Review: Haroun and the Sea of Stories, Salman Rushdie

Salman Rushdie’s novel Haroun and the Sea of Stories is the story of Haroun Khalifa, the son of storyteller Rashid. Rashid has lost his “gift of gab” after his wife, Haroun’s mother, leaves him for the boring, clerkish Mr. Sengupta, their neighbor. The Khalifas live in the country of Alifbay in a sad city that has forgotten its name. When Rashid attempts and fails to tell a story at a political rally (he makes something of a career telling stories at such rallies), he is quite literally run out of town and must go to the Valley of K and redeem himself at a rally for Mr. Snooty Buttoo. Or else. Mr. Snooty Buttoo takes Rashid and Haroun out on the Dull Lake in a ship, and Haroun wakes in the night to find a Water Genie disconnecting his father’s invisible tap, from which all his stories spring. Haroun is whisked away by the genie to speak to the Walrus, leader of the Eggheads who control the Processes to Complicated to Explain on the moon of Kahani, or Story, where the societies of Gup and Chup are about to go to war over the pollution of the Sea of Stories and the kidnapping of Guppee princess Batcheat.

Haroun and the Sea of Stories is ostensibly a children’s or young adult book, but the philosophical underpinnings and questions it raises are definitely meant for people of all ages to ponder. It was the first book Rushdie wrote after the fatwa dictated by the Ayatollah Ruhollah Khomeini put Rushdie’s life in danger in an attempt to silence Rushdie’s own stories. It’s a fantastic novel that explores the complexities of where stories come from and what happens when they are “polluted” by those who would attempt to use them for their own ends or to silence them altogether. Motifs such as freedom of speech, the truth or reality of stories, creating meaning from stories in a modern world, and the purpose of stories and storytelling are at the center of what looks, at first blush, like a fantasy children’s tale. It’s a thoughtful meditation on the importance of stories. Rushdie apparently began telling the story orally to his son at bathtime, and it later evolved into this book.

I will start teaching it tomorrow to students in my ninth grade World Literature course. I should have finished the novel a long time ago, but it’s not been an easy year for me in a lot of ways, and perhaps it’s for the best that I waited to read it so that it is quite fresh for me. It means I wasn’t able to help as much as I wanted to with the initial planning of the novel, but I am blessed to have wonderful colleagues who stepped in when I wasn’t ready, and I feel I can contribute now. I’m so glad we picked this book, not just because it has a hero’s journey motif, which is one focus for the year, and not just because we were able to introduce an Indian author where previously we had a white British author, but also because it’s an excellent book that speaks to our schoolwide essential question: How do we honor and harness the power of our stories?

Rating: ★★★★★

A Return

sunrise massachusetts photo
Photo by ™ Pacheco

It won’t be too much longer before the school year starts again. It will be my 20th year. It’s hard to believe. It will be my fifth year at my current school. That time has flown by. I started four years ago as a technology integration specialist. Now I’m the English department chair. I love it. The people I work with are amazing. I have made some great friends. I love where I live. I feel good. I feel successful. I have an education blog where I tend to write about teaching. This blog originally started as a personal blog. A hodge podge of whatever I was interested in at the moment. Over time, it evolved in a books-only blog. I have been missing the hodge podge lately.

I am thinking a lot about a book I’m reading, The Bitch is Back: Older, Wiser, and (Getting) Happier, edited by Cathi Hanauer. I’m reading it as part of a book tour. So far, I am really getting a lot out of it. One thing that impresses me as I read the essays in the book is that these women have an outlet and audience for things they’re thinking about. There is no reason I have to write just about books here, but some reason, for a long time, that’s what I’ve been doing. I don’t know if I thought people wouldn’t be interested in other things I might write (though it has crossed my mind), or if I thought that people would be confused about what, exactly, this blog is (as though it has to be something or other). I don’t think I would want to use a different blog to write about these topics, so I think I will use this one. I did contemplate starting another blog, even something without my name attached. I don’t need that kind of compartmentalization or confusion, though. I’m getting older, and with it has come a certain amount of, for lack of a better term, bravery. I find I care a little less what people think, though as someone with anxiety, I can’t stop caring completely—I wouldn’t be me if I didn’t care. I have things I want to say. I have worries about getting older. I have health issues. I have a wonderful family. I love music. I live in a beautiful state. There is a lot going on in my head besides books and reading.

What I’m trying to say is that I want to use this blog more like I used to use it. More like a hodge podge. I’ll still review my books here. But I will write about other things, too.

NaNoWriMo 2015

NaNoWriMo 2015

After a couple of years of not participating, I think I’m going to give NaNoWriMo a go again. You know what I think I’d really like to write? Just a Harry Potter fanfic for me. I’m intensely curious as to what happens with the next generation of witches and wizards. What does a post-Voldemort world look like anyway? So, I think that’s what I’m going to do. Just have a little bit of fun and not worry about it. I’m a little bit rusty writing-wise anyway. My username is “danahuff” if you want to friend me on NaNoWriMo’s site. I don’t know how active I’ll be in the forums.

NaNoWriMo is fun for me because everyone else is also trying to write, so I feel like I’ve got this invisible support network. Plus I feel like it’s a fun way to start a book. I have a couple of books partially written that need to be finished (and need quite a lot of editing), but NaNoWriMo gives me the push to get started writing—even if I need to find something else that gives me the push to finish and edit.

So what do you say? With me? It could be fun.

Review: Unless it Moves the Human Heart, Roger Rosenblatt

I picked up Roger Rosenblatt’s Unless it Moves the Human Heart: The Craft and Art of Writing based on a recommendation from Marsha McGregor, a teaching fellow at the Kenyon Writer’s Workshop for Teachers in which I participated last week. It’s a tough book to categorize: it’s part memoir, part writing advice, and part model for teaching writing to others. It takes the unusual form of conversation as it tracks a particular writing class’s progress.

Rosenblatt explains in his preface that the book is “fiction, top to bottom” but is based on the real problems and subjects his class discussed. It’s admittedly a somewhat quirky format for a book of this type. As such, it will not appeal to all writers seeking advice (or all writing teachers seeking advice, and certainly not to people looking for a memoir). Rather than offering nuggets of wisdom in the form of bulleted lists or bold headings, Rosenblatt’s understanding of what it means to write and to teach writing is buried within the narrative about one class. As such, it invites careful reading, and I found myself reading some pages over and highlighting often. Even so, it’s a quick, conversational read.

I pulled a few ideas for lessons from its pages. I loved the discussion he shared of James Joyce’s short story “Clay,” which I also stopped to read before continuing with that part of Rosenblatt’s book. He has a another idea for students to create their own anthologies—not of their own work, but of poems they like and want to group together. As Rosenblatt says, “By the end of the course they have created a little book that speaks for their taste” (67). The book has many excellent reading recommendations (a book that added to my TBR pile—just what I need!). In particular, Rosenblatt shares models he uses for teaching personal essays as well as types of personal essays he assigns. His descriptions of class discussions are great models for lessons.

As I write all of this, I wonder if I shouldn’t have reviewed this book on my education blog, whose audience might more be the audience for this book, but I’m not entirely sure. I think anyone who writes might benefit from reading it. As I said, the time investment isn’t great—the book is only about 150 pages—and the dividends are worth it.

Rating: ★★★★★

Writing Dreams

رو به سردي

The weather here has been absolutely gross for three days. I’m glad today, though it looks cloudy, at least doesn’t look like rain. I have been wanting to get out and take a walk with my husband, but I don’t really even want to go outside in this weather.

I had a strange writing dream last night. I haven’t been doing much work on my NaNoWriMo novel since December started, and one reason for that is that I have a major plot hole that introduces implausibility. It sounds really strange to say that in a novel in which Shakespeare and Jane Austen are brought forward into the current time that I can’t figure out how to get them identification and passports without having them resort to shady fake documents (and how do they even know people who can make fake documents that fool authorities? or how do they even have money to pay for them?). It’s really bugging me. Man, in historical fiction, you can move people around so easily. They can stowaway on a ship or even book passage legally, and no one glares at their ID for five minutes to determine whether they might be carrying fake identification and could be a terrorist.

At any rate, last night I had a writer dream. I was at NCTE. I saw lots of my friends there, but I was also being followed by some shadowy folks like a bad spy movie. English teachers are classical spies, right? Anyway, out of the blue, Stephen King and Joe Hill (who is Stephen King’s son) showed up at my hotel room with printed copies of my NaNo book covered in blue ink. I have no idea how they got my ms, but they had clearly spent some time critiquing it well. Joe Hill told me it was pretty good, but about 1/3 of it was crap (which is pretty much my own estimate). Stephen King nodded vigorously to indicate he agreed with his son’s assessment. I was thrilled that Joe Hill thought 2/3 of my novel was something I could work with, and I couldn’t wait to read their suggestions on how to fix the 1/3 that wasn’t. They were like my perfect deus ex machinas or something like that. I wish a real writer would jump in solve my ms problems instead of dream Stephen King (who was hard of hearing in my dream) and dream Joe Hill. I was so shocked and happy that they had come to help me with my book.

I think my brain picked them because even though I haven’t read a lot of their work, I think highly of them as writers because I know a lot about their process. Of course, I learned about King’s through [amazon_link id=”1439156816″ target=”_blank” ]On Writing[/amazon_link], and Joe Hill has discussed his on his blog. Plus Joe Hill is very opinionated on Twitter, and if he thinks something’s crap, he calls it out as crap—precisely why I felt his assessment of my book was actually high praise. In real life? I’m not sure either of them would like my book. It doesn’t seem like their thing. But they were both as nice as they could be in my dream.

photo credit: seyed mostafa zamani

Winner!

I Won NaNoWriMo!

Winner!I just submitted my still-incomplete novel for validation, and I am so excited because…

I WON NANOWRIMO!

I feel like I should give a speech or something. First, I would like to thank my husband and kids for respecting my need to do this and for giving me the time and space to write. If Steve hadn’t taken this project seriously and supported my efforts to complete it, I just wouldn’t have completed it.

I want to thank Helen Fielding, Sarah Addison Allen, and all the other chick lit writers for giving me a model of the kind of story I wanted to write.

I want to thank Jane Austen and William Shakespeare.

I want to thank Scrivener, which is an excellent app that I will now be able to buy for 50% off because I won! Seriously, this app enabled me to plan and move text around, and it gave me the freedom to write and organize all of my notes in one place. Plus their word count was really accurate. I think the discrepancy between my Scrivener word count and the official NaNo word count was only 34 words, which is really close.

NaNoWriMo Word Count

I think my MS Word count differed by a lot more than that when I won in 2009. Even though this is the second time I’ve won NaNaWriMo, it doesn’t feel any less thrilling. I don’t feel less a sense of accomplishment. I feel as exhilarated as I did the first time, and perhaps even more so because I managed to win even though I went out of town to a conference.

Here’s to hoping I can finish the darned thing. I think this one could be publishable if I can get it into shape, but then most writers probably think that about their work, or they wouldn’t bother. Still, at this point it’s too soon to be discouraged, especially because I managed to write 50,000 words of my novel in 30 days. Actually, 29.

NaNoWriMo

NaNoWriMo News

NaNoWriMoNaNoWriMo is nearly over for this year, and with a current word count of 47,333 and two more days to write, I think I’m going to “win” this year. I am excited because I even went out of town to a conference and managed to keep up OK. I fell behind a little, but I had planned ahead and written a lot so that I would have some padding in case there was time I couldn’t write in Chicago. It was a great trip, by the way.

One of the “carrots” for me this year has been the 50% discount on the full version of Scrivener for winners. I can’t see using anything else to write fiction with, and I’m certainly not using MS Word or Apple Pages. Scrivener was designed with writers in mind. I keep forgetting it has templates for nonfiction and academic writing, too.

I am happy with most of what I wrote, but I gave myself permission to write stuff I know I’ll need to cut later just to have it down and move on to the next thing. I think it helped that I set the story in a place I know well. Although I did just manage to send my main character to London, she’s spent most of the novel a couple of blocks away from my house. I also didn’t worry a lot about pop culture references. The movie Anonymous and the breakup of Ashton Kutcher and Demi Moore both made it into my book. Hey, if Colin Firth and Hugh Grant can both be mentioned in [amazon_link id=”0753158590″ target=”_blank” ]Bridget Jones’s Diary[/amazon_link], I think I’m OK.

Here is to the home stretch. May I have more time to read and thus update this blog on the other side of November.

NaNoWriMo

NaNoWriMo Week #2

NaNoWriMoWow, it’s the end of week two of NaNoWriMo already. I have been pretty busy writing and haven’t updated this blog in a week. At this point, I have 26,604 words, so I am over halfway done and about three days ahead of par. I am averaging about 2,000 words a day, which is great. As a matter of fact, even though I no longer have a plan and the novel is just sort of going off on its own, I am still mostly happy with it. Some days I really struggle with what I write, but I think that reading [amazon_link id=”0743455967″ target=”_blank” ]On Writing[/amazon_link] right before I began was really helpful. My reading has slowed down quite a lot. Just can’t keep up with everything. It’s really important to me to finish NaNoWriMo this year. I have an idea I’m excited about, and it’s still fun at two weeks in.

I’m going to Chicago this week for an English teacher conference—presenting, even—and I want to keep up the momentum even while I’m traveling. It will be hard, but it will be worth it. At least if I get fairly far ahead, I will be able to write a little less if I find I’m too busy.

NaNoWriMo

NaNoWriMo Week #1

NaNoWriMoIt’s the end of week one of NaNoWriMo. I ended the week with a pretty decent word count: 12,115. I am hoping to stay a little bit ahead as I am going to a conference the week after next, and last year, that conference stalled my writing dead in the water. This year, I’m determined to carve out time to write, even if I have to go hide somewhere and do it. Par for day 6 of NaNoWriMo is 10,000 words, so I have an extra day and some cushion at this point.

Erin Morgenstern, whose book [amazon_link id=”0385534639″ target=”_blank” ]The Night Circus[/amazon_link] began life as a NaNoWriMo novel, wrote a pep talk for participants this week.

Of course, I haven’t been reading as much, and truthfully, I haven’t been able to figure out what I want to read. I am dipping into [amazon_link id=”074348486X” target=”_blank” ]As You Like It[/amazon_link] because it figures into my book, and I am still finishing [amazon_link id=”9626343613″ target=”_blank” ]Sense and Sensibility[/amazon_link]. I am hoping to be finished with that one, soon. I’m still waiting on [amazon_link id=”140222267X” target=”_blank” ]Willoughby’s Return[/amazon_link] to arrive in the mail. I am also hoping to read some of Stephanie Barron’s Jane Austen mysteries soon, but those may need to wait until December.

It was a good first week, and given how busy work was, I feel a sense of accomplishment over having kept my head above water with the word count. I am actively not rereading anything I’ve written. I’m not exactly afraid it’s bad. I just know it’s a draft and I can change it, but I don’t want to do it yet. I want to focus on the draft and worry about the revision later.

I wonder if any other Sunday Salon folks are participating in NaNoWriMo?

The Sunday Salon

On Writing: A Memoir of the Craft, Stephen King

[amazon_image id=”1439156816″ link=”true” target=”_blank” size=”medium” class=”alignleft”]On Writing: 10th Anniversary Edition: A Memoir of the Craft[/amazon_image]Stephen King’s guide for writers, [amazon_link id=”1439156816″ target=”_blank” ]On Writing: A Memoir of the Craft[/amazon_link], is the best book on writing well that I’ve ever read, and as an English teacher, I have had my hands on all kinds of writing advice. King’s memoir begins with what he calls his C.V.: the story of how he became a writer. The middle section of the book contains King’s advice for writers, including everything from how to start to how to find an agent. It’s practical, no-nonsense advice. The final section chronicles King’s near-fatal accident and how he recovered and was able to write again.

King’s best advice, from the venerable [amazon_link id=”0205313426″ target=”_blank” ]Strunk & White[/amazon_link], is to “omit needless words.” Especially helpful are King’s demonstrations of how he does that in his own writing. I have already found myself applying his advice as I am drafting my NaNo novel. Interestingly, I am not a tremendous fan of King’s books. I grew up with a healthy respect for him as a writer because my parents always had his books around, and I could always find them in the bookstore, grocery store, or library whenever I wanted. I read a few of them when I was in high school, but I have not picked up his writing since that time. Reading this book has just about convinced me I have to pick up [amazon_link id=”0451169522″ target=”_blank” ]Misery[/amazon_link]. I’ve seen the movie, but I have never read the book. Annie Wilkes sounds like an interesting character to read. However, this is not to say I have ever thought he wasn’t a good writer, and to be honest, whether I think that or Harold Bloom thinks that (he doesn’t, by the way, but Neil Gaiman does) doesn’t matter much because a lot of people like his books. He’s doing something right. For what it’s worth, I think Harold Bloom is a sexist, barmy old fart.

King’s advice to read a lot and write a lot if you want to be a writer is the soundest, most succinct advice I’ve ever read. I know my writing has improved by bounds since I began reviewing books in this blog because I have read more. This year, I plan to finish 50 books, which will probably be the most books I’ve ever read in a year. Reading is studying and researching the craft, and I recognized myself in King’s description of that moment a writer has when she has realized for the first time that she could write better than a published writer she has read. I am also writing a lot more. I wrote over 2,000 words in my NaNo novel yesterday, and that really wasn’t even all I wrote that day. I write something every day. Last year, I couldn’t finish, and the year before that, writing even the daily 1,667 was difficult. It’s easier now. Not to say it’s easy, but it’s easier. I have to attribute that to the reading and writing I’ve done this year. If I could add anything to King’s advice, I’d recommend reflecting in writing on the books you read, whether it’s a blog or a reading journal. I find that thinking about the reading in that way is a bit like tinkering under the hood. You learn more about how others use words and how paragraphs fit together. Just reading is enough, but the reflection helps you process what you’ve read.

I didn’t expect this book to be so personal. It’s very clear that King is deeply in love with his wife, and given the length of their marriage, it’s refreshing and encouraging. He respects her opinion and views her as his partner in every sense. I have to admit I did tear up near the end as I read about his fear that he would die as a result of his injuries and how his wife helped him start writing again. I know she is very much in his shadow. I did try to read a book she wrote when I was in high school, but I didn’t get far, and I just haven’t picked up anything else.

On Writing is readable and direct as well as entertaining and informative. If you harbor any secret desires to be a writer, this book is an essential part of your collection, and dipping into it again every once in a while as a refresher is a good idea.

And now I really need to turn to my own writing, if you’ll excuse me.

Rating: ★★★★★