Review: Tartine Bread, Chad Robertson

Review: Tartine Bread, Chad RobertsonTartine Bread by Chad Robertson, Eric Wolfinger
Published by Chronicle Books (CA) ISBN: 1452100284
on October 29, 2013
Genres: Cooking
Pages: 304
Format: E-Book
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five-stars

For the home or professional bread-maker, this is the book. It comes from a man many consider to be the best bread baker in the United States: Chad Robertson, co-owner of Tartine Bakery in San Francisco, a city that knows its bread. To Chad, bread is the foundation of a meal, the center of daily life, and each loaf tells the story of the baker who shaped it. He developed his unique bread over two decades of apprenticeship with the finest artisan bakers in France and the United States, as well as experimentation in his own ovens. Readers will be astonished at how elemental it is. A hundred photographs from years of testing, teaching, and recipe development provide step-by-step inspiration, while additional recipes provide inspiration for using up every delicious morsel.

If you’ve been reading this blog for a while, you might recall I’ve been learning how to bake bread for a few years now. I struggle to find time to bake sourdough bread because it has such a long rise. During the week, it’s just not really possible because of work. If I want to bake on the weekend, I need to plan in advance so that I can get my starter active again. I recently read Michael Pollan’s book Cooked, and it reminded me that I still hadn’t finished Chad Robertson’s Tartine Bread. Pollan learns to bake sourdough from Robertson and documents his experience in that book. I have read quite a few books about baking sourdough, and my results have been sort of mixed. I decided to give Tartine Bread a try because I had heard that Robertson’s recipe and technique were good.

The selling point of Jim Lahey’s recipe and technique is that it is a no-knead recipe, and you can let it rise overnight. I kind of liked what I saw in Ken Forkish’s book, but it didn’t wow me. I thought it was me, and partly it was. It took me a while to figure out how you could tell your starter was active. I really like Chad Robertson’s helpful technique of dropping a bit into some water to see if it floats. If it does, it’s active. If it sinks, wait longer. I believe that Ken Forkish shared that tip in his book as well. Of the sourdough recipes I’ve tried, I think I liked Paul Hollywood’s recipe the least. I didn’t have good results with it. I figured I’d see what happened with Robertson’s recipe, and I was not disappointed.

I tried Robertson’s recipe and technique as written and made some beautiful loaves of sourdough.

Sourdough Bread
I had to get my starter in there, you know.

I halved the recipe so as to make just one loaf, and I’ve had a chance to bake twice using the halved recipe. I was initially afraid the salt amount was too much, but the bread doesn’t taste salty. The folding technique is easy to master once you’ve tried it a few times. The bread has a perfect crust. I baked Jim Lahey’s recipe as written and found the crust way too hard and dark for my liking. The kids wouldn’t eat it either. In fact, this recipe marks the first time they’ve eaten the sourdough bread I made (I know; they’re weird).

I did not make a starter using Robertson’s technique. I have had a starter going (in the fridge, for the most part) since late 2017, and I didn’t see any reason to make a fresh starter. I’m glad I didn’t worry about it because I don’t think I needed to. I tried the recipe with a bottle of spring water and then with water from the Brita pitcher and noticed no difference, so I think Robertson is right that the water doesn’t matter. He argues that the flour does, and I think he gets his from a local mill. I used King Arthur, which has been my go-to for a number of years now—pretty much since I moved to New England, though I clung to White Lily when I could find it for a little while. If you’re curious, I used King Arthur’s directions to make my starter. Robertson’s recipe calls for whole wheat flour, but what I had on hand is King Arthur’s sprouted whole wheat, which has a slightly milder flavor. I am convinced that the small amount of whole wheat flour is what separates Robertson’s recipe from the rest. It’s not really enough whole wheat flour to taste like wheat bread, necessarily, but I think it adds a flavor that white flour alone doesn’t have. I will definitely have to try Robertson’s recipe with regular whole wheat flour when I run out of the sprouted whole wheat.

I think if you get this book, you will probably get it for the main country bread recipe. I’m sure some of the others are good, but I haven’t tried them yet. Some of the recipes aside from the main recipe for country bread, as Robertson calls it, strike me as a bit different… and complicated, too, but we did try the French toast, which was probably the best French toast we’ve ever had. It smelled amazing as it was baking, too.

I highly recommend this book to anyone looking to try sourdough baking. This is hands-down the best recipe I’ve tried so far, and my results using Robertson’s recipe and technique have been the best out of the sourdough recipes I’ve tried, too. Honestly, I thought the country bread recipe alone made the book worth it.

five-stars

Review: Hamnet, Maggie O’Farrell, narrated by Ell Potter

Review: Hamnet, Maggie O’Farrell, narrated by Ell PotterHamnet by Maggie O'Farrell
Narrator: Ell Potter
Published by Random House Audio on July 21, 2020
Genres: Historical Fiction
Length: 12 hours and 42 minutes
Format: Audio, Audiobook
Source: Audible
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five-stars

Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child.

Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley Street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet.

Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history.

Oh, this book. I just loved it. Recently, I shared in my review of Never Caught that the author missed an opportunity to weave historical fiction out of the facts we know about Ona Judge. Anne Hathaway Shakespeare is another woman we know very little about. She was pregnant when she married William Shakespeare (who was quite a bit younger than she was), she raised their children practically alone while he worked as an actor and playwright in London, and Shakespeare left her his second-best bed in his will. From these scraps of information, many scholars have concluded that their marriage was not a happy one. O’Farrell takes a different tactic and imagines a love match for the couple that is nearly destroyed by the death of their son and William Shakespeare’s depression and lack of fulfillment.

O’Farrell chooses to call her Anne “Agnes,” as her father referred to her in his will. Agnes is something of an herbalist (and maybe a witch). She’s every bit as fascinating as Shakespeare (maybe more so, under O’Farrell’s pen). The story alternates between Agnes and Hamnet as narrators, for the most part, with tidbits from other characters such as Susanna and Judith. The story also shifts in time, beginning with Hamnet looking for someone, anyone (but particularly Agnes) to help him—his twin sister Judith is sick.

The historical details ring true. As a bread baker and soap maker, I especially appreciated O’Farrell’s references to Agnes’s talents in both areas. Agnes also keeps bees and is something of a bee charmer. However, my absolute favorite historical detail was O’Farrell’s chronicle of the journey of the flea that carried the bubonic plague to Stratford and, ultimately, to the Shakespeare household. It was utterly fascinating. As we are living in the midst of a pandemic right now, the details are also alarmingly present. How did the virus that infected my entire family with COVID-19 in January make its way to us? How does sickness travel like that? I think I appreciated O’Farrell’s exploration of the way the plague traveled even more for having a personal connection to another form of plague.

I couldn’t help but think of Virginia Woolf’s A Room of One’s Own when I read. In that book, Woolf imagines Shakespeare’s equally talented sister who is unable to do the things her brother can do because she is a woman, and those doors are closed to her. What if Shakespeare’s wife were even more talented than he? That is actually how I interpret Agnes’s character. Yet she sacrifices so that he can realize his dreams and their children can be cared for. She’s not different from talented women throughout history in this respect.

Ell Potter is a charming narrator. I’m glad the audiobook was read by a woman, as ultimately, I think this a woman’s story. That’s not to say men wouldn’t enjoy it; quite the contrary, and maybe men should read it. Ron Charles has a great review of the book at The Washington Post. I definitely recommend this book to any fans of Shakespeare, though I caution you that he’s relegated to the sidelines. This story is the story of his family.

five-stars

Review: Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge, Erica Armstrong Dunbar

Review: Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge, Erica Armstrong DunbarNever Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge by Erica Armstrong Dunbar
Narrator: Robin Miles
Published by Simon Schuster Audio ISBN: 1442394501
on February 7, 2017
Genres: Nonfiction
Length: 6 hours 45 minutes
Format: Audio, Audiobook
Source: Library
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three-half-stars

A startling and eye-opening look into America s First Family, Never Caught is the powerful narrative of Ona Judge, George and Martha Washington s runaway slave who risked it all to escape the nation's capital and reach freedom.

When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he took Tobias Lear, his celebrated secretary, and eight slaves, including Ona Judge, about which little has been written. As he grew accustomed to Northern ways, there was one change he couldn't get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself one cold spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs.

At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property. Impeccably researched, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father.

The subject matter of this book is utterly fascinating; however, because so little is known about Ona Judge, the author, unfortunately, has to engage in a lot of speculation. To be sure, it is well-researched speculation and certainly rings true. I am grateful for Dunbar’s attention to detail and meticulous research. I was able to round out my understanding of quite a few historical issues on the topic of slavery I had not understood before. For example, Dunbar explains why Washington was unable to free people enslaved by Martha Washington’s first husband and why he chose not to free people he enslaved. I already felt the entire practice was reprehensible, but reading this book only underscored the inhumanity of slavery. It boggles the mind that people engaged in this practice and felt like it was acceptable, never mind the fact that many of them thought they were doing enslaved people a favor.

In addition to Ona Judge, I learned about Hercules Posey, Washington’s chef who also escaped to freedom. If I had one suggestion to round out this book, it might have been to write about several people enslaved by the Washingtons. It might have helped the author avoid the speculation she had to use. I think Ona Judge is a fascinating person, but we just don’t know enough about her to fill a book. I was interested to see a children’s version of this book has been printed. It’s entirely possible that a children’s version would have been just perfect—I think there is enough known about Ona Judge to fill a children’s or even YA book.

So why only 3.5 stars? Well, I think Dunbar missed an opportunity. I think Ona Judge’s story would have made excellent historical fiction. If Dunbar had opted for historical fiction, she wouldn’t have had to use the speculative voice that overwhelms the story. She also might have been able to include more details. As it is, I think Dunbar was constrained by the sparse details available about Judge’s life.

I would love to see more books like this one, but this story serves as a stark reminder of the many lives that are not recorded for posterity. Their lives mattered then, and they matter now.

three-half-stars

Review: Cooked, Michael Pollan

Review: Cooked, Michael PollanCooked: A Natural History of Transformation by Michael Pollan
Narrator: Michael Pollan
Published by Penguin Audio on April 23, 2013
Genres: Cooking, Nonfiction
Pages: 14
Format: Audio, Audiobook
Source: Audible
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four-half-stars

In Cooked, Michael Pollan explores the previously uncharted territory of his own kitchen. Here, he discovers the enduring power of the four classical elements—fire, water, air, and earth—to transform the stuff of nature into delicious things to eat and drink. Apprenticing himself to a succession of culinary masters, Pollan learns how to grill with fire, cook with liquid, bake bread, and ferment everything from cheese to beer. In the course of his journey, he discovers that the cook occupies a special place in the world, standing squarely between nature and culture. Both realms are transformed by cooking, and so, in the process, is the cook.

Each section of Cooked tracks Pollan's effort to master a single classic recipe using one of the four elements. A North Carolina barbecue pit master tutors him in the primal magic of fire; a Chez Panisse-trained cook schools him in the art of braising; a celebrated baker teaches him how air transforms grain and water into a fragrant loaf of bread; and finally, several mad-genius "fermentos" (a tribe that includes brewers, cheese makers, and all kinds of picklers) reveal how fungi and bacteria can perform the most amazing alchemies of all. The listener learns alongside Pollan, but the lessons move beyond the practical to become an investigation of how cooking involves us in a web of social and ecological relationships: with plants and animals, the soil, farmers, our history and culture, and, of course, the people our cooking nourishes and delights. Cooking, above all, connects us.

The effects of not cooking are similarly far-reaching. Relying upon corporations to process our food means we consume huge quantities of fat, sugar, and salt; disrupt an essential link to the natural world; and weaken our relationships with family and friends. In fact, Cooked argues, taking back control of cooking may be the single most important step anyone can take to help make the American food system healthier and more sustainable. Reclaiming cooking as an act of enjoyment and self-reliance, learning to perform the magic of these everyday transformations, opens the door to a more nourishing life.

Cooked is the first of Michael Pollan’s books that I’ve read, though I know he has written a few other books about food. I’m not sure I would have found Cooked nearly as interesting about ten years ago as I did this year. I liked the organization of the book into the four ancient elements. The section on barbecue (fire) was fascinating, though to be fair, I devour pretty much anything about African-American and Southern foodways. I am also a bread-baker, so the section about bread (air) was probably my favorite, and it convinced me to go back into Chad Robertson’s Tartine Bread, which I’ve had on my Kindle for some time and started reading a while back and never finished. Stay tuned for a review on that book because I’m nearly done with it (yes, I read cookbooks cover-to-cover on occasion).

I wasn’t as fascinated by the fermentation or braising sections. I’m not sure why because everything about sourdough starter fascinates me. I think it’s just that a lot of the food in the fermentation section isn’t really the kind of thing I like, so I wasn’t as interested to hear how to do it, and braising is a technique I just don’t really use in my own cooking. However, the organization of the book was interesting, and Pollan’s reading is engaging and entertaining.

I agree with Pollan’s conclusions that it’s a shame so few people really cook anymore. I really enjoy cooking, but it does take time. However, what we eat for dinner has drastically improved in quality since I started cooking more seriously. Honestly, I credit a meal subscription plan called Home Chef with teaching me a lot, and Samin Nosrat’s book Salt Fat Acid Heat was also really helpful. The main reason we stopped subscribing to Home Chef is that we received spoiled vegetables a few too many times, and I decided that I needed to be able to select ingredients myself from the store. The actual recipes provided were pretty great, and I still use them all the time to cook meals.

Pollan argues that we’ll eat less processed food and connect more with family (eating together is communion—that’s my argument, not Pollan’s). My husband usually sits in the kitchen while I cook, and we listen to audiobooks and podcasts together. He’s not really a cook, though I think he’s interested. In any case, I think we enjoy these evening respites. I know that regularly cooking dinner has meant we better and saved money, not to mention the time to connect. (We are currently listening to Anna Karenina.)

I definitely recommend this book to anyone interested in how cooking works—you’ll get a dose of science and history along with some fascinating cultural education.

four-half-stars

Review: Born to Run, Bruce Springsteen

Review: Born to Run, Bruce SpringsteenBorn to Run by Bruce Springsteen
Narrator: Bruce Springsteen
Published by Simon Schuster Audio ISBN: 1508224234
on December 6, 2016
Genres: Memoir, Nonfiction
Length: 18 hours and 12 minutes
Format: Audio, Audiobook
Source: Audible
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five-stars

“Writing about yourself is a funny business… But in a project like this, the writer has made one promise, to show the reader his mind. In these pages, I’ve tried to do this.” —Bruce Springsteen, from the pages of Born to Run

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl’s halftime show. The experience was so exhilarating that Bruce decided to write about it. That’s how this extraordinary autobiography began.

Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs.

He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as “The Big Bang”: seeing Elvis Presley’s debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song “Born to Run” reveals more than we previously realized.

Born to Run will be revelatory for anyone who has ever enjoyed Bruce Springsteen, but this book is much more than a legendary rock star’s memoir. This is a book for workers and dreamers, parents and children, lovers and loners, artists, freaks, or anyone who has ever wanted to be baptized in the holy river of rock and roll.

Rarely has a performer told his own story with such force and sweep. Like many of his songs (“Thunder Road,” “Badlands,” “Darkness on the Edge of Town,” “The River,” “Born in the U.S.A.,” “The Rising,” and “The Ghost of Tom Joad,” to name just a few), Bruce Springsteen’s autobiography is written with the lyricism of a singular songwriter and the wisdom of a man who has thought deeply about his experiences.

I’m really behind on writing reviews. I actually finished listening to this book some time back, and if you choose to read it, let me highly recommend the audiobook, narrated by Springsteen himself. Here’s a teaser, courtesy PBS.

 

This memoir is a master class in the genre. In fact, I plan to order a paper copy of it so that I can use it in teaching narrative writing. It’s that good. In fact, it’s the best memoir I’ve read. I don’t say that lightly either, as I have read quite a few.

What makes this particular memoir a standout is its unflinching honesty and its poetic sensibility. Though we know Bruce Springsteen is a great songwriter, that kind of writing talent doesn’t always translate to other forms. I am a bit embarrassed to say how surprised I was that Springsteen’s memoir was so well-written.

I picked this up on Audible using one of my credits a long time ago, and I decided to listen to it at long last after enjoying Warren Zanes’s biography of Tom Petty so much. I like Bruce Springsteen’s music, but I must confess I was not what I’d call a fan. I would never change the station on one of his songs, but I also didn’t own a complete album, and the only album I had listened to in its entirety before reading this book was Born in the USA—my mom had that one when I was a kid. To be fair, I listened to that album a lot. One thing I tried to do as I read this book was go back and educate myself about Springsteen’s music, and holy hell is he amazing. I can’t believe I never listened to Born to Run all the way through. I have to say, “Jungleland” is probably my favorite of his songs.

Springsteen is also a voracious reader, and it shows in the allusions he makes to other books in the memoir itself. As an English teacher, catching those references was a real Easter-egg type of pleasant surprise. I often tell my students that if they want to be better writers, they need to read more. They need to observe what great writers do, what moves they make in their writing. Clearly, Springsteen understands the importance of reading for his writing, but I sense he just enjoys reading for its own sake.

Bruce Springsteen Writing
Bruce Springsteen Writing by Pamela Springsteen, the artist’s sister

When I reached the point in the memoir when Springsteen discussed the death of Clarence Clemons, I admit I cried a little, in spite of knowing very little about Clemons prior to reading this book. Springsteen’s ache over the loss of his friend and collaborator (and sometime co-conspirator) is palpable in his reading. I appreciated Springsteen’s frankness about his struggles with depression as well. It’s tragic that mental illness carries such a stigma, which prevents people from getting help. Springsteen talks about this stigma as well.

I highly recommend this wonderful memoir to anyone, especially music fans. If you are not a fan of Springsteen’s before you read, you will still enjoy this book—and you will probably be a fan afterward. I’ll close out with a playlist of my favorite Springsteen tracks, more or less in order.

five-stars

Review: The Mirror and the Light, Hilary Mantel, narrated by Ben Miles

Review: The Mirror and the Light, Hilary Mantel, narrated by Ben MilesThe Mirror & the Light (Thomas Cromwell, #3) by Hilary Mantel
Narrator: Ben Miles
Series: Thomas Cromwell #3
Published by Macmillan Audio on March 10, 2020
Genres: Historical Fiction
Length: 38 hours 12 minutes
Format: Audio, Audiobook
Source: Audible
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five-stars

“If you cannot speak truth at a beheading, when can you speak it?”

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves.

Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?

With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion, and courage.

What a fantastic close to Hilary Mantel’s Thomas Cromwell saga. Mantel is a gifted storyteller, and in her hands, Cromwell emerges as a deeply complex man who rose from nothing—the son of a blacksmith in Putney—to one of Henry VIII’s chief counselors. This book covers Cromwell’s fall from grace, and though I knew how Cromwell’s story would end—it’s a matter of recorded history—I dreaded seeing it come to pass. He inspired love and loyalty among his family and servants, but jealousy and ire among Henry VIII’s circle.

One aspect of Mantel’s characterization that I appreciate most is the wry sense of humor she gives Cromwell. I listened to both Wolf Hall and Bring Up the Bodies prior to listening to this book, and it struck me that this book had more humor in it, though you might not expect that to be the case, given Cromwell’s well-documented end. As with other people who “crossed” Henry VIII, Cromwell’s downfall was swift. I won’t share any spoilers here, but let’s just say his ending was particularly sad—unfair blame and betrayal.

Ben Miles does a great job with the narration. Seems other reviewers didn’t like him (based on reviews left on Audible), and I’m puzzled as to why. The audiobook had a great interview between narrator Ben Miles and author Hilary Mantel.

I’m counting this book for my February read set in Western Europe in the Book Voyage: Read Around the World Challenge.

five-stars

Review: Petty: The Biography, Warren Zanes

Review: Petty: The Biography, Warren ZanesPetty: The Biography by Warren Zanes
Narrator: Warren Zanes
Published by Audible Studios on December 15, 2015
Genres: Biography, Nonfiction
Length: 13 hours 57 minutes
Format: Audio, Audiobook
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five-stars

An exhilarating and intimate account of the life of music legend Tom Petty, by an accomplished writer and musician who toured with Petty

No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty’s music and the remarkable rock and roll history he and his band helped to write.

Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise. From meeting Elvis, to seeing the Beatles on Ed Sullivan, to producing Del Shannon, backing Bob Dylan, putting together a band with George Harrison, Dylan, Roy Orbison, and Jeff Lynne, making records with Johnny Cash, and sending well more than a dozen of his own celebrated recordings high onto the charts, Tom Petty’s story has all the drama of a rock and roll epic. Petty, known for his reclusive style, has shared with Warren Zanes his insights and arguments, his regrets and lasting ambitions, and the details of his life on and off the stage.

This is a book for those who know and love the songs, from "American Girl" and "Refugee" to "Free Fallin’" and "Mary Jane’s Last Dance," and for those who want to see the classic rock and roll era embodied in one man’s remarkable story. Dark and mysterious, Petty manages to come back, again and again, showing us what the music can do and where it can take us.

What a great loss to rock and roll. I think I might first have become aware of Tom Petty because my copy of Chipmunk Punk, featuring Alvin and Chipmunks squeaking out songs that were decidedly not punk music, had “Refugee” on it. Later, the video for “You Got Lucky” seemed to be on heavy rotation on MTV, and I admit it was interesting. You couldn’t get away from “Don’t Come Around Here No More” later. Rewatching that video recently, I was struck by how good Tom Petty’s acting is in the video.

However, I’m not sure I appreciated Tom Petty, truly became a fan, until college. I bought his back catalog and listened to the albums on repeat. I listened to them all again as I was reading this book, and I still remember each note. The first four albums, Tom Petty and the HeartbreakersYou’re Gonna Get It, Damn the Torpedoes, and Hard Promises, were on particularly high rotation, along with Southern Accents.

What I appreciated most about this biography was that Warren Zanes is an insider of sorts. In the 1980s, he was in the Del Fuegos and opened for Tom Petty and the Heartbreakers on tour. He spoke to many of Petty’s friends and associates, and the biography is unflinching in its honesty. Petty seemed like a reflective type of person, and he owned his mistakes. I particularly appreciated the reflections of fellow Heartbreakers Mike Campbell, Benmont Tench, and Stan Lynch as well as Petty’s long-time friend Stevie Nicks.

The part of the biography I found most compelling was Zanes’s account of Petty’s youth and adolescence, followed by his early days in Florida bands, such as Mudcrutch. His incredible work ethic was another interesting thread that ran through the book. It struck me that Petty enjoyed his English classes and didn’t consider them to be “studying” in the same way that his other classes were; you can hear that in his song lyrics. However, as a teacher, I couldn’t help but feel sad about how school crushes the spirits of so many creative people like Tom Petty. I think it was Benmont Tench who said in the book that Tom Petty was really good at convincing people to quit school and join his band.

When I heard Tom Petty died, I was crushed. He’s one of my favorite musicians of all time, and I’m grateful I was able to see him in concert once in 1992, for his Into the Great Wide Open tour. It was a great show. He was a consummate performer.

I put together a highly subjective list of my favorite Tom Petty tunes, more or less in order of preference. Some are deep cuts. I hope you enjoy it.

five-stars

Review: Darius the Great is Not Okay, Adib Khorram, narrated by Michael Levi Harris

Review: Darius the Great is Not Okay, Adib Khorram, narrated by Michael Levi HarrisDarius the Great Is Not Okay by Adib Khorram
Narrator: Michael Levi Harris
Published by Listening Library on August 28, 2018
Genres: Young Adult
Pages: 8
Length: 7 hours and 33 minutes
Format: Audio, Audiobook
Source: Library
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four-half-stars

Darius Kellner doesn’t make friends easily. He gave up on the Boy Scouts years ago—to his father’s lasting disappointment—and after being diagnosed with depression, he quit the neighborhood soccer club, too. As the only Persian boy at his Portland high school, he’s an easy target for Trent Bolger and his Soulless Minions of Orthodoxy.

Then Darius goes to Iran for spring break (and despite what the Soulless Minions of Orthodoxy say, it’s not to join ISIS). He’s visiting his mother’s hometown, Yazd, to meet his family—and his ailing grandfather—for the first time. But Darius speaks better Klingon than Farsi, and he knows the Silmarillion better than the Shahnameh. Even surrounded by Persians, he can’t fit in.

Not until he meets Sohrab Rezaei, his grandparents’ Bahá’í neighbor. Darius is drawn to the lonely boy who helps water his grandfather’s fig trees, and the two strike up a tentative friendship, filling their days with pick up soccer, trips to the Jameh Mosque, and walks through Dowlatabad Garden.

But things in Iran are far from perfect. Darius’s grandfather’s health is failing. His dad is more distant than ever. And when Sohrab faces family issues of his own, Darius is powerless to help—or to hold their hard-won friendship together.

But he still has to try.

My school is considering this book as an all-school summer read, and as an avid reader and English department chair, I agreed to check it out to see if it would be a good candidate. I thoroughly enjoyed listening to this book. Darius is a great character, and the book’s setting in Yazd, Iran offers a counterpoint to other texts set in the country. Khorram depicts the country’s beauty and heritage, and Darius quickly falls in love with it.

I loved Darius’s interest in tea and geeky pursuits such as The Lord of the Rings and Star Trek. I especially approve of his fandom for Star Trek: The Next Generation. That was my show, too. I also liked the way Khorram handled Darius’s navigation of questioning his sexuality and getting to know grandparents he has only ever seen on Skype.

I teared up when Darius and his father finally have the talk that has been brewing for most of the book. I definitely want to read the sequel, especially since the audiobook version of Darius the Great Deserves Better is also narrated by Michael Levi Harris, who did a superb job with Darius the Great is Not Okay.

four-half-stars

Review: If Beale Street Could Talk, James Baldwin, narrated by Bahni Turpin

Review: If Beale Street Could Talk, James Baldwin, narrated by Bahni TurpinIf Beale Street Could Talk by James Baldwin, Bahni Turpin
Narrator: Bahni Turpin
Published by Blackstone Audio on February 1, 2016
Genres: Contemporary Fiction
Pages: 8
Length: 7 hours and 7 minutes
Format: Audio, Audiobook
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four-stars

In this honest and stunning novel, James Baldwin has given America a moving story of love in the face of injustice. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

There aren’t many writers like James Baldwin. He wrote with facility whether fiction, nonfiction, or poetry. I mean, just listen to him speak.

Much of what Baldwin says here is centered in his novel, as his characters wrestle with being cut out of their opportunities to find happiness and achieve their dreams. In fact, one in the novel struck me particularly hard. Fonny refers to a man who assaults Tish as a “white American,” implying that the police officer who wanted to arrest Fonny for beating the man did not see Fonny as an American. He saw a Black man, and his guilt or innocence did not matter. I realize that police brutality against Black people has a long history, but it’s hard not to see Baldwin as prescient in writing this novel in the early 1970s. He is not speaking only to the moment in which he wrote the novel, but also to our current moment.

My favorite character was Tish’s mother, Sharon. I absolutely loved Tish’s family. They were so supportive of Tish and Fonny, and Sharon set the tone when she told Tish that she would tell the family about her pregnancy. So many families have not supported their daughters when they became pregnant, let alone when the baby’s father is in jail awaiting a trial for a crime he didn’t commit. Even before I watched the movie, I understood why Regina King’s performance was lauded. Sharon is a gift of a character.

I found the ending a bit confusing, so I listened to it again, and then I still had to read a summary online because I couldn’t figure out if what I thought happened at the end was what happened. Ambiguous endings do not trouble me, but this book didn’t feel like it ended. It felt like it stopped. I suppose a good comparison would be the fade to black at the end of the last episode of The Sopranos. The book also moves backward and forward in time, and it was sometimes a bit difficult to follow. Admittedly, this could have been my fault for listening to it rather than reading it. However, there are some beautiful moments in the book as well, and Baldwin’s characterization is realistic and engaging. His characters just seem like people you might know—they are intensely human.

I was able to find the film on Hulu and watched it so I could add my thoughts about the film to this review. The acting is incredible. Stephan Jones and Kiki Layne are perfect as Fonny and Tish. As I mentioned before, Regina King deserves all the praise for her performance, too. The entire ensemble cast was great. The film’s ending is a bit different, and I might argue that the film’s ending is an improvement. For one thing, it was a bit clearer, and it also ended on a note of hope. I understand Baldwin wanted to communicate something with the ending he wrote, and it’s such a beautiful love story that as a reader, I really wanted to have a little bit of hope at the end for the characters. One touch I really appreciated was a simple dedication to “Jimmy”—James Baldwin’s nickname among friends. The movie also helped me understand the book’s title. My audiobook didn’t have the explanation, but the film had some text at the beginning, and since I don’t have a paper copy of the book, I can’t verify this, but I think it was James Baldwin’s introduction to the story, explaining the name. I expected it to be set in Memphis rather than New York and was initially confused. I also loved the film’s score. It’s haunting and perfect. I definitely want to see other films by this director after watching If Beale Street Could Talk.

Bahni Turpin is an excellent narrator. I have listened to her read other books, and I appreciate her approach to the material. I highly recommend the audio version of this book, but you might want to read along to better keep track of the story.

One last treat before I close: Ikechúkwú Onyewuenyi, a Hammer Museum curator, created the ultimate James Baldwin playlist. You just might find some blues in there.

 

four-stars

Review: The Arctic Fury, Greer Macallister

Review: The Arctic Fury, Greer MacallisterThe Arctic Fury by Greer Macallister
Published by Sourcebooks Landmark ISBN: 1728215692
on December 1, 2020
Genres: Historical Fiction, Mystery
Pages: 300
Format: E-Book
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four-half-stars

In early 1853, experienced California Trail guide Virginia Reeve is summoned to Boston by a mysterious benefactor who offers her a once-in-a-lifetime opportunity: lead a party of 12 women into the wild, hazardous Arctic to search for the lost Franklin Expedition. It’s an extraordinary request, but the party is made up of extraordinary women. Each brings her own strengths and skills to the expedition- and her own unsettling secrets. A year and a half later, back in Boston, Virginia is on trial when not all of the women return. Told in alternating timelines that follow both the sensational murder trial in Boston and the dangerous, deadly progress of the women’s expedition into the frozen North, this heart-pounding story will hold readers rapt as a chorus of voices answer the trial’s all-consuming question: what happened out there on the ice?

My first book of 2021! I probably wouldn’t have picked up this book if not for the Book Voyage: Read Around the World Challenge. Before I share some thoughts about the book, I’d like to thank the challenge hosts for two things: 1) offering a list of recommended books for each region in the challenge, and 2) recommending this particular book, which brought me out of a reading funk and kept me up late wanting to find out what would happen next. I love participating in challenges, but I find it difficult sometimes because I don’t know what to read for the challenge, and it is refreshing to have a list of books to consider at least. I probably wouldn’t have heard about The Arctic Fury if not for this challenge, either, or at least I wouldn’t have heard of it for some months.

This book is just the kind of historical fiction I love. It puts women at the forefront of a plausible, well-researched story. I admit I struggled a bit with the notion that Lady Franklin would sink her hopes into an all-female expedition to the Arctic in search of her missing husband, but I was willing to go with the premise. However, without spoiling the ending, I’ll just say that Lady Franklin’s actions make much more sense by the end, and I wound up finding the premise more plausible.

If this book suffers from anything, it’s a little bit of a kitchen-sink approach—the author tackled just about every aspect of being a woman in the 1850s, from race to gender to pregnancy to sexuality to limited options to the threat of violence from men. Some of the aspects included didn’t feel strictly necessary to the story but rather an effort to be inclusive. I appreciated this about the book, but I think including the spectrum of experiences should be purposeful, and it didn’t always strike me that way in this book. Some pretty serious liberties were also taken with the protagonist’s (a known historical figure) story. Even though I understood the rationale for doing so, it bothered me, and I think the only other solution would have been to invent a person who didn’t actually exist to have a similar past. Once I figured out who she really was, I was able to find out what happened to her after what she calls the Very Bad Thing after about a minute’s search.

However, the other aspects of the novel are well-researched and feel authentic, which Macallister attributes to ensuring that “each woman [on the journey] had a real-life counterpart, an inspiration from the mid-nineteenth century [she] could point to and draw from” (401). As a result, each woman was believable. I particularly appreciated that the women each had their own strengths and flaws. They seemed much more human for being well-rounded. Each woman was also given at least one chapter in her own voice, which gave them even more depth and humanity.

I also appreciated the way the story alternated between Virginia’s murder trial and the voyage in the Arctic. The alternating timelines added more suspense to the story. I actually tagged this as a mystery in addition to historical fiction, even though it’s not a traditional mystery per sé. Like some of the best mysteries, neither what truly happened nor how it will all turn out was revealed until the climactic ending.

Bottom line: I definitely recommend this one to anyone who likes historical fiction, particularly with strong women characters. The Arctic Fury is well-written and researched, but most of all, the characters are memorable, intriguing, and real. 

four-half-stars