Review: Longbourn, Jo Baker

Review: Longbourn, Jo BakerLongbourn by Jo Baker
Published by Alfred A. Knopf on October 8, 2013
Genres: Historical Fiction
Pages: 352
Format: E-Book, eBook
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Goodreads
five-stars

Pride and Prejudice was only half the story • If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them. In this irresistibly imagined belowstairs answer to Pride and Prejudice, the servants take center stage. Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended.

Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

I just loved this book. It’s hard for me to believe a retelling of Pride and Prejudice could be better than this. The lives of the servants, some of whom rate barely a mention, are fully realized in Jo Baker’s Longbourn. Mrs. Hill’s backstory is fascinating (and entirely believable, based on what we know of Mr. Bennet); she is mentioned only a handful of times in Austen’s novel. Sarah is mentioned only once in Pride and Prejudice, and the others are never mentioned by name.

I liked seeing Mr. Collins get a more sympathetic portrayal—he’s much kinder to the servants than some of the Bennets themselves. Jo Baker’s Wickham is odious—this story puts his elopement with Lydia in an entirely new and disturbing light. I appreciated Baker’s empathy for Mrs. Bennet. In her hands, Elizabeth Bennet is imperfect and a bit thoughtless.

In addition, Baker captures the setting well. Longbourn and Pemberley are drawn in vivid relief from the vantage point of the kitchens, servants’ quarters, and stables. There are some beautiful descriptive passages of the scenery, particularly near the end of the novel.

Austen doesn’t say much about the Napoleonic Wars; many critics have pondered the oversight. Baker makes them a central part of one character’s story. I also appreciated the way the book didn’t shy away from issues of race and class. It’s clear from the context that Mr. Bingley has earned his money somehow as part of the slave trade, and his former slave Ptolemy Bingley is a brilliant character.

I highly recommend this book to fans of Jane Austen, but even if you read Jane Austen and felt like something was missing, this book might be what you’re looking for.

five-stars

Review: The Blackhouse, Carole Johnstone

Review: The Blackhouse, Carole JohnstoneThe Blackhouse by Carole Johnstone
Published by Scribner on January 3, 2023
Genres: Contemporary Fiction
Pages: 329
Format: E-Book, eBook
Source: Library
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Goodreads
three-half-stars

From the author of the “dark and devious...beautifully written” (Stephen King) Mirrorland comes a richly atmospheric thriller set on an isolated Scottish island where nothing is as it seems and shocking twists lie around every corner.

A remote village. A deadly secret. An outsider who knows the truth.

Robert Reid moved his family to Scotland’s Outer Hebrides in the 1990s, driven by hope, craving safety and community, and hiding a terrible secret. But despite his best efforts to fit in, Robert is always seen as an outsider. And as the legendary and violent Hebridean storms rage around him, he begins to unravel, believing his fate on the remote island of Kilmeray cannot be escaped.

For her entire life, Maggie MacKay has sensed something was wrong with her. When Maggie was five years old, she announced that a man on Kilmeray—a place she’d never visited—had been murdered. Her unfounded claim drew media attention and turned the locals against each other, creating rifts that never mended.

Nearly twenty years later, Maggie is determined to find out what really happened, and what the islanders are hiding. But when she begins to receive ominous threats, Maggie is forced to consider how much she is willing to risk to discover the horrifying truth.

Unnerving, enthralling, and filled with gothic suspense, The Blackhouse is a spectacularly sinister tale readers won’t soon forget.

I gave this book 3.5 stars because Johnstone kept me turning pages wanting to find out what was going on. The setting is also rendered sharply, and I love a book in which the setting is almost a character itself. However, I didn’t like the novel’s ending, and I nearly knocked off half a star because of it. I felt like Maggie was kind of a cipher as a character, and Robert was a little more clearly drawn. A reviewer on Goodreads says to watch out when you like a secondary character better than the protagonist, and that’s a pretty fair assessment. Most of the islanders were more interesting to me as characters than Maggie. I would also add that the setting was way more interesting than any character in the book, hence 3.5 stars. I wanted to like this one more, especially since it kept me up late, but the protagonists were not compelling enough in the end.

three-half-stars

Review: Notes from a Small Island, Bill Bryson

Review: Notes from a Small Island, Bill BrysonNotes from a Small Island by Bill Bryson
Published by William Morrow Genres: Nonfiction
Pages: 338
Format: E-Book, eBook
Source: Library
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Goodreads
three-half-stars

After nearly two decades in Britain, Bill Bryson, the acclaimed author of such best sellers as The Mother Tongue and Made in America, decided it was time to move back to the United States for a while. This was partly to let his wife and kids experience life in Bryson's homeland, and partly because he had read that 3.7 million Americans believed that they had been abducted by aliens at one time or another. It was thus clear to him that his people needed him. But before leaving his much-loved home in North Yorkshire, Bryson insisted on taking one last trip around Britain, a sort of valedictory tour of the green and kindly island that had so long been his home. His aim was to take stock of modern-day Britain, and to analyze what he loved so much about a country that had produced Marmite, zebra crossings, and place names like Farleigh Wallop, Titsey, and Shellow Bowells. With wit and irreverence, Bill Bryson presents the ludicrous and the endearing in equal measure. The result is a social commentary that conveys the true glory of Britain.

I have a little announcement. I picked up this book because my sister and I are planning a trip to the United Kingdom and Ireland in the summer of 2024.

Excited GIF

I thought reading a Bryson travelogue would be a lot of fun and add to the anticipation, especially as Bryson wrote it upon leaving the UK for the US (he now lives in the UK again)—I was expecting something a bit more wistful. I also thought he might travel to some of the same places on my itinerary and offer some insight.

Itinerary map for trip to the UK and Ireland

I’ll begin with about four days in London, travel by train to Edinburgh and spend a day there, then travel to Liverpool (stopping by Kendal on the way), spending an evening in the city. The next day, we’re off to Wales with a stop (and picture opportunity) in the village of Llanfair­pwllgwyngyll­gogery­chwyrn­drobwll­llan­tysilio­gogo­goch. We will take a ferry to Dublin and spend several days in Ireland, including Blarney Castle, the Ring of Kerry, and the Cliffs of Moher.

Sadly, I was a bit disappointed with this book. I suppose it isn’t Bryson’s fault he didn’t write the book I wanted to read, but given the enjoyment Bryson’s other books have offered, this was a bit of a letdown. He purports to love the UK, but he spent pretty much the entire book complaining about it. It bothered me that a lot of his complaining was due to his poor planning as well—he was downright rude to a few customer service professionals as well, and that never sits right with me. I suppose one thing that bothered me was that Bryson was privileged to be able to travel across the entirety of the UK, something I have dreamed about doing for over 30 years, and he didn’t appreciate it. I liked parts of the book and even chuckled a few times (hence 3½ stars), but overall, it’s not one of Bryson’s best.

A bit of an unrelated coda: I will probably read a lot of other books in anticipation of this trip, but I’m not sure I’ll include Bryson’s sequel to this one.

three-half-stars

Review: The English Bookshop, Janis Wildy

Review: The English Bookshop, Janis WildyThe English Bookshop by Janis Wildy
Published by Blakeley Press on April 1, 2022
Genres: Contemporary Fiction
Pages: 352
Format: E-Book, eBook
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Goodreads
four-stars

An inheritance, a bookshop and a promise…Lucy isn’t ready for a life-changing journey when it comes knocking; she just wants to keep everything the same as the day her stepfather died. Unfortunately, expenses have overtaken her small family business, forcing her to do something quickly to keep it afloat.
When Lucy finds out she has inherited a bookshop in England, she travels to see it, intent on selling the property as soon as possible. But once there she meets a wonderfully kind group of villagers, including a handsome bookseller, who challenge her decision to make a quick sale. What begins as a way to make money for her business in Seattle becomes an experience that uncovers family secrets and reveals the kindness of strangers. In England, Lucy just might rewrite her past in order to follow her heart.

Step into the warm English village of Wakeby and enjoy a savory breakfast at Hollyhock B&B, take a romantic walk in the luscious summer gardens and find yourself among new friends at The English Bookshop.

I picked this book up as a sort of comfort-read palate-cleanser because I was reading a book I didn’t enjoy at all, and I wanted to escape to an idyllic English setting. On that front, the book delivers nicely. This book was a fun, light read that made me feel more excited about my trip to the United Kingdom and Ireland in 2024. The main character finds herself in one of those perfect dream scenarios and dithers a bit too much about the decision (I mean, it’s obvious that if you inherit a cute bookshop in England, you’re going to go there and run it, right?). Still, the author laid the groundwork for her indecision pretty well: she’s carrying on a legacy of a much-beloved stepfather in running his company, which is what she thinks he would have wanted. This book captures the feeling of giving up dreams to do what you think your family wants well.

I felt the antagonists were a bit over the top, but I suppose there are really people who are awful like that. They teetered into caricature at times but, thankfully, didn’t take up too much of the book’s real estate. The main character’s mother and stepmother were particularly egregious, and I wanted them to have more rounded characters—they had to have some redeeming qualities, or the protagonist’s father wouldn’t have loved them. I don’t feel I really got to see that.

In any case, this book was a nice, cozy read that didn’t demand too much of me as a reader; it served its purpose as a comfort-read palate-cleanser well.

four-stars

Review: The Orphan of Cemetery Hill, Hester Fox

Review: The Orphan of Cemetery Hill, Hester FoxThe Orphan of Cemetery Hill by Hester Fox
Published by Graydon House on September 15, 2020
Genres: Fantasy/Science Fiction, Historical Fiction
Pages: 337
Format: E-Book, eBook
Source: Library
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Goodreads
three-half-stars

The dead won’t bother you if you don’t give them permission.

Boston, 1844.

Tabby has a peculiar gift: she can communicate with the recently departed. It makes her special, but it also makes her dangerous.

As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby’s gift so she could profit from the recent craze for seances.

Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery. When a series of macabre grave robberies begins to plague the city, Tabby is ensnared in a deadly plot by the perpetrators, known only as the “Resurrection Men.”

In the end, Tabby’s gift will either save both her and the cemetery—or bring about her own destruction.

I wanted to read this book for two reasons:

  1. I had just finished Hester Fox’s newest book, A Lullaby for Witches, and there was an excerpt of this book at the end. I liked the first chapter.
  2. It is set in Boston, one of my favorite places.

After reading two of Hester Fox’s books (and having started a third), I feel secure in saying Fox is at her best in setting the scene. She evokes gothic New England settings with the practiced hand of the historian she is. The inspiration for Cemetery Hill is the Copp’s Hill Burying Ground in Boston’s North End. The North End is one of my favorite areas of Boston. Fox brings 19th-century Boston to life, but in my case, she didn’t have to work too hard since I had seen many of the places in the novel.

Characterization is more of a challenge. I found Tabby to be naive—especially for someone who has had to live by her wits for so long. I didn’t understand why she was so interested in Caleb. I didn’t like him at all, and it didn’t say much about her taste in men that she was that interested in him. He never seemed able to make up his mind what he wanted, and I suppose that’s realistic enough—real people have that problem. More problematic was that Fox didn’t seem to know if he was a decent guy or not, so he just came off to me as confusing. The lead characters just didn’t strike me as real in the way the characters in A Lullaby for Witches did. I don’t have to like characters in order to enjoy a book. Wuthering Heights is my favorite book, and I hate all the characters. I suppose something I have discovered about myself is that if a writer can take me to a place, I enjoy the reading experience, and Hester Fox can certainly take a reader to a place.

This paragraph contains a slightly spoilery detail. The sinister plot at the heart of the book didn’t ring true. I found it easier to believe Tabby was clairvoyant than that the villains in this novel were interested in using her ability to reanimate the dead. Why? What were they hoping to accomplish? That question was never clearly answered. I get why people would want to contact the dead, but I didn’t understand their Frankenstein-like pursuit of reanimation.

Those quibbles aside, I still believe the book is worth 3.5 stars. Why? I really enjoyed the setting, and I found Fox’s evocation of 1850s Boston fascinating. Though the lead characters didn’t interest me, I did like Eli and Tabby’s sister Alice. The book is escapist fun for any reader who likes gothic stories in a New England setting.

three-half-stars

Review: A Lullaby for Witches, Hester Fox

Review: A Lullaby for Witches, Hester FoxA Lullaby for Witches by Hester Fox
Published by Graydon House on February 1, 2022
Genres: Fantasy/Science Fiction, Historical Fiction
Pages: 352
Format: E-Book, eBook
Source: Library
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Goodreads
four-half-stars


Two women. A history of witchcraft. And a deep-rooted female power that sings out across the centuries.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

One hundred and fifty years later, Augusta Podos takes a dream job at Harlowe House, the historic home of a wealthy New England family that has been turned into a small museum in Tynemouth, Massachusetts. When Augusta stumbles across an oblique reference to a daughter of the Harlowes who has nearly been expunged from the historical record, the mystery is too intriguing to ignore. But as she digs deeper, something sinister unfurls from its sleep, a dark power that binds one woman to the other across lines of blood and time. If Augusta can’t resist its allure, everything she knows and loves—including her very life—could be lost forever.

I enjoy a good witch book, and this was a pretty good witch book. As a bonus, it’s set in my current home state of Massachusetts in the fictional town of Tynemouth, somewhere on the North Shore (my best guess, based on its proximity to the real cities of Salem and Boston). Parts of Margaret’s story seemed stilted, I think in part because of the author’s choice to bring her into the present to reflect on her growing power in several italicized sections. The Margaret sections set entirely in the past rang true. I am not sure how else Fox might have accomplished her storyline, but those passages always took me out of the story for a minute. However, I kept turning the pages, wanting to know what would happen. Some of my questions remained unsatisfied, but I’m afraid they’re spoilers. If you highlight the text that follows this paragraph, you’ll see my spoiler questions, but if you don’t want the story spoiled, you can keep reading the paragraph that follows the spoilers section.

Spoilers!

  1. I never found out exactly how Augusta and Margaret were related. I worked on the assumption that she’d be a direct descendant until Margaret was killed before her child could be born. After that, I didn’t know how Augusta could be related to Margaret. 
  2. I also wanted to know more about Augusta’s family history. Fox teased several times that there were some big reveals buried in the boxes of mementos of her father, and Augusta sifts through them a few times, even finding Margaret’s comb and a family tree with the name Montrose, the maiden name of Margaret’s mother. “Bishop” was also on the family tree, and Bridget Bishop was executed during the Salem Witch Trials. Fox wouldn’t be the first writer to use Bridget Bishop as a real witch, if that’s the case—Deborah Harkness makes her protagonist in A Discovery of Witches a descendant of Bridget Bishop and a real witch.
  3. What exactly happened to Margaret? Did she vanish? Is she still out there, lurking? 

I understand some character names from Fox’s other books appear in this book as well, but this was my first book by Hester Fox. I liked it enough that it will not be my last. She reminds me a bit of Brunonia Barry in how she captures Massachusetts’s witchy history, and I really liked the idea that Augusta worked in a museum—the former home of a prominent family. There is a hint of Barry’s characterization from The Lace Reader and A Map of True Places in this book. I will always have a soft spot for Brunonia Barry because I won a trip to Salem, MA in connection with her book A Map of True Places, and I’m convinced it was a sort of beginning that led to our moving to MA two years later. I will also always have a soft spot for Salem, and truthfully, I’d love to live on the North Shore one day.

I really enjoyed Fox’s comment in her acknowledgments, offering “thanks and admiration” to “the many museum workers and volunteers who are actively decolonizing the field and making museums more equitable places, both for the audiences they serve and in the stories they tell.” This idea plays out in the novel in how Augusta and her co-workers work to remember the stories of the women of Tynemouth. For far too long, the stories of so many people have been forgotten, and this is especially true of women and people of color. Fox tried to include both in this novel. She was more successful in capturing the women, but I appreciated watching Augusta try to uncover forgotten stories for her exhibit.

four-half-stars

Review: The Bookshop on the Corner, Jenny Colgan

Review: The Bookshop on the Corner, Jenny ColganThe Bookshop on the Corner by Jenny Colgan
Published by HarperCollins Publishers on September 20, 2016
Genres: Contemporary Fiction
Pages: 368
Format: E-Book, eBook
Source: Library
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Goodreads
four-half-stars

Nina Redmond is a literary matchmaker. Pairing a reader with that perfect book is her passion… and also her job. Or at least it was. Until yesterday, she was a librarian in the hectic city. But now the job she loved is no more.

Determined to make a new life for herself, Nina moves to a sleepy village many miles away. There she buys a van and transforms it into a bookmobile—a mobile bookshop that she drives from neighborhood to neighborhood, changing one life after another with the power of storytelling.

From helping her grumpy landlord deliver a lamb, to sharing picnics with a charming train conductor who serenades her with poetry, Nina discovers there’s plenty of adventure, magic, and soul in a place that’s beginning to feel like home… a place where she just might be able to write her own happy ending.

If you’ve read my previous post, you know my cat doesn’t have long to live, and it’s been difficult to read anything. I haven’t listened to audiobooks like I usually do on my walks because I find it hard to concentrate. I thought if I found a sort of cozy read, something of a love letter to books, I might do all right, and I was right. This book was just what the doctor ordered. It’s not great literature. It’s not going to change the world. It’s even pretty corny and twee. It’s like a Hallmark Channel movie made into a book. But it was kind of nice to disappear into Nina’s world in Kirrinfief, a place I desperately wanted to be real as much as I wanted the lovely children’s book Up on the Rooftops to be real.

I really enjoyed Jenny Colgan’s characters, especially the ancillary ones. Fair warning: this is the kind of book where the minor characters sort of steal the show whenever they’re on the page and the main characters are more of a vehicle for the story than anyone you fall in love with.

The one thing I didn’t like about this book was the title. I read somewhere that the book’s title only appears in the American edition, but I’m not sure that’s true. The title is misleading because Nina buys an old van and converts it into a mobile bookshop, so it’s not on any corner. The cover art makes no sense, given the novel’s story. I read that the original title was The Little Shop of Happy Ever After, which makes more sense as it’s the name of Nina’s mobile bookshop.

I’ll probably read more of Jenny Colgan’s books. This book isn’t for everyone, and I suspect some people would hate it for being so twee, but if twee is what you need, it’s perfect. It was perfect for me, at this moment.

four-half-stars

Mid-April Reading Update

I finished a couple of books this week and decided to roll the reviews together.

Mid-April Reading UpdateA Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life by George Saunders
Published by Random House on January 12, 2021
Length: 14 hours 44 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

My husband and I listened to this on audiobook. He has been trying to get me to read George Saunders since an aborted attempt at Lincoln in the Bardo. I just couldn’t follow that one on audio, but I do want to try to read it in print. I see this book as a companion to Thomas C. Foster’s How to Read Literature Like a Professor. Essentially, it’s a master class in how literature works using short stories by several Russian authors as a focus for analysis. If I had to pick a favorite short story, it would probably be “The Nose” (Chekov) or perhaps “Alyosha the Pot.” The book has a wonderful cast of narrators, including Rainn Wilson, B. D. Wong, Glenn Close, Phylicia Rashad, and Nick Offerman. Saunders narrates the analytical parts. I bought a print copy for use in my classroom. I’m not yet sure how I might use it, but I can see the potential.

Mid-April Reading UpdateThe Familiars by Stacey Halls
Published by MIRA on February 19, 2019
Genres: Historical Fiction
Pages: 335
Format: E-Book, eBook
Source: Library
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Goodreads
three-stars

Young Fleetwood Shuttleworth, a noblewoman, is with child again. None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Gray, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.

Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.

Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Gray and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

I love reading books about witches, “real” or not, and I wanted to like this book more. It was compelling enough for me to finish; however, some of the author’s choices were perplexing. I didn’t find the protagonist, Fleetwood Shuttleworth, to be all that engaging, and I kept thinking about how much more interesting the story might have been if the protagonist had been one of the accused witches. It seems like a missed opportunity to me to have a relatively privileged outsider tell the story of the Pendle Witch Trials. Also, Fleetwood rides a horse all over Creation while hugely pregnant. I’m not sure how she got on the horse, never mind rode it, in that condition. Granted, I’m not a horsewoman, so what do I know. Another issue I had was that Fleetwood discovers early in the book, within the first few pages, that her husband is secretive, and she finds he’s hiding even more important information. They have a falling out, and it seems implausible when they reconcile. The author didn’t really lay the groundwork for that reconciliation to make sense. Still, I did learn some things about this interesting historical event.

Review: We Don’t Know Ourselves: A Personal History of Modern Ireland, Fintan O’Toole

Review: We Don’t Know Ourselves: A Personal History of Modern Ireland, Fintan O’TooleWe Don't Know Ourselves: A Personal History of Modern Ireland by Fintan O'Toole
Published by Liveright on March 15, 2022
Genres: History, Memoir, Nonfiction
Pages: 624
Format: E-Book, eBook
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Goodreads
five-stars

A quarter-century after Frank McCourt’s extraordinary bestseller, Angela’s Ashes, Fintan O’Toole, one of the Anglophone world’s most consummate stylists, continues the narrative of modern Ireland into our own time. O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment. So began a decades-long, ongoing experiment with Irish national identity. Weaving his own experiences into this account of Irish social, cultural, and economic change, O’Toole shows how Ireland, in just one lifetime, has gone from a Catholic “backwater” to an almost totally open society. A sympathetic-yet-exacting observer, O’Toole shrewdly weighs more than sixty years of globalization, delving into the violence of the Troubles and depicting, in biting detail, the astonishing collapse of the once-supreme Irish Catholic Church. The result is a stunning work of memoir and national history that reveals how the two modes are inextricable for all of us.

I thoroughly enjoyed this book and learned a great deal. As O’Toole argues in the Acknowledgments (and also in speaking engagements), his “life is too boring for a memoir and there is no shortage of modern Irish history” (587). So he combined the two and described the changes Ireland has undergone while sharing his personal stories and anecdotes as well as connections to and recollections of those events. The result is a thoroughly engaging read.

I appreciated O’Toole’s facility with a turn of phrase as much as his skill with organizing his ideas. I was glad I read the book on Kindle, as it’s a hefty tome at more than 600 pages, but I also felt freer to highlight and otherwise markup the text. O’Toole’s central argument is that Ireland has attempted to operate under a “doubleness… [a] permanent state of contradiction” (33) that O’Toole describes throughout the book as “a society that had developed an extraordinary capacity for cognitive disjunction, a genius for knowing and not knowing at the same time” (168). This capacity, O’Toole argues, prevented Ireland from progressing socially until the 1990s and from progressing economically until roughly the same time. The abuses of the Irish Catholic Church came to light in the 1990s, and O’Toole sees this as no coincidence. As I read, I kept thinking of how Sinéad O’Connor tried to cast light on these abuses and was ostracized and criticized for telling the truth. Ireland’s capacity to both know abuses were happening and pretend they were not resulted in mass emigration and trauma, but O’Toole believes Ireland may have “reached the point of accepting that half-knowledge—the ability to see clearly what is, while also acknowledging what is dark—is better than the swinging between the pretence of knowing everything and the denial of what you really do know” (569).

O’Toole thoroughly covers many major events in Irish history over the last 60 or so years, and I was especially interested in reading about the Troubles. One of my earliest memories of a news story that captured my attention was the hunger strikes in the early 1980s. I just couldn’t fathom how someone might stop eating to protest. I had a very simplistic understanding of the Troubles until recently. O’Toole argues that at least in part, admiration for martyrdom prolonged the Troubles. O’Toole explains that the hunger strikes were a part of this mindset: “We sacrifice ourselves. By doing so we show that life itself—including your life—is not the ultimate value” (325).  Thatcher’s Britain doesn’t get a pass. O’Toole criticizes the UK’s lack of understanding and treatment of the prisoners during the hunger strike. O’Toole says if the British government had allowed the IRA prisoners to wear their own clothes “a year earlier, dozens of people, inside and outside the prison, would not have died” (335).

I first heard about this book from a book review by Cullen Murphy in The Atlantic. The review intrigued me, so I purchased the book for my Kindle. I had a feeling I’d want to own this one and mark it up well. I have been on spring break for the last two weeks, and I wanted to go into Boston and get a library card from the Boston Public Library, so I visited their website to find out the requirements. The website advertised that Fintan O’Toole would be giving a talk about his new book at the library on Friday, March 18. It seemed like kismet. My son and I rode the train into Boston and enjoyed a great day wandering around the city, culminating our visit with a library visit to hear O’Toole speak. I was fascinated to hear him discuss his frustration with Brexit. He said that no consideration had been given to Northern Ireland in Brexit at all, but as he explained it, citizens of Northern Ireland are free to define themselves as Irish, English, or both. I didn’t know that. I also didn’t know that they can rejoin the Republic of Ireland any time a majority of the citizens of Northern Ireland decide they want to. I think it will be very interesting to watch how Ireland’s future unfolds, especially now that Brexit means the border between Ireland and Northern Ireland is an EU border as well.

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Two Books You Should Read by Indigenous Authors

This week, I finished two books, both by indigenous authors. Postcolonial Love Poem is Mojave and an enrolled member of the Gila River Indian Tribe. Activist Roxanne Dunbar-Ortiz believes her mother was Native American but assimilated when she married Dunbar-Ortiz’s father. I highly recommend both books, which take on America’s history as a colonizing country—something the U.S. frequently pretends not to be.

Two Books You Should Read by Indigenous AuthorsPostcolonial Love Poem by Natalie Díaz
Published by Graywolf Press on March 3, 2020
Genres: Poetry
Pages: 107
Format: Paperback
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Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award. Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies three conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

My favorite poems in this collection were “American Arithmetic,” “They Don’t Love You Like I Love You,” “The First Water is the Body,” and “exhibits from The American Water Museum.” I liked them all for different reasons. I was familiar with “American Arithmetic” already. I think someone on Twitter pointed me in that poem’s direction a few years ago. It’s a clever use of statistics to make a point. “They Don’t Love You Like I Love You” plays with lyrics from “Maps” by the Yeah Yeah Yeahs. I wanted to teach that poem this year, but we had a snow day, and I had to move some things around. I liked the two water poems for the messages about water and life. This collection was an excellent read on the train to and from Boston yesterday.

Two Books You Should Read by Indigenous AuthorsAn Indigenous Peoples' History of the United States (ReVisioning American History, #3) by Roxanne Dunbar-Ortiz
Published by Beacon Press on September 16, 2014
Genres: Nonfiction
Pages: 296
Format: E-Book, eBook
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The first history of the United States told from the perspective of indigenous peoples.
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire. Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

I read this book in fits in starts. I first started to read it some time back, I forget how long ago, but I had to set it aside for reasons I no longer remember (probably grad school). I picked it up again recently as I was teaching a unit in my Social Justice class on Native history and literature. As advertised, this book examines the history of America through the eyes of indigenous people. I was looking for a bit more about more recent history, including activism on the part of the American Indian Movement and more recent strides such as the Indian Child Welfare Act (which is under threat) and cultural revival efforts. Still, this book was an interesting introduction to the many ways the United States’ genocide and war against indigenous people have impacted today’s events. For instance, I happened to note a politician on TV using the term “Indian Country” to refer to a country/territory hostile to Americans, and it was right after I had read in Dunbar-Ortiz’s book that the military still uses this term. The legacy of the horrible racism and greed perpetrated against indigenous people is still very much a part of our country today.