Review: Station Eleven, Emily St. John Mandel

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Emily St. John Mandel’s fourth novel Station Eleven is probably not a book I’d have picked up if it hadn’t been recommended to me, and what I would have missed!

Station Eleven is a layered novel about the world twenty years after the apocalypse. A virulent new strain of the flu almost completely obliterates the population of the earth. Kirsten was about eight years old when the flu struck. She had been acting in a production of King Lear on the night when the flu landed in Toronto, where the novel begins. The lead actor is suddenly stricken with a heart attack and dies onstage. Twenty years later, Kirsten is traveling with a symphony/Shakespearean acting troupe that has a circuit in the Great Lakes area, bringing art and entertainment to the small communities created in the wake of the Georgian flu because “survival is insufficient.” The novel connects the stories of Kirsten, the lead actor Arthur, the man who tries to save Arthur’s life, and Arthur’s friends and family.

Wow. This book was amazing. I didn’t want to put it down, and I almost stayed up really late last night to finish it, but I made myself stop reading so I wouldn’t be dragging today at work. It would be easy for some readers to say they’re tired of dystopian fiction or to say they don’t like science fiction and dismiss this book, but the book is not like the typical dystopian or sci-fi novel I’ve read. In fact, I understand that Mandel doesn’t really classify the novel in those genres herself. The balancing act Mandel must do by weaving the various threads together and by linking the themes is fascinating to watch in terms of the writing craft. She pulls it off. Most dystopian novels deal with the immediate aftermath of an apocalypse or dwell only in the darkest parts of the world left behind. Mandel sees a bit more hope for humanity than that. Even in the darkest times and places, people have created art so that they can feel human. I was reminded of the ghetto and concentration camp at Terezin when I read this book. Even the way in which Mandel weaves the various threads together doesn’t feel too contrived or coincidental (especially given how few people are left after the Georgian flu). It just works, and it works beautifully.

At the end of the world, what survive? And how? Would we even have any time for such frivolities as art and music? I’ll let Lear himself answer that question:

O, reason not the need! Our basest beggars
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man’s life is cheap as beast’s. (2.4.304-307)

One of the best books I’ve read this year.

Rating: ★★★★★
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Sunday Post #38: December

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Sunday PostDecember is here! I guess because of the warm feelings in the lead-up to Christmas, I’ve always liked December. New Year’s Eve has always seemed inexplicably sad to me, and I wonder if it’s because it feels like the end of such a, for lack of a better word, merry season. I remember when I was in Girl Scouts we would go caroling, and I have very fond memories of Christmas as a child.

One of my favorite Christmas traditions (and I don’t care if people think this is cheesy or hate this movie) is watching Love Actually with my sister. She has lived overseas and currently lives in Texas, but we synchronize our DVD players and chat online through the movie. We haven’t settled on a date for this year.

I’m also a big fan of making Christmas cookies. Today I’m making a batch of the white chocolate and cranberry cookies that were such a hit last year. Also, as a bonus, this is the best recipe for chocolate chip cookies I’ve ever tasted.

This week I finished up Claudia Rankine’s Citizen, easily one of the best books of the year. I started reading Station Eleven by Emily St. John Mandel. So far, I’m really enjoying it. My most recent tally for books completed this year is 55. I set the goal of reading 52. I should probably set a higher goal for next year. I thought 52 would be ambitious because the most books I’d read in a year previously was 50.

I’ve added the following books to my TBR pile in the last week or so:

Have you read any of these? What did you think? Some of the recommendations came from other teachers at the National Council of Teachers of English conference I attended recently. Others came from poking around and seeing what folks have enjoyed.

I was able to “win” NaNoWriMo this year. I think it’s only the second time I have been able to do it. Because one of my most valuable professional conferences takes place in November, it can be a rough month for me to complete NaNoWriMo if I fall behind while I’m at the conference. Next year, I will probably have next to no time during the conference to write because it will be in Atlanta, and I will have family and friends to visit when I’m not at the conference itself. Still, I really love participating in NaNoWriMo because of the constant encouragement and feeling of community.

I’m looking for some fun challenges for 2016. Do any of you have suggestions? I always like to do a historical fiction challenge and map the locations of my books. Every year I also like to do R. I. P. Any of you doing a fun challenge (or hosting one)? I haven’t really started looking around yet for reading challenges, but let me know if you hear of a really good one.

I have a winter playlist that’s maybe a bit dated, but I still like it.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme. Image adapted from Patrick on Flickr.


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Review: Citizen, Claudia Rankine

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If you haven’t yet read Claudia Rankine’s multigenre blend of prose, poetry, art, and protest lyric Citizen: An American Lyric, do yourself a favor and pick it up. Particularly, perhaps especially, if you are white. Because you don’t understand, and even though reading a book is not the same as living the experience, it will open your eyes. Some of what you will read in this book you think you know, but the bone-deep weariness of living in America and being black permeates every single page of this beautifully written book.

Rankine writes about topics from the #blacklivesmatter movement to Hurricane Katrina to Venus and Serena Williams to Trayvon Martin to microaggressions. I think my favorite part was perhaps the extended section on Serena Williams. Many years ago, I used to follow tennis, but I haven’t really done so for about 25 years. So, I didn’t realize what Serena Williams had been through in her career, and it was educational to be sure. I also found section VI on Katrina, Trayvon Martin, James Craig Anderson, the Jena Six, and New York’s stop and frisk policy especially powerful. Each was described as a script of a situation video.

Rankine experiments with boundaries. At times, it’s hard to classify what, exactly the form is—poetry? essay? The resulting book resembles an assignment I have given my students in the past: the multigenre research project. In this assignment, students research a topic, but rather than write a research paper to show what they learned, they write poems, stories, and essays (any genre you can think of, just about) and use photographs and art to tell the story of what they have learned. They are immensely creative, incredibly interesting and inventive, and highly expressive. Citizen could probably best be classified as a multigenre book on the black experience in America. It includes criticism, prose, poetry, art, and photography. In fact, the chilling omission of a key detail on p. 91 somehow rendered the photograph (which is a famous photograph of a lynching) even more stunning and frightening, and I’m not sure how, but you really have to see it. Even the cover is a fascinating work of art. At first glance, I thought it was a black mask, but I realized it is actually a hood like you might find on a hoodie sweatshirt.

I read Citizen in one gulp, and I probably should have slowed down to take it in because it deserves a thoughtful reading, but I couldn’t put it down. It’s one of those books I think I will be pressing into the hands of just about everyone I know. Powerful. Wow.

Rating: ★★★★★
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Sunday Post #37: Complete

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Sunday PostI didn’t post last Sunday because I was returning for my favorite conference, the National Council of Teachers of English annual convention. It was great. I picked up some excellent free and cheap books and enough book recommendations to keep me busy for a long time.

NaNoWriMo is going well, word-count wise. I think I’ll finish. I’m not excited about the book as I’m nearing the end. I’m not sure if it’s because it’s a fanfic or if it’s because I’ve run out of steam. I was delighting myself writing it at the beginning, but I haven’t even wanted to read what I’ve written lately to my husband. Still, I’m making myself plug away and finish it. Even if I’m not enjoying it as much as I was, the story is still coming remarkably fast. One thing I think I’ve learned this month is that I have a lot of stamina and speed when I give myself permission to write a crappy first draft and turn off my internal editor.

I have completed my goal of reading 52 books for the year. In fact, I just finished the 53rd. In the last week, I’ve finished five books and reviewed four:

Today, I finished listening to an audio book of Amy Snow by Tracy Rees. I was torn over this one for a long time. It was okay, not great. It’s actually a bit over-the-top campy at times, and I think somewhere near the beginning, I realized that Rees was writing a send-up of those overwrought Victorian novels (or I hope she was; otherwise, oh dear). Mrs. Vennaway should remind just about every Brontë fan of Aunt Reed—horrible to a child for just about no reason. In fact, Amy Snow does owe a bit of a debt to those other books. The main character’s self-deprecation is grating, though, and she never becomes as strong or interesting as Jane Eyre. If you read it with an eye toward thinking of it as an homage, then it’s fine. I finished it, more to discover the ending to the novel’s puzzle than anything else, but I found the ending unsatisfying, even if fairly complete. Still, if it’s an homage, it’s a fairly clever one. For a light read, it was well-researched, at least. The setting managed to intrigue even when the characters didn’t.

Rating: ★★★☆☆

I’m counting Amy Snow as my Surrey book, since that’s where the Hatville estate where Amy comes from is located.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme. Image adapted from Patrick on Flickr.


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A Double Review: Camus and Kamel

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I somehow never got around to reading The Stranger until yesterday. I finished it today and immediately picked up Kamel Daoud’s companion novel The Meursault Investigation. If you, like me, waited to read The Stranger, the crux of the plot is that a disaffected French Algerian man buries his mother; he is unable to grieve, or indeed, to feel much of anything. He strikes up an affair with a woman he works with, becomes involved in an argument between his neighbor Raymond and Raymond’s mistress, whom Raymond believes is cheating on him. While Raymond and the narrator Meursault are out, they see the “brother” of Raymond’s mistress, and, believing the brother is spoiling for revenge over his sister’s treatment, they start a fight. Though the fight ends, Meursault heads back out to the beach and finds the mistress’s brother, known only as “the Arab” and kills him. The rest of the book details Meursault’s contemplations behind bars, including his trial, which turns into an absurdist farce when the prosecutor, jury, and judge are more upset by Meursault’s lack of grief over his mother’s death than the fact that he has killed an Arab.

It is upon this point that The Meursault Investigation turns. The narrator of The Meursault Investigation is Harun, the brother of the Arab Meursault killed—and he had a name: Musa. Harun is haunted by his brother’s death and by the murderer who wrote about it and neglected even to name his brother, stripping him of an identity, of personhood, of meaning. Both Harun and his mother piece together the details of Musa’s murder, but neither is able to find peace in the wake of his loss, and even revenge doesn’t bring Harun the solace he seeks.

I’m really glad I waited so long to read The Stranger so that I could read The Meursault Investigation right after. In the future, I imagine that these two books will be read together, companion pieces. The interesting thing that Daoud does with the story (which is something I think Camus misses) is make it about colonialism. Camus doesn’t name the Arab because it’s not important to his story. The murder is just what lands Meursault in prison. No one much cares about it. The problem with this attitude is that the Arab’s life did matter. Daoud gives the man a name and a family—identity, personhood, meaning. The Meursault Investigation explores the effects of colonialism on Algeria and makes Meursault, like so many of his countrymen, complicit in the “murder” of the country’s identity.

Of the two, I definitely enjoyed The Meursault Investigation more. I understand I’m supposed to find Meursault profound, but mainly I just found him very frightening and extremely difficult to relate to. Someone who is so unable to feel anything is truly in a horrible place. Harun, by contrast, not only tries to understand and make meaning of his brother’s death, but he even tries to understand his brother’s murderer as well as those readers who have found meaning in The Stranger. And unlike Meursault, he has been able to understand love and longing and a life truly given up for the sake another. I want to thank Carol Jago, English teacher extraordinaire and reading muse, for recommending this one.

The Stranger Rating: ★★★☆☆
The Meursault Investigation Rating: ★★★★☆

P. S. These last two books make 52 books for the year for me, which was the reading goal I set. WHOOP!


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Review: Are You My Mother?, Alison Bechdel

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The day before yesterday, I posted my review of Alison Bechdel’s first memoir, Fun Home. That memoir focuses on Bechdel’s relationship with her father. Are You My Mother?, naturally, focuses on her relationship with her mother. I picked it up as soon as I finished Fun Home. Bechdel’s relationship with both parents is complicated. Bechdel’s mother in particular is a complicated individual. She’s talented and beautiful, but she lives in an age when it’s difficult for a woman to pursue much beyond being a wife and a mother, and it’s not clear that Bechdel’s mother wanted to be either a wife or a mother very much. Frequent allusions to the works of Virginia Woolf, in particular, A Room of One’s Own, underscore the ways in which Bechdel’s mother was held back by her times. Bechdel also weaves in her readings of the work of psychologist Donald Winnicott, and the memoir that emerges is part self-psychoanalysis. Bechdel frequently describes and interprets her dreams and weaves in memories of her therapy sessions.

Perhaps every woman’s relationship with her mother is somewhat fraught. I was particularly touched by a question Bechdel asks her mother near the end of the memoir: “What’s the main thing you learned from your mother?” I won’t give away her mother’s answer here, but it struck me that in some significant ways, women repeat the experiences they have had with their own mothers. We establish cycles. Our mothers socialize us to be women, and their ideas of what is acceptable for women are passed on to us. It took me a long time to grapple with some of these ideas. In some ways, it might be a kind of conditioning that we undergo. I’m not sure. I’m still thinking about it. I’m not sure if men experience the same things with their fathers or not.

I am definitely a fan of Bechdel’s work. I’ll read any future books she writes for sure. She’s a smart writer, and the way she connects ideas is fascinating. I envy her mind quite a lot. As an English teacher, I especially appreciate the way she looks for connections in literature. She strikes me as a person who truly sees literature as a way for us to understand ourselves. Reading her makes me want to ask her for a recommended reading list so I can immediately go out and read everything on it.

Rating: ★★★★★
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Review: Fun Home, Alison Bechdel

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I just returned from the annual National Council of Teachers of English conference. Alison Bechdel was a keynote speaker Friday morning, and she spoke about her two graphic memoirs, Fun Home: A Family Tragicomic and Are You My Mother?: A Comic Drama, as well as her other work in comics. Her parents had both been English teachers, and she had much to share with us about encouraging writers and the ways in which her own parents shaped her as a reader and a writer.

Fun Home centers on Bechdel’s relationship with her father, who likely committed suicide in 1980, right after Bechdel came out to her parents. Her father was a somewhat distant and arguably abusive man who was plagued by his own struggles with his sexual identity. Bechdel chronicles the family’s difficulties with her father, whose passion was restoration. His preoccupation with appearances profoundly affected Bechdel. She grew up in a very cold home.

Panel from Fun Home

But Bechdel’s father influenced her as a reader and writer.

Panel from Fun HomeFun Home is packed with literary allusions, from her own identification of Bechdel’s father and herself as Daedalus and Icarus to her connection of her father to F. Scott Fitzgerald to finding herself in the writing of Collette and other LGBT writers. There is a good interview with Bechdel on NPR you might want to check out if you want to learn more about her and also about the Broadway musical adapted from this book.

I truly enjoyed this book. I read it while waiting in the airport to return home from the conference and finished it on the plane. It’s a quick read, but an absorbing and very deep read. It’s a well-written memoir on top of being poignant. There are moments of levity, even in panels in which Bechdel is dealing with her father’s death.

Panel from Fun Home

If you are not familiar with Bechdel’s work, you probably have at least heard of the “Bechdel Test,” which is a criterion for determining whether a movie has some consideration of women as fully realized characters to the following extent:

  1. It has to have at least two women characters
  2. Who talk to each other
  3. About something other than a man

I was fortunate to be able to meet Alison Bechdel at the conference, and she signed my copy of this book.

Alison Bechdel and DanaIt was wonderful to meet her and hear her speak about her reading and writing life.

Rating: ★★★★★
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Sunday Post #36: Halfway

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Sunday PostI have written 25,188 words of my NaNoWriMo novel. I am having a lot of fun with it, mainly because there’s no pressure. I know I don’t really have to write for an audience. It’s been freeing. For example, I wrote a paragraph today that made me think, “I wonder if that’s too much detail and interrupts the forward motion of the plot.” And then I thought, “Who cares? I can’t publish it, so if I want to include a whole paragraph about my character’s weekly class schedule, then I can. What I need to do is translate that idea to my other first drafts. I know the most important thing about writing a first draft is to get it out. The real work happens in revision. All that said, I really can’t believe how quickly it’s coming. I have never written over 25,000 words in eight days. That’s kind of nuts. I did read some of it to my husband. He didn’t tell me he said this, but I saw it later:

I finished James Shapiro’s Year of Lear this week. I tried really hard to finish it on November 5, since that date looms so large in the book, but I had about 20-30 more pages to go, and my eyes were drooping. I hated to have to set it aside and finish it on November 6 instead. I didn’t do a Sunday Post last weekend because it was the first day of NaNoWriMo, and I was writing all day (I actually wrote something like 10,000 words on that day alone), so I didn’t mention last week that I had also finished Fiercombe Manor. I am four books away from meeting my goal of reading 52 books this year, which I think is more books than I’ve ever read in a year. It’s a strange feeling, but the older I get, the more desperate I am to read because I know I can’t read all the books I want to read or that are worth reading. I know I shouldn’t stress myself out over it, and mostly I don’t, but sometimes I have these moments when I think about it and freak out.

And having said that, I think I’ll turn in with my book now. Good night.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme. Image adapted from Patrick on Flickr.

 


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Review: The Year of Lear, James Shapiro

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James Shapiro’s new book The Year of Lear: Shakespeare in 1606 explores the period in which William Shakespeare wrote three of his greatest and most well-known plays: King Lear, Macbeth, and Antony and Cleopatra. Beginning with the Gunpowder Plot’s discovery on November 5, 1605, Shapiro explores the ways in which the political events of 1606 shaped the plays that Shakespeare wrote. Shapiro has turned the microscope on a year in the life of Shakespeare in the past. His book A Year in the Life of Shakespeare: 1599 explores the year in which Shakespeare finished Henry V, and wrote Hamlet, Julius Caesar, and As You Like It. The Essex Rebellion and aging Queen Elizabeth figure large in that previous book as King James, the Gunpowder Plot, recusant Catholics, and the quest to unite the kingdoms of England and Scotland figure in this new book.

As I am currently finishing up a unit on King Lear, I was most fascinated by the connections Shapiro made between the intrigues of 1606 and that particular play, but I also gained a great deal of insight into Macbeth, a play I have taught more times than any other save perhaps Romeo and Juliet. Shapiro’s research is meticulous. When he doesn’t know or where the records are patchy, he speculates, but his educated guesses make a lot of sense in the context of the times and the plays. I haven’t actually read Antony and Cleopatra in many years, and if this book has a weakness, it is perhaps that it doesn’t explore that play in the same detail as it does the other two; however, this book is not meant to be literary criticism as much as an exploration of history’s influence on literature.

James inherited both the kingdoms of England and Scotland. Having been king of Scotland since infancy, he was eager to see his two kingdoms united and spent much of the year attempting to convince Parliament to approve the union. The division between Protestants and Catholics was at a peak, as Catholics were urged to take the Oath of Allegiance and to take communion at church. Shakespeare’s own home in Warwickshire was a hotbed of conspiracy and recusancy, and his own family was not immune. Shakespeare seemed to be at the heart of all the most important political events of the year—even a fresh outbreak of the plague touched him and influenced his plays in ways that modern audiences have difficulty appreciating.

I will read anything Shapiro writes about Shakespeare. He’s one of the most interesting Shakespearean scholars writing today. He manages to stimulate and challenge even those who think they know Shakespeare and have a thorough understanding of a given play, but he also manages to write accessibly and engagingly enough for the lay reader.

Rating: ★★★★★
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Review: Fiercombe Manor, Kate Riordan

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Kate Riordan’s novel Fiercombe Manor is the story of Alice Eveleigh, a naive young woman who lives in 1930’s London with her parents. Alice becomes pregnant after having a short affair with a married man. To spare her family shame, Alice’s mother sends her off to Fiercombe Manor in Gloucestershire, where Edith Jelphs, an old friend of Alice’s mother, lives. Alice’s mother tells Mrs. Jelphs that Alice’s husband has tragically been killed in an accident. She plans to collect Alice and the baby and put the baby up for adoption after it’s born (though she does not confide these plans to Mrs. Jelphs).

As Alice settles into Fiercombe Manor, she notices a sort of brooding sadness in the valley, and over time, she comes to learn about the tragic history of the Stanton family, who owns the manor. Alice is particularly transfixed by the story of Elizabeth Stanton, who had been Mrs. Jelphs’s employer when Mrs. Jelphs first came to Fiercombe as a young woman. Elizabeth’s imprint seems palpable in a strange presence Alice feels as well as a diary and a few keepsakes left behind. Alice spends the summer of her confinement wrapping herself into the mystery and wondering if her own fate might be somehow wound up in the tragedy surrounding Fiercombe Manor. She begins to wonder also if the valley isn’t cursed in some way that she will not be able to escape.

I enjoyed this book quite a bit. The house is a very real character in the book and reminded me not a little of Thornfield Hall or Manderley. Is the house haunted? Can tragedy truly linger around a place? Or is Alice just sensitive and emotional because of pregnancy hormones? She wonders all of these things herself. She also finds herself drawn to the Stanton heir, Tom, who befriends her and shares some of his own tragic secrets with her. Mrs. Jelphs and Ruck are interesting characters as well. Ruck has a little bit of old Joseph, the caretaker of Wuthering Heights, and Mrs. Jelphs might be Jane Eyre‘s Mrs. Fairfax or perhaps Rebecca‘s Mrs. Danvers. In fact, the novel manages to pay homage to these forbears without ever coming across as derivative.

Perhaps one of the most interesting aspects of the book is its exploration of women in the Victorian era. Left with few options and no rights as well as abysmal mental health care, some were forced into rest cures or sent to asylums. I thought of Charlotte Perkins Gilman’s brilliant short story “The Yellow Wallpaper” quite a few times as I read. It’s a shameful and shocking part of women’s history.

In the end, the setting is the star, and if Alice is a little bit stupid at the beginning, we can forgive her, as she manages to redeem herself in the ending, which is both satisfying and not as unrealistic as I thought it would be. I definitely felt for Alice in her desperate situation. Though she has a few more options than Elizabeth Stanton before her, she is still a woman with no money of her own, few marriage prospects, and no family support. She will likely remind many readers of the second Mrs. de Winter in Rebecca. I would definitely recommend this book to fans of Jane Eyre, Rebecca, or The Thirteenth Tale. I must hasten to add that this book is not the equal of those I’ve mentioned, but if you liked any of them and want to escape into a good, creepy yarn, you should enjoy this novel.

Rating: ★★★★★

This was a great final R. I. P. read, though I think I’m going to keep going with the creepy books. It also puts Gloucestershire on the map for the Reading England Challenge and is yet another Historical Fiction Challenge read as well.


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