Sunday Post #32: Visiting Emily

Emily Dickinson's House

This weekend, I presented at a digital storytelling conference in Northampton/Amherst. My family came with me, and we visited Emily Dickinson’s home (now a museum) and grave. Now, given the title of my blog, you might guess I’m a fan. I am not sure what it is about her poetry—the jarring dashes and slant rhyme, the ballad meter (on most), or the strong images. I like the way she thinks, and I find I agree with her about a lot of larger issues in life.

We took a 45-minute tour of her house. You can also take a 90-minute tour that includes a tour of her brother Austin’s house next door. The tour began in a parlor, and the docent discussed some of the portraits hanging in the room and told us about Emily’s family. Next, we went into the library. Some of the books from the library are now housed in other locations, but some remain. The docent told a great story about Thomas Wentworth Higginson’s visit to Dickinson. It seems she wore the poor man out with conversation. He also shared the anecdote about Higginson’s reaction when Emily sent him her poetry—he described it as “spasmodic” and “uncontrolled.” Her famous reply: “You think my gait ‘spasmodic’—I am in danger—Sir—You think me ‘uncontrolled’—I have no Tribunal.”

The next stop is on the second floor. Sunlight shines through a window facing the front of the house, illuminating a replica of Emily Dickinson’s white dress. I nearly cried when I saw it. She must have been about the same height as me. A little more slender, though. About 20 years ago, I could have fit into her dress. The museum doesn’t allow pictures, but I sure wanted to break the rules to get a picture of that dress. You can find other pictures of it online, however.

Finally, we saw Emily’s bedroom. She has pictures of George Eliot and Elizabeth Barrett Browning on the wall, and according to our docent, Emily’s niece Mattie attested to the fact that Emily did hang picture of those two writers on her wall (whether they are the exact same ones, I don’t know). Her actual sleigh bed is still in the room. A replica of her little writing table sits in the corner. The room has recently been restored with wallpaper reconstructed from the actual wallpaper that Emily had in her room. It was amazing to stand in that space where Emily wrote most of her poems. I can’t really even describe how it felt.

We went outside to take a look at Emily’s gardens. Of course, she was a great gardener, but her garden doesn’t survive. Still, I found these beautiful purple flowers. The label said they were called “Love Lies Bleeding” (Amaranthus caudatus). They were gorgeous, and they seemed perfect for her garden.

Love Lies Bleeding

We took a short walk to the cemetery where she is buried. Luckily for us, a quick Google search led us to an article that indicated her family’s plot was surrounded by a wrought iron fence. Otherwise, we’d have had to wander a while, and my husband’s patience was not going to extend that far.

We found it pretty quickly after discovering that detail. We took a few pictures of her headstone and the family plot. I placed a rock on top of her headstone. Many people had the same idea before me, as you can see.

Emily Dickinson's Headstone

I was interested to see that her stone reads “Born Dec. 10, 1830.” That is my oldest daughter’s birthday—December 10. Then it says, “Called Back May 15, 1886.” In her last letter to her cousins, right before she died (and she knew she was dying) she wrote,

Little cousins,

Called Back.

Emily

I read that her niece Martha Dickinson Bianchi had that inscription done some time after (her original headstone had just her initials on it).

Emily Dickinson's grave

It’s hard to get a good, unobstructed picture of the headstone because of the fence.

Dickinson Plaque

I love that the plaque on the little gate in the fence describes Dickinson as a “Poetess.” One of those archaic terms one never needs to use anymore.

Dickinson's tree

There is a really nice tree growing in the corner of the Dickinson family plot. I think she’d like that very much if she knew it.

Emily and Lavinia

Emily is buried to the right of her sister Lavinia (on the end). I didn’t know much about Emily’s sister, known as “Vinnie,” until the docent shared some details. Did you know it was Vinnie who found Emily’s poems after Emily died and worked to make sure they were published? I had no idea. As you can see, some folks left stones for Vinnie, too.

Dickinson Plot

Rounding out the Dickinson family plot are the graves of Emily’s parents (both names are inscribed on the headstone that is second from left). I think the one on the end is her grandfather.

I learned a some interesting things about Emily’s writing process from the docent at the museum and even walked away with a good idea for a lesson in diction that I think my students will enjoy.

What an incredible opportunity to walk in Emily Dickinson’s footsteps and visit her!

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme.

Re-Reading King Lear: “Read Thou This Challenge”

I have mentioned before that I’m re-reading some books in preparation for teaching them. I have taught King Lear before, but it has been a few years, and a play as complex as Lear demands a re-read before any preparation for teaching it.

At one point, if you had asked me what my favorite Shakespeare play was, I probably would have said King Lear. I can’t say with certainty that my answer is still the same, but it’s because there are so many of his plays that I love. In fact, most often, I say it’s A Midsummer Night’s Dream. I do love teaching Shakespeare. There is so much richness, and if I do agree with Harold Bloom on anything, I think I can at least agree that Shakespeare seemed to understand the spectrum of human nature like no other writer (I am not sure I’d say he invented the human). This play in particular examines the complexity of family in some really fascinating ways. I will be curious to see what sort of a backstory my students imagine for this family. Why would Goneril and Regan cut their father out? What had their childhood been like? Was Cordelia’s different? Ian McKellen says he imagines that perhaps Cordelia is the daughter of Lear’s second, more beloved wife, whom he lost in childbirth, and that when he looks on Cordelia, he sees this beloved wife. I find I like that idea quite a lot.

As I re-read, I decided to listen to a production. The Naxos Audio production is brilliant. A word to the wise: if you listen to this production and follow along, be mindful of the fact that it uses the First Folio text, which differs from some published editions of the play that also incorporate the First Quarto. Lear is played in this audio book by the great Paul Scofield. It was published to commemorate Scofield’s own 80’s birthday (Lear mentions being “four score” in the play). He is brilliant in the role. I actually teared up listening to his reunion with Cordelia in Act IV, and his tears over her death were also hard to take. Lear is hard; he casts away the daughter and servant (Kent) who love him in favor of those who tell him what he wants to hear, and finds out his mistake too late. He’s a hard man to feel empathy for, but Scofield definitely manages the task. Kenneth Branagh plays the Fool and Toby Stephens plays Edmund.

In addition to the Naxos Audio production, I also listened to a Shakespeare Appreciated production that includes commentary. I found the commentary, particularly the historical context, extremely helpful. If you are a student or really want to wring all the understanding out of the play that you can, I would recommend this audio version. I don’t think the dramatization is as good as the Naxos Audio production, but it is still good, and the commentary is especially helpful.

I am waiting on tenterhooks for James Shapiro’s new book The Year of Lear: Shakespeare in 1606 to come out (October 6!). Very excited to learn even more about the historical context that produced this play, especially because Shakespeare changed the ending familiar to audiences to a tragic one in which SPOILERS pretty much everyone dies.

Rating: ★★★★★

I’m counting this as my book set in Kent for the Reading England Challenge. Much of the action at the end of the play takes place at Dover. I’m counting it for the Historical Fiction Challenge, too, as it is set in ancient Britain, and Shakespeare was writing in Renaissance England. It does imagine a pre-Christian era in Britain. I can’t count it for R. I. P., as I started it before the challenge. It might qualify, though, if you want to read it for that challenge. Gloucester’s eyes being gouged out is the most ghastly thing in Shakespeare, if you ask me.

 

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Sunday Post #31: Challenges Update

Sunday PostTomorrow is our Summer Reading Festival at school. Our upper school’s “all-school” (in quotation marks because the middle school read something different, so it’s not technically all-school) read was Maus I and Maus II by Art Spiegelman, and we are inviting a guest speaker to discuss storytelling in general and the why this story was told in this way in particular. We have workshops planned as well, and I plan to lead one on the art and poetry of the children in the Terezin Ghetto / Concentration Camp. This morning I have been planning presentation of that workshop, which will feature a poetry writing workshop as well as an examination of the art and poetry of the children’s work that is featured in the book I Never Saw Another Butterfly: Children’s Drawings and Poems from the Terezin Concentration Camp, 1942-1944. It’s astonishing that the children’s work survived the war as a testament to their experiences, especially as almost all of the children who created the poems and art featured in the book later perished in Auschwitz. It will a sobering experience for our students, but it’s also my hope that they will see how art and poetry help us hang on to our humanity, even in the bleakest of times.

In addition to I Never Saw Another Butterfly, this week I also finished my first book for the R. I. P. ChallengeThis House is Haunted by John Boyne (who is perhaps most famous for The Boy in the Striped Pajamas). I have picked up both Things Half in Shadow by Alan Finn and Fiercombe Manor by Kate Riordan. I haven’t read very far into either one. I seriously need to finish re-reading a few books for school, and I keep hoping time will be more available during my planning periods, but I haven’t had a lot of luck there so far.

At this stage, I wanted to make an accounting of a couple of my reading challenges. First, I am going to up my Historical Fiction Reading Challenge from 10 books to 15, which is the Medieval Level. I have already read 13, so I have passed the threshold for the Renaissance Reader Level, and I believe I will read at least two more historical fiction books before the year is over. Whether I can increase from Medieval Level (15 books) to Ancient History (25) books, I doubt, but should it look like I’m getting close, I suppose I’ll reconsider. The books I’ve read for the challenge so far include:

I am also making a record of the books I’ve read so far for the Reading England Challenge with their corresponding county (this is helping me keep it straight):

I set myself the goal of reading at least 12 different counties. Not sure I’ll meet that goal, but I’m halfway there. I haven’t counted any books set in Scotland or elsewhere in the UK. It is “Reading England” after all. The trouble is, so many of the books set in England are also set in London, and only one book per county, so all those other London books I’ve read don’t count. Which is fine. I suspect that London is a bit like New York in terms of overused settings in England. When I was a kid, I remember feeling distinctly disgruntled by the fact that most of the books I read were set in New York. There are, after all, other places in America where things happen and where kids live (which was what I thought at the time). It makes sense that cities with the greatest population influence book settings. What we need to do as readers, if we want to branch out to other settings, is look for books set in these other places. Assuming I finish it, Fiercombe Manor can be my Gloucestershire book. As for others, I’ll have to do some thinking, I suppose. I could certainly re-read Jane Austen books. She uses more rural settings, including Devonshire, Hertfordshire, Northamptonshire, Surrey, and Somerset (Bath). It has been a while since I read Jane Austen, too. Thinking about it. Finishing this particular challenge doesn’t look promising, though.

In other news, the new season of Doctor Who is certainly off to a knuckle-biting start, and it will be interesting to see what they do with Clara in her last season. I was able to catch up on last season right before Netflix announced it was available for streaming. Netflix. Why do you do this to me? Anyway, the psychological question posed in the first episode is an intriguing one. If you ran into a genocidal maniac as a scared child on the field of battle, and you knew he was going to grow up to be a genocidal maniac, what would you do?

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme.

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Review: This House is Haunted, John Boyne

John Boyne’s novel This House is Haunted is the story of Eliza Caine, a teacher grieving the recent death of her father. She responds to a mysterious ad for a governess in Norfolk, in part for somewhere to go, now that she’s learned her father never owned the house in which they lived and she’s being unceremoniously thrown out, and in part to escape her sadness. As soon as she arrives on the train, she realizes not only that she has been hired under false pretenses, but also that there is a presence in Gaudlin Hall, the home of her young charges Isabella and Eustace, that does not want her there.

Anyone who is familiar with ghost stories/madwomen in the attic tropes will recognize this story. With serious nods to both The Turn of the Screw and Jane Eyre, as well as bit of “The Fall of the House of Usher” and explicit homages to Dickens, many readers might well accuse this book of cribbing from more illustrious forebears a bit too much. Perhaps there isn’t a whole lot here that is new. As a ghost story, it’s fairly predictable, and despite some pretty chilling scenes (as I described them to my husband, I realized based on his reactions that they were scary at least in the abstract), I wasn’t really scared. I didn’t really want to be terrified. I don’t read much horror for a pretty good reason. It’s not my favorite thing to imagine the absolute worst people do, and I can’t stand gore at all. But a creepy ghost story, like, for instance, The Little Stranger? I’m all over that. This story wasn’t really like that. I think it might make for a pretty interesting atmospheric movie, but it didn’t really deliver any seriously good chills, at least not for me. But it is a quick read, and the story was engaging enough for me to keep turning the pages. It was a nice way to get my feet wet for the R. I. P. Challenge this year.

Rating: ★★★½☆

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Sunday Post #30: Post-Potter

Sunday PostI finished my re-read of the Harry Potter series late last night. I spent pretty much all day yesterday reading, which is something I haven’t done in a long time, and it felt great. I was reading on my Kindle, and I think I was about a fifth (or close to a fourth) of the way into Harry Potter and the Deathly Hallows when I picked up the book yesterday, and I just read it until I finished it. Every time I finish re-reading the books, I go into a little bit of a post-Potter funk and don’t quite know what to do with myself, so I re-read The Tales of Beedle the Bard. I find so much in those books each time I read them. I can say with certainty that they are my desert-island books. With Pottermore making some changes, I will be interesting to see what they come up with. They have discovered that most of the site’s users are not children, as they anticipated, but adults visiting the site for the extra encyclopedic information and backstory. As a result, they’ve decided to remove the games and interactive parts of the site and focus on the information. From what I understand, not everyone is happy about this, but since I was more interested in the new writing than brewing potions, fighting duels, or playing games, I’m welcoming the changes. I am a little sad they are dispensing with the House system. Proud Ravenclaw, here. Oh, and with that, I think they will be eliminating shopping for your wand. The part of the site I return to most often are the articles about wandlore. My wand is sycamore, phoenix feather core, 10¾ inches, hard.

I did go ahead and pick up This House is Haunted by John Boyne for the R. I. P. Challenge. I’m still trying to decide which other books to read, but that one’s been on my Kindle for a long time now, so I decided I would start with that one. It might perhaps be a mark of how much I love this reading challenge that I’m prioritizing it over my book club and other books I want to read as well.

I didn’t add any books to my to-read pile this week, which was probably smart. It’s too big already. I have a lot of books I need to go ahead and just finish, most of them re-reads for school.

I’ve been lamenting the sad fact this week in particular that my children don’t enjoy reading as much as I do. I have been fairly successful in matching my own students with books, but as much as I try, it doesn’t seem to work as well with my own children. I am a firm believer that it’s not true that people don’t like to read. I think sometimes they haven’t found what they like to read yet, and schools do a great deal of damage in this regard by not allowing students to choose their books, especially in the crucial years of middle school and early high school. If you’re going to lose a reader, I’ve noticed, you generally lose them right about 7th grade. Especially boys. I’m working on it, but if you have tips, please share.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme.

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