Review: More Weight: A Salem Story, Ben Wickey

Review: More Weight: A Salem Story, Ben WickeyMore Weight: A Salem Story by Ben Wickey
Published by Top Shelf on September 23, 2025
Pages: 529
Format: ARC
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Goodreads
five-stars

“Every word is an accusation…and every whisper kills.” This staggering graphic novel explores the infamous Salem witch trials and the long shadows they cast more than 300 years later. 1692 is a year of terror. In Salem, Massachusetts, Giles and Martha Corey are forced to confront their troubled past when accusations of witchcraft plunge their community into a violent moral panic. Based upon true events, and set in three centuries, More Weight is a unique inquiry into the Salem witchcraft tragedy and the misunderstood city now synonymous with it.

I was given an advance review copy of this amazing graphic novel, and once I started reading it, I could barely put it down. More Weight gains its title from the purported last words of Giles Corey, who was pressed to death in Salem, Massachusetts, in September 1692. Corey refused to answer charges of witchcraft, and he was tortured to death in an attempt to convince him to answer. His story has captured the imagination of writers as diverse as Henry Wadsworth Longfellow and Arthur Miller. While some may view his death as a heroic protest against injustice, and it was, Wickey also paints a more complicated portrait of Giles Corey that humanizes him. It’s woefully easy to forget that the victims of witch hunts everywhere are human beings.

The artwork in this graphic novel is stunning.

Page from More Weight

The novel is also thoroughly researched. Wickey’s portrait of Salem will be familiar to anyone who has visited the city. I first fell in love with Salem when I won a trip to the city in 2010. At the time, my husband said we would live in Massachusetts one day, and with no such future on the horizon, I didn’t believe him. We’ve lived in Massachusetts now for 13 years, and we have made many trips to Salem in that time. It is troubling to consider that so many people lost their lives to false accusations of witchcraft in this place that has turned witchcraft into crass consumerism. Wickey contends with this weird history and also with Nathaniel Hawthorne’s similar attraction and repulsion to Salem. As an English teacher, it was fun for me to walk Salem’s streets with Hawthorne and Longfellow as they discussed the city’s history. What better tour guide might the reader have than Nathaniel Hawthorne?

Page from More Weight

I highly recommend this graphic novel to anyone interested in history, especially in the history of Salem or witch trials, but I think even people who think they aren’t interested in this history will find the novel fascinating. I am well-versed in the Salem Witch Trials, and I still learned new things from this book.

Praise for More Weight:

“The most insightful, beautifully crafted, and impressively researched dramatization of
America’s founding frenzy that exists in any medium, and a perfect illustration of why
bloody-minded Northampton men should never set foot in the New World. An appalling
masterpiece.” — Alan Moore

“Blending one century into another, Ben Wickey’s gorgeous and stylized More Weight explores
the Salem Witchcraft trials of 1692 and their subsequent meaning and message. This powerful
graphic novel both intrigues the eye and strikes the heart, revealing the full horrors of what
only seem to be familiar stories.” — Marilynne K. Roach, author of Six Women of Salem and
The Salem Witch Trials

Author Ben Wickey

 

About Ben Wickey: Ben Wickey is a Massachusetts-born artist, writer, and animator. He is one of the contributing illustrators of Alan Moore’s The Moon and Serpent Bumper Book of Magic, the illustrator of Ki Longfellow’s The Illustrated Vivian Stanshall, and the director of several stop-motion animated short films, including the award-winning The House of the Seven Gables. He lives in California with his beloved wife and cat.

five-stars

Review: The Runaway Quilt, Jennifer Chiaverini

Review: The Runaway Quilt, Jennifer ChiaveriniThe Runaway Quilt by Jennifer Chiaverini
Series: Elm Creek Quilts #4
Published by Plume on January 1, 2002
Genres: Historical Fiction
Pages: 336
Format: Hardcover
Source: Library
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Goodreads
five-stars

After learning of her family’s ties to the slaveholding South, Sylvia Compson scours her attic for clues and discovers a window into the world of her the memoir of her great-grandfather’s spinster sister, Gerda Bergstrom. Gerda’s memoir chronicles the founding of Elm Creek Manor and the tumultuous years when Hans, Anneke, and Gerda Bergstrom sheltered fugitive slaves within its walls, using quilts as a signal of sanctuary. But little did the staunchly abolitionist Gerda know that a traitor was among them, placing the Bergstroms in grave danger and leading to family discord, betrayal, and a secret held for generations.

With the help of the Elm Creek Quilters and clues hidden within antique quilts discovered in the manor’s attic, Sylvia stitches together the pieces of her past and decodes the true nature of the Bergstrom legacy.

There is debate about whether quilts were used as signals on the Underground Railroad. There is not a great deal of evidence to support the theory that quilts served as signals to those escaping slavery, but I think many people want it to be true because it makes a compelling story. One argument people who believe in this theory often use is that evidence doesn’t exist because the quilts were secret signals. I’m not sure that argument holds much water. Jennifer Chiaverini acknowledges this lack of evidence in her book and even has one of her characters, a quilt historian, make the skeptic’s argument. However, in this novel, she imagines that at least a couple of houses in Pennsylvania used quilts to signal that their homes were stations on the Underground Railroad.

Sylvia Bergstrom Compson, the main protagonist of the Elm Creek Quilts novels, uncovers a journal in her attic. Gerda, her great-grandfather’s sister, wrote the journal, and it details the role the Bergstrom family played as stationmasters on the Underground Railroad and their experiences with one particular woman who escaped enslavement. The book alternates between past and present as Sylvia reads Gerda’s journal. If Gerda’s journal is not very realistic for the time, I can forgive it because the story is captivating and touches on several interests of mine: reading, writing, quilting, and family history. This particular volume in the series is light on descriptions of Elm Creek Quilts’ quilt camp and the other quilters, focusing instead on Sylvia and her discovery. It’s not too hard to believe Sylvia would find a journal and quilts in her attic, given the age and prominence of her house.

I enjoyed this one a great deal. It’s rare for series to continue to be this good as they continue, but I’d say this is one of those rare series.

five-stars

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Review: Demon Copperhead, Barbara Kingsolver

Review: Demon Copperhead, Barbara KingsolverDemon Copperhead by Barbara Kingsolver
Narrator: Charlie Thurston
Published by HarperAudio on October 18, 2022
Genres: Contemporary Fiction
Length: 21 hours 3 minutes
Format: Audio, Audiobook
Source: Audible
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Goodreads
five-stars

“Kingsolver is a writer who can help us understand and navigate the chaos of these times.”—Minneapolis Star Tribune

From the New York Times bestselling author of Unsheltered and Flight Behavior, a brilliant novel which enthralls, compels, and captures the heart as it evokes a young hero's unforgettable journey to maturity.

”Anyone will tell you the born of this world are marked from the get-out, win or lose.” Demon Copperhead is set in the mountains of southern Appalachia. It's the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.

Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

I’ve been listening to this book for a long time—it’s a long book! I marvel at how well the classic Dickens novel, David Copperfield, translates to modern-day Appalachia. If anything, the story is even more believable when set in Lee County, Virginia, as I can very well believe everything Demon describes could have really happened to someone in his circumstances.

Kingsolver gave a fascinating interview about what inspired her to write a retelling of David Copperfield. The whole thing is worth reading/listening to, but it’s this passage that jumped out at me:

I had a visit from Dickens, this sort of ethereal visit in his house in Broadstairs, and he told me to tell this story. He said, “Look, nobody in my time wanted to hear about these orphans either, and I made them listen.” I sat up and took note. And what he told me is, “Point of view is your tool. Let the child tell the story.” And I started writing it that night on his desk, the desk in his house at Broadstairs where he wrote David Copperfield.

That’s kind of goosebump-inducing, you know? I happen to agree with Kingsolver about Dickens’s ability to create wonderful characters. In fact, I think he’s second to none in creating secondary characters and antagonists. Is there a more smarmy villain than Uriah Heep? A more memorable pair than Betsey Trotwood and Mr. Dick?

Charlie Thurston is an outstanding narrator and captures Demon’s voice well. If you have the time, I highly recommend the audiobook. The audiobook is highly rated on Audible, with an average of 4.9/5 for narration, which beats the average for the story at 4.8/5. It’s over 21 hours long, so it’s a significant investment, but I believe the audiobook is the way to read this book.

I wonder why it is that this part of the country works so well for classic British retellings, but it really does. I read a wonderful retelling of Wuthering Heights that incorporated the Ballad of Tom Dooley, and some years ago for NaNoWriMo, I drafted a book based on Hamlet but set in Kentucky. I have to say the story worked, even if it’s unfinished right now. There may be other retellings I’m unaware of. I don’t now what that says about this part of the United States and its people, but one reviewer on Audible remarked, “I have family in these mountains. I know this landscape, the physical and emotional. Kingsolver hits both perfectly bringing you the story in a raw but tender way. ” I couldn’t agree more with this sentiment. My father’s mother was from Appalachia, and digging into her family tree has been sad and illuminating.

I highly recommend this one. It shines a light on problems we don’t want to know about without blaming the victims like the book written by a certain Vice President does.

Update, July 5, 2025: The Guardian published an article about how Kingsolver is using proceeds from Demon Copperhead to give back to the community she writes about in that novel. Great article, well worth the read.

five-stars

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Review: A Couple of Elm Creek Quilts Titles

I’m so glad I discovered this series. It scratches a couple of itches for me: reading and quilting. I find them to be well-written, but more than anything else, I feel Jennifer Chiaverini understands character. Her characters are real, and they react in ways that don’t feel like fiction. Dan Brown could learn a thing or two.

Review: A Couple of Elm Creek Quilts TitlesRound Robin (Elm Creek Quilts, #2) by Jennifer Chiaverini
Series: Elm Creek Quilts #2
Published by Plume on April 4, 2000
Genres: Contemporary Fiction
Pages: 304
Format: Hardcover
Source: Library
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Goodreads
five-stars

Round Robin reunites readers with the Elm Creek Quilters in this poignant and heartwarming follow-up to The Quilter's Apprentice, Jennifer Chiaverini's acclaimed debut novel. "She chose green and blue for the colors of Elm Creek Manor. She chose blue for truth and green for new beginnings . . ."

The Elm Creek Quilters have begun a round robin...a quilt created by sewing concentric patchwork to a central block as it is passed around a circle of friends. Led by Sarah McClure, who came to Waterford, Pennsylvania, with her husband, Matt, a few years ago, the project is to be their gift to their beloved fellow quilter Sylvia Compson. But like the most delicate cross-stitch, their lives are held together by the most tenuous threads of happiness...and they can unravel.

As each woman confronts a personal crisis, a painful truth, or a life-changing choice, the quilt serves as a symbol of the complex and enduring bonds between mothers and daughters, sisters and friends. In weaving together the harmonious, disparate pieces of their crazy-quilt lives, the Elm Creek Quilters come to realize that friendship is one of the most precious gifts we can give each other, and that love can strengthen understanding, lead to new beginnings, and illuminate our lives.

One thing I liked about this particular book was the camaraderie of the Elm Creek Quilters. Chiaverini shares the personal stories of many of the quilters. I enjoyed seeing their personal stories fleshed out a bit more.

Review: A Couple of Elm Creek Quilts TitlesThe Cross-Country Quilters (Elm Creek Quilts, #3) by Jennifer Chiaverini
Series: Elm Creek Quilts #3
Published by Plume on 2002
Pages: 368
Format: Hardcover
Source: Library
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Goodreads
five-stars

Julia, Megan, Donna, Grace, and Vinnie are cross-country friends who are about to begin work on a challenge quilt. A piece of fabric is divided among the women, with the understanding that the following year they will all meet at the Elm Creek Quilt Camp to sew the sections together into a single quilt. But the friends have set themselves a special challenge: no one can start working on her block until she has taken steps to solve her problems and achieve her personal goals.

Although they share a common creative objective, the Cross-Country Quilters find their friendship tested by the demands of everyday life. Yet despite differences in age, race, and background, the women's love of quilting and affection for one another unite them. The quilt they create becomes a symbol of the threads that hold their lives together-a glorious patchwork of caring and loyalty that brings home an enduring truth: Friends may be separated by great distance, but the strength of their bond can transcend any obstacle.

This one might be my favorite in the series so far. I really liked the characters, and it was fun to get a glimpse into what going to “quilt camp” might be like. I enjoyed the friendship these women developed, and I really hope to meet them again in the series.

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Review: A New Deal for Quilts, Janneken Smucker

Review: A New Deal for Quilts, Janneken SmuckerA New Deal for Quilts by Janneken Smucker
Published by International Quilt Museum on 2023
Genres: Nonfiction
Pages: 250
Format: Paperback
Source: Library
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five-stars

During the Roosevelt administration’s efforts to combat the Great Depression, the quilt became an emblem for how to lift one’s family out of poverty, piece by piece. A New Deal for Quilts explores how the U.S. government drew on quilts and quilt-making, encouraging Americans to create quilts individually and collectively in response to unemployment, displacement, and recovery efforts. Quilters shared their perspectives on New Deal programs such as the Tennessee Valley Authority and the National Recovery Administration, which sent quilts as gifts to the Roosevelts and other officials. Federal programs used quilts’ symbolic heft to communicate the values and behaviors individuals should embrace amid the Depression, perceiving the practical potential of crafts to lift morale and impart new skills. The government embraced quilts to demonstrate the efficacy of its programs, show women how they could contribute to their families’ betterment, and generate empathy for impoverished Americans.

With more than one hundred period photographs and images of quilts, A New Deal for Quilts evokes the visual environment of the Depression while conveying ways craft, work, race, poverty, and politics intersected during this pivotal era. Accompanying the book is a fall 2023 exhibit at the International Quilt Museum, featuring 1930s quilts drawn from its renowned collection.

I picked up this book because I’m doing a Block of the Month quilting challenge focused on different decades each month. I enjoyed this glimpse into quilts of the 1930s. It was interesting to learn that documenting quilts and creating quilts were part of the WPA, which is something I never knew. I was also fascinated by the political quilts created in honor of the Roosevelts. In our polarized country now, it’s hard to imagine a President with that much popularity. I learned at one point that Roosevelt had over a 70% approval rating. It’s also a bit sad to read the author’s hopes for the Green New Deal and the comparisons made between the COVID-19 pandemic and the Great Depression. I’m continually impressed by quilters’ commitment to social justice, and it was interesting to read about how that commitment manifested in the 1930s. This book might be a bit niche for the average person, but if you’re interested in quilting history or even just women’s history in the 20th century, check it out.

five-stars

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Review: Thomas and Beulah, Rita Dove

Review: Thomas and Beulah, Rita DoveThomas and Beulah (Carnegie Mellon Poetry Series) by Rita Dove
Published by Carnegie Mellon University Press on January 1, 1986
Genres: Poetry
Pages: 77
Format: Paperback
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five-stars

A collection of poetry by Rita Dove.

Thomas and Beulah is Rita Dove’s Pulitzer-Prize-winning poetry collection, imagining the lives of her grandparents as they navigate the Great Migration, the Depression, World War II, and the Civil Rights Movement. I recently watched Rita Dove on an episode of Finding Your Roots, a genealogy program hosted by Dr. Henry Louis Gates, Jr. Dr. Gates mentioned the collection on the show—which only makes sense on a show about family history. I was digging around in my office and found two copies of the collection on my bookshelf. I can only imagine I inherited these books from a teacher who has since moved on. I don’t believe I purchased the books. I decided it would be a good time to read them—it’s almost as if the universe was speaking to me.

Telling the stories of her grandparents had to have been a fascinating and creative exercise for Dove. I had to read the collection twice to ensure I understood what I was reading. I found this very old video on YouTube to be helpful as well.

Thomas’s poems are haunted by the accidental death of his friend, Lem. Beulah’s poems are haunted by unrealized dreams. The second time I read it, I found myself tearing up as Thomas experienced his stroke. Reading this book made me think about all the unfulfilled dreams and regrets in the world. Dove’s collection elevates the lives of two ordinary people and, in so doing, reminds us that all of us, no matter how ordinary, live lives worthy of poetry. And for that, I’m counting it as my emotional rollercoaster read for the Monthly Motif Challenge.

five-stars

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Review: Martyr!, Kaveh Akbar

Review: Martyr!, Kaveh AkbarMartyr! by Kaveh Akbar
Published by Vintage on January 23, 2024
Genres: Contemporary Fiction
Pages: 352
Format: E-Book, eBook
Source: Library
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Goodreads
five-stars

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.

Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

Martyr! is probably one of those books I’m going to think about for a long time. I appreciated how complex and real the characters were. There are some moments of exquisite writing, which is no surprise given Akbar’s background as a poet.

Cyrus wants his death to mean something, so he researches martyrs.

If the mortal sin of the suicide is greed, to hoard stillness and calm for yourself while dispersing your riotous internal pain among all those who survive you, then the mortal sin of the martyr must be pride, the vanity, the hubris to believe not only that your death could mean more than your living, but that your death could mean more than death itself—which, because it is inevitable, means nothing.
It is an interesting treatise on life, death, and making sense of a nonsensical world. It also asks a lot of the reader, namely, the ability to sit in ambiguity, to understand that we will not get the answers we seek. Keats called it negative capability. A fascinating book, and I can see why it was mentioned on all the Best of 2024 lists.

five-stars

Review: What the Wind Knows, Amy Harmon

Review: What the Wind Knows, Amy HarmonWhat the Wind Knows by Amy Harmon
Published by Lake Union on March 1, 2019
Genres: Contemporary Fiction, Historical Fiction
Pages: 418
Format: E-Book, eBook
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Goodreads
five-stars

In an unforgettable love story, a woman’s impossible journey through the ages could change everything…

Anne Gallagher grew up enchanted by her grandfather’s stories of Ireland. Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.

The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of Dr. Thomas Smith, guardian to a young boy who is oddly familiar. Mistaken for the boy’s long-missing mother, Anne adopts her identity, convinced the woman’s disappearance is connected to her own.

As tensions rise, Thomas joins the struggle for Ireland’s independence and Anne is drawn into the conflict beside him. Caught between history and her heart, she must decide whether she’s willing to let go of the life she knew for a love she never thought she’d find. But in the end, is the choice actually hers to make?

What an excellent book! It delivers in so many ways:

  • An intriguing mystery
  • Loving father figure (seriously, think really hard about how many good fathers you find in books)
  • Time travel romance
  • History
  • Ireland!

I thoroughly enjoyed it from start to finish, and I especially liked that the chapters were bookended with poetry by W. B. Yeats and Thomas’s journal entries. I don’t know nearly as much about the Easter Uprising and the Irish Civil War as I would like, but the book seemed well-researched. I think it would appeal to fans of the Outlander series, but this book tells a much more taut story. (How many books is Diana Gabaldon up to? And they’re each over 1,000 pages!) The characters are all likable and well-drawn. The setting is appropriately mystical. I was glad to see the references to Oisín and Niamh, which made me want to revisit Irish mythology. Amy Harmon renders the setting beautifully. Loved it!

five-stars

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Review: Quilting the Black-Eyed Pea, Nikki Giovanni

Review: Quilting the Black-Eyed Pea, Nikki GiovanniQuilting the Black-Eyed Pea: Poems and Not Quite Poems by Nikki Giovanni
Published by William Morrow on January 1, 2002
Genres: Poetry
Pages: 110
Format: Paperback
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Goodreads
five-stars

“One of her best collections to date.” — Essence

Quilting the Black-Eyed Pea is a tour de force from Nikki Giovanni, one of the most powerful voices in American poetry and African American literature today. From Black Feeling, Black Talk and Black Judgment in the 1960s to Bicycles in 2010, Giovanni’s poetry has influenced literary figures from James Baldwin to Blackalicious, and touched millions of readers worldwide. In Quilting the Black-Eyed Pea , Giovanni turns her gaze toward the state of the world around her, and offers a daring, resonant look inside her own self as well.

Every year on New Year’s Day, my grandmother used to try to get me to eat at least one black-eyed pea. “For luck,” she would say. I wouldn’t. I have to admit I didn’t really like peas or beans until I was in my 50s.

Shrug Gif

How fitting that I finished Nikki Giovanni’s collection, Quilting the Black-Eyed Pea , on New Year’s Day. I’ll consider it fortuitous that I finally consumed a “black-eyed pea”… for luck.

What a wonderful collection it is. I thought often of Nikki Giovanni, whom we just lost in December. She was the first poet who made me realize the places you could take poetry. How I wish I had “met” her sooner.

I actually did meet Nikki Giovanni twice, and she was so kind and gracious both times. I am so glad I could tell her that I loved her poetry and that I was a Virginia Tech student (albeit online).

I also thought of my grandmother as I read this collection, particularly the poem “I Think of Meatloaf.” Meatloaf is quite honestly another thing I don’t like, but the sentiment in the poem was very familiar to me. Substitute, perhaps, fried chicken. Or maybe cornbread. One lasting visual I have of my grandmother is how she would crumble cornbread into a glass and pour buttermilk over it. She was born in Oklahoma and lived in Texas for a time also. But she spent most of her life living outside the South, even living in two European countries for a time. But she was Southern, through and through. Nikki Giovanni’s grandparents were from Knoxville, Tennessee. I think that’s why I recognized my own grandmother in hers.

I loved this collection. It made me cry a couple of times, both for the loss of Nikki Giovanni and the loss of my grandmother. “Cal Johnson Park in Knoxville, Tennessee” made me think about the fact that the house my grandparents lived in for 50+ years was sold and immediately transformed into something I didn’t recognize by house flippers who didn’t appreciate the history or know anything about the people who lived there. Giovanni writes, “My favorite spot is no longer there. Just the memory / of a Street that has the same name but none of the same / memories.” She wonders “if the people living on Mulvaney Street have any idea / of the history they are living over.”

The poetry in the collection addresses subjects as wide-ranging as her fear after a cancer diagnosis, Susan Smith, Richard Williams, and teaching. Several of the poems evoke her fondness for birds. I particularly loved “A Miracle for Me.”

If you haven’t seen it, you really must watch this wonderful conversation Nikki Giovanni had with James Baldwin in 1971. The year I was born.

Rest in peace, Nikki Giovanni. Thank you for the poetry.

five-stars

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