good. Andi may be a teenager, but the fact that she is a young protagonist doesn’t make her story any less applicable or interesting. This book really makes me want to write, and that’s always the sign of a really good book to me—the ones that make me want to write.

Emily Janice Card narrated most of the book, while Emma Bering narrated Alex’s diary entries. Both narrators were brilliant. Card especially does a brilliant job bringing Andi’s sarcastic and hard edge to life. You can hear the chip on her shoulder. Card happens to be the daughter of Orson Scott Card. I read that she was named for two of my favorite writers (and Orson Scott Card’s, apparently): Emily Dickinson and Emily Brontë. I really didn’t want to stop listening to this book. I have to be doing something mindless while I listen to audio books or else I get distracted from the story. When I didn’t have anything mindless to occupy me while listening to this book, I pulled my hardcover off the shelf and read along with the narrators. I need to go back and re-read a few favorite passages.

Last time I read this book, I was craving more books just like it, but I’m afraid there probably aren’t any. It’s brilliant.

Keep scrolling for the book’s playlist. You don’t want to miss it.

Rating: ★★★★★
Audio Rating: ★★★★★

The playlist for this particular book is massive and varied, as Andi is one of those folks who loves music. All kinds. I suspect it needs a bit of revision because there are musical references on just about every page of the book. That’s another thing I love about it. The music.

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