Review: Obsure, Thomas Hardy’s Jude the Obscure Read by Michael Ian Black

Obscure by Michael Ian BlackThe last episode of Michael Ian Black’s podcast Obscure (the premise of which is that Michael Ian Black reads Thomas Hardy’s novel Jude the Obscure and comments on it as he goes) dropped a few weeks ago, but graduate school hasn’t left me with a lot of time. Now that I’m on break, both from graduate school and work, I have been able to catch up.

I will be honest. I read Tess of the D’Urbervilles a couple of years ago and found it so bleak that I wasn’t sure about listening to Michael Ian Black read Jude the Obscure. Hardy can be really bleak. In that respect, Jude the Obscure doesn’t disappoint. However, the communal experience of listening to this book and hearing Michael Ian Black’s reactions to what he was reading transcended the actual text itself and made for one of the most enjoyable “reads” of the year for me.

For those not familiar with the story, the protagonist Jude is born in obscurity to a family with a history of bad luck. He is raised by his aunt, who makes it clear he is nothing but a burden. He dreams of being a scholar one day, and he shows an aptitude for learning. However, he is living in Victorian England and finds it impossible to rise in the world. He winds up married young to a grasping, scheming woman, finds a brief period of happiness and love with his cousin Sue, and suffers devastating loss. The plot is typical Hardy. However, there is something moving and transcendent about Jude’s experience. Jude might be any of us. Jude is any one of us. Michael Ian Black’s reading brought home that point in a way I’m not sure I would have appreciated if I hadn’t read the book in this way.

One thing I loved about Michael Ian Black’s reading is that it started with curiosity, and he remained curious throughout the reading. He frequently brought on guests who might help illuminate issues raised by the book, and when he didn’t know a word or a reference, he looked it up. I felt like I went on a journey with him as a fellow reader. Michael Ian Black doesn’t position himself as an expert. He makes it clear he is reading and reacting to the text based on his own experiences and understandings, and that is probably what is best about Obscure. I found listening to the podcast by turns laugh-out-loud funny and poignantly sad, particularly towards the end as Michael Ian Black connects his reading of the book to losses of his own. His interpretation always struck me as spot-on and very honest.

The podcast is worth your time, and if you fall behind, it’s great for bingeing. I really, really hope that Michael Ian Black reads other books like this.

Edited to add: The novel underscored for me again, as if I need more evidence, that literature reflects the human condition. We can find ourselves in it if we take a look, and Michael Ian Black’s reading of this classic novel definitely allowed for that kind of reflection. My friend Robin writes so much more eloquently than I can about literature’s power to show us ourselves.

Rating: ★★★★★

Review: 1919: Poems, Eve L. Ewing

Review: 1919: Poems, Eve L. Ewing1919 by Eve L. Ewing
Published by Haymarket Books on June 4, 2019
Genres: Poetry
Pages: 76
Format: Paperback
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five-stars

Poetic reflections on race, class, violence, segregation, and the hidden histories that shape our divided urban landscapes.

The Chicago Race Riot of 1919, the most intense of the riots that comprised the “Red Summer” of violence across the nation’s cities, is an event that has shaped the last century but is widely unknown. In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

I had been wanting to read 1919 for a while and finally picked it up at the Harvard Book Store recently when Steve and I went to Cambridge to hear Katherine Howe discuss her new book. Ewing weaves together passages from a report called The Negro in Chicago: A Study on Race Relations and a Race Riot (1922) with poetry inspired by the passages and photographs from the era. If you hadn’t heard about the 1919 race riot in Chicago, you are not alone. I hadn’t heard of it either, and you have to wonder how much this tragic event influenced race relations in Chicago in the decades that followed up to the present day. Did it influence redlining, for example? Redlining isn’t unique to Chicago, but it’s the city people think of when they think of redlining. What about the school system? The way in which that city can still be quite segregated, though again, it’s not alone among northern cities in that regard. The book weaves together reimagined passages from Exodus with a wide variety of poems (including haiku, haibun, two-voice poetry, and erasure poetry).

The collection includes several poems that stood out for me. “I saw Emmitt Till this week at the grocery store” imagines an Emmitt Till who survived to old age. Till would turn 78 later this month, had he lived, lest anyone think that the kind of racial violence that resulted in his murder happened a long time ago. “April 5, 1968,” an allusion to the aftermath of Martin Luther King, Jr.’s assassination, includes some gorgeous language, some of which alludes to King’s speeches. “Countless Schemes” riffs on a chilling passage from The Negro in Chicago that suggests the only solution to eliminating racial strife in the country is the elimination of African Americans, either through deportation, the establishment of a segregated state, or the hope [their word] that African Americans would die out. “Jump/Rope” evokes a jump rope chant, similar to “Miss Mary Mack” in structure and recounts the death of Eugene Williams, which sparked the 1919 riots.

1919 is an excellent poetry collection. I plan to use it as a mentor text in my Social Justice class. It gave me the idea that my students might be able to create a poetry project based on a social justice issue they research.

I’m so glad my poetry friends clued me in on Eve Ewing. Check this book out if you are interested in poetry, race relations, and racism, society, history, Chicago, or all of the above.

five-stars

Review: Kindred, Octavia Butler (Graphic Novel Adaptation)

Review: Kindred, Octavia Butler (Graphic Novel Adaptation)Kindred: A Graphic Novel Adaptation by Damian Duffy, Octavia E. Butler, John Jennings
Published by Harry N. Abrams on January 10, 2017
Genres: Fantasy/Science Fiction
Pages: 240
Format: Hardcover
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four-stars

I lost an arm on my last trip home.

Home is a new house with a loving husband in 1970s California that suddenly transformed into the frightening world of the antebellum South.

Dana, a young black writer, can't explain how she is transported across time and space to a plantation in Maryland. But she does quickly understand why: to deal with the troubles of Rufus, a conflicted white slaveholder—and her progenitor.

Her survival, her very existence, depends on it.

This searing graphic-novel adaptation of Octavia E. Butler's science fiction classic is a powerfully moving, unflinching look at the violent disturbing effects of slavery on the people it chained together, both black and white—and made kindred in the deepest sense of the word.

I had been reading Kindred on my Kindle and not making much progress. While I thought the plot was engrossing and liked the characters, there is something I can’t put my finger on that was preventing me from finishing the book. I set it aside once. Then I set it aside again. I really wanted to read it. Finally, when I found out this graphic novel edition was out, I decided this would be a way I could read it.

Octavia Butler is the queen of science fiction. This book is probably one of the most accurate descriptions of antebellum slavery I’ve read in fiction. Butler says that she actually toned it down so it would sell, however. She not only describes the brutality of slavery but also delves into the ways in which enslaved people created a family and subverted slave owners when it was possible. Mere survival was a triumph. She also unpacks the complicated relationships between enslaved people and slave owners. Rufus, for example, could easily be a one-note villain, but in Butler’s hands, he’s a fully realized and complicated person who rapes a woman because she is African-American and he can, but who also generates reader sympathy as an abused and uneducated child and a product of the time and place in which he lived.

Dana is a strong protagonist, and most of Butler’s characters are round and interesting, resisting stereotype and easy reduction. Kindred was published in 1979 and is ahead of its time in many ways. I’ve seen many more recent books that don’t deal with the themes of slavery in racism with the honesty and realism that Kindred does, in spite of its science fiction elements. One of the more interesting ideas Butler grapples with is the complex relationships forged in slavery between people who identify as white and people who identify as black today.

four-stars

Review: Born a Crime, Trevor Noah

Review: Born a Crime, Trevor NoahBorn A Crime: Stories from a South African Childhood by Trevor Noah
Narrator: Trevor Noah
on November 15, 2016
Genres: Memoir, Nonfiction
Format: Audio
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five-stars

The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.

One of the comedy world's brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race, and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his focus inward, giving readers a deeply personal, heartfelt and humorous look at the world that shaped him.

Noah was born a crime, son of a white Swiss father and a black Xhosa mother, at a time when such a union was punishable by five years in prison. Living proof of his parents' indiscretion, Trevor was kept mostly indoors for the first years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, take him away.

A collection of eighteen personal stories, Born a Crime tells the story of a mischievous young boy growing into a restless young man as he struggles to find his place in a world where he was never supposed to exist. Born a Crime is equally the story of that young man's fearless, rebellious and fervently religious mother—a woman determined to save her son from the cycle of poverty, violence, and abuse that ultimately threatens her own life.

Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Noah illuminates his curious world with an incisive wit and an unflinching honesty. His stories weave together to form a personal portrait of an unlikely childhood in a dangerous time, as moving and unforgettable as the very best memoirs and as funny as Noah's own hilarious stand-up. Born a Crime is a must read.

A colleague recommended that I read this book, though it had been sort of on the periphery of my radar for some time, as I enjoy Trevor Noah on The Daily Show and had heard good things about his memoir. My colleague said that listening to the audiobook was especially a treat, and my advice is that if you do read this book, do yourself a favor and let Trevor Noah read it to you. He is an incredible narrator, and hearing the memoir in his own words definitely added to my enjoyment of the book.

Trevor Noah had one heck of a childhood. He comes across as resourceful, clever, and funny, but it’s clear that he learned all of these attributes from his mother, Patricia, who emerges in many ways as the real hero of Trevor Noah’s memoir. I dare you to read this book and not cry at the very end. She is an incredibly strong woman, and Noah’s love for her shines through the entire book.

Moments of the book will have you laughing out loud, while others will make you cry. Born a Crime is a fantastic memoir, gripping and engaging from start to finish. You will definitely walk away from it with admiration for Trevor Noah’s strength… and his mother’s.

I’m counting this book for January’s motif in the Monthly Motif Challenge: New to You Author. I think this is Trevor Noah’s only book; I haven’t read anything he’s written before.

five-stars

2019 Reading Challenges

I always like to participate in reading challenges because it gives me a focus for my reading. I am planning on doing the following reading challenges in 2019, even though I’m in graduate school.

I enjoyed the Monthly Motif Reading Challenge this year. I don’t think I’ll complete it. I was stumped about what to read for a “Vacation Read” in the summer, so I never did that one. However, I think the motifs for 2019 look interesting, and I’ll give this challenge another whirl. I will try to do the challenge book each month. I am also going to try to do a bit better about reviewing each of the books I read and posting them to the challenge linkup pages. If I commit to completing the challenge, it means reading 12 books that fit the various monthly motifs.

I like to do the Historical Fiction Reading Challenge pretty much every year. Historical Fiction is my favorite genre. I think I’ll go easy this year, though, and just try for the 20th Century Reader level of two books. I am also trying to branch out and try other kinds of books, so it might be good for me to stretch beyond historical fiction.

I also want to try the Reading Women Challenge. I like the fact that this challenge is open-ended. Though there are 24 categories with two bonuses, the goal of the challenge is really just to read as many women as possible. I am going to shoot for completing 12 of the categories, but I’m not sure right now which ones. A lot of them look like fun to me! If I were not in grad school right now, I might try finishing the challenge with 24 books and the bonuses, but I think it might be a bit much for me.

I didn’t do so well last time I tried backlist challenges, but I think that’s because I was doing two of them at the same time. This time, I’m just going to do one. I like the Beat the Backlist Challenge because it has lots of prompts and a Hogwarts House challenge, too. I’m all about that! I’m, of course, competing for Ravenclaw. I think I’ll try to read one book from my backlist for each month, so I’m shooting for 12 books.

That’s it for right now. I’m sure other challenges will catch my eye between now and January 1, and I’ll update this post once I find out about new ones. I usually try to do the R. I. P. Challenge, though I kind of think it’s lost its heart now that Carl isn’t doing it anymore. He was so enthusiastic about it.

I will be creating my challenge progress page in the new year. I’m hoping to find a bit more of a writing rhythm. I lost my balance when I started my doctoral program. Even though I have mostly been able to keep up with my reading, I was not able to keep up with reviewing what I had read. I am not sure how many books I want to commit to reading next year.