I know that folks read this blog for book reviews and other bookish things, so rather than potentially bore folks who aren’t interested in soap making, I have created a new blog to discuss my adventures in making soap. I would love for you to join me over there if it sounds like this is something you are interested in, but if you’re not, rest assured the soaping will be confined to that blog from now on. I have to admit that it is a really fun hobby, and I can’t remember taking up any other craft venture that I’ve enjoyed so much.

Making Soaps & Scents, Catherine Bardey
On my last trip to the local library, I checked out Catherine Bardey’s [amazon asin=1579120598&text=Making Soaps and Scents], thinking I could learn a few more recipes and tips for my new soap-making endeavor. The book is exactly what it advertises in the title—instructions for how to make soap and scents.
The Good: There are quite a few good ideas in this book, a helpful troubleshooting section (so if something goes wrong, you can determine what the problem is and whether you can fix it/how to fix it), a standard SAP index for figuring out how much lye and water to use depending on the oil type, and nice historical information (how well documented? not sure…). There are quite a few interesting variations, and Bardey includes recipes for shampoo bars and hair rinses—interesting idea. I love my shampoo, so I’ll have to think about it, but it could definitely be a fun gift. In addition, the scent section is interesting. I’m interested in trying solid perfumes, and she had no recipes for that, but who knew cologne could be made with vodka? Probably everyone but me, but I learned something, and that’s good. There is a healthy list of resources, but given the book is now thirteen years old, I’ll bet many of them are no longer available.
The bad: Almost all the soap recipes are based on her vegetable basic soap recipe or her animal basic soap recipe. She uses vegetable shortening in her soap, and I’ve heard of other folks using that, but what if I don’t want Crisco® in my soap? I would basically need to ditch the recipe and start with my own basic oil mixture and her additives, by which time, I may have created some sort of Frankenstein monster soap that won’t play nice with the additives (for all I know). I would have liked to have seen more variety in the recipes, and more discussion of the variety of oils. She doesn’t help out with that much aside from the SAP value chart in the back, and even then, there is no discussion of why you might use one oil over another and how that might impact your recipe. Which is huge! Another quibble I have with the book is that it is an odd size: 9.5 x 4.7 x 0.8 inches. In shape, it has roughly the same dimensions, length and width, as a standard envelope. That limited the size of the pictures. Soap-making books should have a ton of pictures, and this one has some good pictures, but not enough of them. I want to see more. A final quibble: no mention of using a stick blender to help you reach trace faster. In fact, Bardey discourages using hand mixers. Almost every website and book I’ve looked at recommends using stick blenders. I can’t believe that so many excellent soap-makers are wrong. Plus, my own experience is that it worked great. I can’t see why she discourages the use of anything but a wooden or stainless steel spoon. Seems odd to me, and I’d hate for a beginner to be put off soap-making by following that recommendation and finding the process more difficult and perhaps giving up. I know I wouldn’t want to be stirring the soap forever before something happened. Screw that.
The Verdict: This book has some good information, but it’s not for beginners, and is really not diverse enough to be worth hunting down to add to your collection. I found Basic Soap Making by Elizabeth Letcavage and Patsy Buck much more helpful for beginners as well as as a great addition to a more experienced soap-maker’s library. It has more variety in terms of recipes and more helpful information and pictures. I still learned some interesting information from Making Soaps & Scents, and for that reason, I think it’s worth checking out of the library (if your library has it), but it’s not the kind of book I’d consult more than once (well, maybe the troubleshooting section, but that’s it).
Rating:





New Hobbies
Some time back, I reviewed Basic Soap Making by Elizabeth Letcavage and Patsy Buck. I have been collecting soap recipes. Any time you start a new hobby, particularly one that requires any sort of specialized equipment, there is both expense and a learning curve involved, and I wanted to make sure I was really ready before I started. I made my first batch of soap today. It is currently saponifying (hardening into soap) in the kitchen. In fact, a little while ago, it looked like the soap in the picture to the left, though now, pretty much all of it is that darker color you see in the middle here. That is called the gel stage, and if you poke it, it feels like, well, a gel. After 24 hours, it should be hard enough to cut into bars, but it will have to cure for about a month before I can use it. If I were a little more handy or experienced, I would have taken pictures of the process as I went. I made the first basic recipe in the book, and I think I really expected it to flop because I was so excited when it turned out exactly as Letcavage and Buck said it would. I am really excited it turned out so well so far. I’ll know tomorrow if it worked. If you’re looking for a clear book with basic, easy-to-follow instructions for making soap, this one is definitely worth it. It’s nice when you can find a craft book with clear instructions that actually work. The pictures make everything easy to understand.
I have also acquired a new iPad through work, and I have to put in a plug for the Shakespeare’s Sonnets app. It’s utterly fantastic. While $13.99 is a little high for an app, if you consider all it includes—videos of each sonnet recited or interpreted by actors or scholars, video commentary on the sonnets, written annotations, essay commentaries, and facsimiles of the original publication, as well as the ability to add your own notes and mark your favorites—it’s worth the money. In fact, if you think about it, you would probably pay close to $13.99 for a good annotated collection of the sonnets, and it wouldn’t have all the other extras.
I have also discovered I enjoy watching Netflix on the iPad much more than on my computer or even my TV. It probably has to do with the computer being rather difficult for me to hold when viewing longer videos, but I’m not sure. It is similar to the issue I have with reading longer texts: I can’t read books on my computer, but articles are fine. Watching Netflix on TV through the Wii is fine, but unless I really wanted to curl up in front of the TV, I just didn’t do it much for whatever reason. Watching Netflix on the iPad, however, has turned out to be perfect for me. I decided I would finally start watching Doctor Who, which I had been meaning to check out for years—years! Finally, I started the first season of the new series, beginning with Christopher Eccleston, and I love it! I have been watching the first season most of last night and this afternoon. Something weird I notice, and I can’t stop myself: Rose Tyler’s mascara is always clumpy. It made me wonder if they had her do her own makeup. On the other hand, it lends an air of realism to the show. She seems more like a real person than an actress because her makeup isn’t perfect. I know. Weird. Surely, some of my fellow book geeks watch this show, right?
Related posts:

The Fantastic Flying Books of Mr. Morris Lessmore, William Joyce
OK, I admit that I did not read this book in the hardcover edition linked to the left. I first encountered the story of [amazon asin=1442457023&text=The Fantastic Flying Books of Mr. Morris Lessmore] in the form of the short film, and then downloaded the iPad app. If you have an iPad, do yourself a favor and download this wonderful multimedia children’s story, especially if you are a book nerd. You’ll love the story. It was written for you.
The story begins as Mr. Morris Lessmore is writing his story in the French Quarter of New Orleans when he is beset by a hurricane that rips the very words from his pages. Despondent, he doesn’t know where to go or what to do. Suddenly, he sees a beautiful girl being carried by flying books. Noticing Morris’s despair, she sends him her favorite book, and he follows the book to a magical library where he becomes caretaker and lends books to other folks who need them.
This is a fantastic story about the power of reading. The film is perhaps even better than the book, as it tells the story about the importance of words without using any words at all. I love the messages about how we breathe new life into old books and make them live again by reading them, and that they live in us and in turn give us life. The animation in the film is beautiful, and it reminds me of the opening story sequence in the movie Up. The digital storybook on the iPad has a narrator who reads the story, and you can interact with elements on each page. For example, on the page when Morris first enters the library, you can touch the books and hear famous lines from classic literature. You can write on Morris’s book. You can spell out words with the alphabet cereal Morris feeds the books. It’s an amazing immersive experience. My eight-year-old son loved it. We sat down and read it together this afternoon, and of course, it took him only a minute to figure out how to manipulate the book. The book is currently $4.99 in the App Store. If you have an iPad, do yourself a favor and get it.
Rating:




This book counts as my fantasy/sci-fi selection for the Mixing it Up Challenge.
Food Nonfiction
I love reading about food. It is interesting to learn how certain food items are entwined with history and impacted world events as well as how they became so important to culture as well as our diet. We are what we eat, right? Here is a collection of books about food that I’ve put on my tbr pile:
One of my friends has described this book as one of the best she’s ever read. Salt: A World History by Mark Kurlansky is a story about the history and importance of salt. From Goodreads:
Kurlansky “turns his attention to a common household item with a long and intriguing history: salt. The only rock we eat, salt has shaped civilization from the very beginning, and its story is a glittering, often surprising part of the history of humankind. A substance so valuable it served as currency, salt has influenced the establishment of trade routes and cities, provoked and financed wars, secured empires, and inspired revolutions. Populated by colorful characters and filled with an unending series of fascinating details, Kurlansky’s kaleidoscopic history is a supremely entertaining, multi-layered masterpiece.”
I actually have The True History of Chocolate by Sophie D. Coe and Michael D. Coe on my shelf right now. I looove chocolate. Who doesn’t? Goodreads says,
This delightful and best-selling tale of one of the world’s favorite foods draws upon botany, archaeology, and culinary history to present a complete and accurate history of chocolate. The story begins some 3,000 years ago in the jungles of Mexico and Central America with the chocolate tree, Theobroma Cacao, and the complex processes necessary to transform its bitter seeds into what is now known as chocolate. This was centuries before chocolate was consumed in generally unsweetened liquid form and used as currency by the Maya, and the Aztecs after them. The Spanish conquest of Central America introduced chocolate to Europe, where it first became the drink of kings and aristocrats and then was popularized in coffeehouses. Industrialization in the nineteenth and twentieth centuries made chocolate a food for the masses, and now, in our own time, it has become once again a luxury item. The second edition draws on recent research and genetic analysis to update the information on the origins of the chocolate tree and early use by the Maya and others, and there is a new section on the medical and nutritional benefits of chocolate.
For All the Tea in China by Sarah Rose is currently on my Kindle. I love tea. I love teapots. I love everything about a traditional British tea. This book, however, makes the story of tea sound like an adventure. Goodreads describes the book:
Robert Fortune was a Scottish gardener, botanist, plant hunter—and industrial spy. In 1848, the East India Company engaged him to make a clandestine trip into the interior of China—territory forbidden to foreigners—to steal the closely guarded secrets of tea. For centuries, China had been the world’s sole tea manufacturer. Britain purchased this fuel for its Empire by trading opium to the Chinese—a poisonous relationship Britain fought two destructive wars to sustain. The East India Company had profited lavishly as the middleman, but now it was sinking, having lost its monopoly to trade tea. Its salvation, it thought, was to establish its own plantations in the Himalayas of British India. There were just two problems: India had no tea plants worth growing, and the company wouldn’t have known what to do with them if it had. Hence Robert Fortune’s daring trip. The Chinese interior was off-limits and virtually unknown to the West, but that’s where the finest tea was grown—the richest oolongs, soochongs and pekoes. And the Emperor aimed to keep it that way.
I was doing some research on olive oil the other day, and I came across Extra Virginity: The Sublime and Scandalous World of Olive Oil by Tom Mueller, and I have to admit I was intrigued. A whole book in olive oil? Apparently so:
For millennia, fresh olive oil has been one of life’s necessities—not just as food but also as medicine, a beauty aid, and a vital element of religious ritual. Today’s researchers are continuing to confirm the remarkable, life-giving properties of true extra-virgin, and “extra-virgin Italian” has become the highest standard of quality.
But what if this symbol of purity has become deeply corrupt? Starting with an explosive article in The New Yorker, Tom Mueller has become the world’s expert on olive oil and olive oil fraud-a story of globalization, deception, and crime in the food industry from ancient times to the present, and a powerful indictment of today’s lax protections against fake and even toxic food products in the United States. A rich and deliciously readable narrative, Extra Virginity is also an inspiring account of the artisanal producers, chemical analysts, chefs, and food activists who are defending the extraordinary oils that truly deserve the name “extra-virgin.”
97 Orchard: An Edible History of Five Immigrant Families in One New York Tenement by Jane Ziegelman has been on my list for a long time. Goodreads says,
This delicious saga of how immigrant food became American food follows European immigrants on a remarkable journey from the Ellis Island dining hall to tiny tenement kitchens, from Lower East Side pushcart markets and delicatessens out into the wider world of American cuisine.
Although reviewers have mentioned the book isn’t really about the immigrant families so much as it is about the kinds of food immigrants brought to America and that the single tenement was more an organization device than anything else, I still really want to read it. Just reading the description from Publisher’s Weekly makes me hungry:
Ziegelman puts a historical spin to the notion that you are what you eat by looking at five immigrant families from what she calls the “elemental perspective of the foods they ate.” They are German, Italian, Irish, and Jewish (both Orthodox and Reform) from Russia and Germany—they are new Americans, and each family, sometime between 1863 and 1935, lived on Manhattan’s Lower East Side. Each represents the predicaments faced in adapting the food traditions it knew to the country it adopted. From census data, newspaper accounts, sociological studies, and cookbooks of the time, Ziegelman vividly renders a proud, diverse community learning to be American. She describes the funk of fermenting sauerkraut, the bounty of a pushcart market, the culinary versatility of a potato, as well as such treats as hamburger, spaghetti, and lager beer. Beyond the foodstuffs and recipes of the time, however, are the mores, histories, and identities that food evokes. Through food, the author records the immigrants’ struggle to reinterpret themselves in an American context and their reciprocal impact on American culture at large.
Food is one of those things that shapes our culture in so many ways. We also derive so much of who we are from the food we eat. I was listening to an Italian-American colleague at work the other day telling a co-worker he never had macaroni and cheese as a child because it was “boxed pasta,” and his mother wouldn’t have it in the house. I don’t think I ever had pasta that wasn’t from a box unless it was at a restaurant. I know folks who swear by homemade pasta and spend the time to make it, but would I know the difference? I don’t know what I’m missing. Chances are pretty good, however, that my colleague doesn’t know good Southern fried chicken.
So, do you have any good books about food? Please share.

Top Ten Books for People Who Like X
Oooh, I haven’t participated in Top Ten Tuesday in a while, and even though it’s technically Thursday, this one looks like too much fun to pass up. This week’s theme is Top Ten Books for People Who like ______. I’ve been unpacking my books, and I’ve been thinking about the connections among my different reads. My husband made the remark today that we have a lot of good books, and we really shouldn’t need to go to the bookstore in a while given how many great books we have. He’s right.
- If you like the [amazon asin=0545162076&text=Harry Potter] books, you should try Jasper Fforde’s Thursday Next series: [amazon asin=0142001805&text=The Eyre Affair], [amazon asin=0142004030&text=Lost in a Good Book], [amazon asin=0143034359&text=The Well of Lost Plots], [amazon asin=014303541X&text=Something Rotten], [amazon asin=0143113569&text=Thursday Next: First Among Sequels], [amazon asin=0143120514&text=One of Our Thursdays is Missing], and joining the ranks in October, [amazon asin=067002502X&text=The Woman Who Died A Lot]. Jasper Fforde’s series is hilarious bookish fun, and even has a few references to the Harry Potter series.
- If you like Emily Brontë’s classic [amazon asin=0143105434&text=Wuthering Heights], you will enjoy Sharyn McCrumb’s historical fiction retelling of the infamous Tom Dooley case, [amazon asin=0312558171&text=The Ballad of Tom Dooley]. McCrumb herself has described the novel as Wuthering Heights in the Appalachians, and it’s true. The story’s characters greatly resemble their counterparts in Wuthering Heights in many ways. I loved it.
- If you liked [amazon asin=143918271X&text=A Moveable Feast] or [amazon asin=0743297334&text=The Sun Also Rises] by Ernest Hemingway, try Paula McLain’s excellent novel [amazon asin=0345521307&text=The Paris Wife] for Hadley’s side of the story. One of the best books I read last year. Highly recommended.
- If you liked [amazon asin=0143106155&text=Jane Eyre] by Charlotte Brontë, you will enjoy an updated retelling of the story, [amazon asin=0062064223&text=The Flight of Gemma Hardy] by Margot Livesey. I liked this book a lot more than I thought I would.
- If you liked Diana Gabaldon’s [amazon asin=0440423201&text=Outlander] series, try Jennifer Donnelly’s Tea Rose series, beginning with [amazon asin=0312378025&text=The Tea Rose]. [amazon asin=1401307469&text=The Winter Rose] and [amazon asin=1401307477&text=The Wild Rose] round out the series, but the first one is the best one.
- If you liked [amazon asin=161382310X&text=Moby Dick], or even if you only sort of liked it because it got bogged down in cetology, but you liked the good parts, you will love [amazon asin=0061767654&text=Ahab’s Wife]. Oh.My.Gosh. One of my favorite books ever. Sena Jeter Naslund’s novel introduces the amazing persona of Una, wife of Captain Ahab, from one line in which Ahab mentions her in Moby Dick, and she’s one of the most incredible fictional people you’ll ever meet. I love her. She is one of my fictional best friends.
- If you liked [amazon asin=0316038377&text=Twilight], but you wished you could read about grown-ups, and you wanted less purple prose and better writing, try Deborah Harkness’s [amazon asin=0143119680&text=A Discovery of Witches], the first book in the All Souls Trilogy. The second book, [amazon asin=0670023485&text=Shadow of Night], comes out in about a week. You will like Matthew much better than Edward. Trust me.
- If you liked [amazon asin=0143105426&text=Pride and Prejudice] and [amazon asin=0486295559&text=Persuasion] by Jane Austen, and you are a little unsure of all those Austen sequels, try out Syrie James’s fictionalized what-if? novel [amazon asin=0061341428&text=The Lost Memoirs of Jane Austen] that wonders aloud whether or not Aunt Jane had a real romance that inspired her great books.
- If you liked Suzanne Collins’s thrilling [amazon asin=0545265355&text=Hunger Games series], you will enjoy Veronica Roth’s [amazon asin=0062024035&text=Divergent] and its sequel [amazon asin=0062024043&text=Insurgent]. Not sure when the next book in the trilogy comes out, but I can’t wait. Her books are amazing. They will remind you of The Hunger Games without feeling anything at all like a ripoff.
- If you liked [amazon asin=0486415864&text=Great Expectations] and [amazon asin=1612930999&text=The Turn of the Screw], you will love John Harwood’s [amazon asin=B000I5YUJE&text=The Ghost Writer]. The book makes several allusions to both novels, but it also contains four complete short stories within the text of the novel (written by the protagonist’s grandmother), and it’s set in a creepy house with a secret.
Bonus: If you like Victorian novels period, and you want to read a love letter to the Victorian novel, or if you like Daphne Du Maurier’s [amazon asin=0380730405&text=Rebecca], try Diane Setterfield’s [amazon asin=0743298039&text=The Thirteenth Tale].
Feel free to add your own recommendations in the comments. Just because my husband says we have a load of good books doesn’t mean I’m not always looking for more.

Moving Books
We (finally) received our belongings after two weeks of waiting. A word to the wise: Never use Summit Van Lines. The estimate was well below the final cost, and while I understand an estimate is an estimate, I think it should be close to the cost. They were hard to communicate with. Sometimes it took multiple tries to reach them. Our goods were only delivered after I complained. Finally, our boxes were all crushed, and I attribute the fact that nothing (so far—still unpacking) was broken to the fact that I packed the breakables myself. Had they done it, I’m sure it would have been broken. They also tried to charge us for having stairs, but their boilerplate specifically says there is no charge for stairs, so we put our feet down.
One of our movers asked us why we had so many books.
As if that’s weird or something.
We have more book boxes than anything else. Steve took the picture above of our book boxes. We haven’t unpacked them yet because we have a plan for organizing them, and I imagine they’ll be the last things we unpack. So far we have the kitchen and bathroom done, and we are making serious headway on the master bedroom.
I went to San Diego for an educational technology conference with my new colleagues at Worcester Academy, and I won a [amazon asin=B0051VVOB2&text=Kindle Fire]! I am trying to figure out how I will best use it. I like the idea of putting mainly books with color images on it, or perhaps using it for periodicals. I want to share it with family, but I’m also concerned that will be hard because one or the other of us might be using it for a book and not want to hand it over. Anyone try to share a Kindle? Did it work? If you have a Kindle Fire, how do you use it? What do you like about it?

Basic Soap Making, Elizabeth Letcavage and Patsy Buck
[amazon asin=0811735737&text=Basic Soap Making] by Elizabeth Letcavage and Patsy Buck is a quick, easy-to-read basic instruction manual for beginners to homemade soap making. The book includes basic instructions for several kinds of soap as well as great information about handling lye and making your own mold and cutter (those wooden molds are very expensive!). The photographs are great, and the step-by-step directions seemed very easy to follow. I can’t wait to get started now!
I decided I wanted to learn to make soap, and the recipes I’ve found online and pinned on Pinterest look wonderful, but they’re not very basic, and I am definitely not sure I’m ready for them without trying more basic recipes first. I have always been a fan of homemade soap, and one of my favorite products is this great Dead Sea mud/spearmint/lavender soap I bought at the Riverside Farmers’ Market in Roswell. I can still order this soap online via the seller’s website for a fairly reasonable price, but seeing all her wares made me want to try making soap myself, and I especially wanted to see if I could learn to make soap as well as she does. The nice thing about making your own soap is that you can scent it with essential oils in your own favorite scents, and you can give soap as gifts, too.
It’s going to be a while before I can try my first batch, but I am really itching to start after reading this great little instruction manual.
Rating:





We are Home!

If you have been reading this blog for a while, you might recall that we had a move planned for mid-June from Georgia to Massachusetts. We are finished with the move, if not with the unpacking. In fact, our moving truck hasn’t arrived yet, but we are settling into our new home in Worcester. Today we plan to visit my new school so my husband and kids can see it. It still hasn’t really sunk in that I moved 1,000 miles away from a place where I have lived since 1989 (with the exception of two short stints in Virginia and North Carolina that lasted three years put together). I know there are things I will miss about Georgia, but summer is not one of them.
We have begun exploring the area. Worcester is kind of a funky little town. I suppose some of that may be down to the influence of the colleges in town. I put together a Pinterest board of places and things to check out in Worcester. I’m sure I’ll feel a little discombobulated by all of it until we settle in. I have moved before, and farther away, too. Just not for a very long time, and not when I was the person responsible for all of it.

Still, I’m excited and am looking forward to the change.
I’m hoping once things settle down that I can pick up my reading schedule again.
Related posts:

A Moveable Feast, Ernest Hemingway
The trouble with posthumous publication is that you never know for sure if the book is the final result of the author’s intention because he or she wasn’t around during the final stages of editing. A Moveable Feast is Ernest Hemingway’s posthumous memoir of his early writing life and first marriage to Hadley Richardson in Paris in the 1920’s. Originally edited by his fourth wife, Mary Welsh, it was published in 1964, three years after Hemingway’s death. In 1979, Hemingway’s papers were opened to the public in the JFK Library and Boston, and critics began to question whether A Moveable Feast as the author intended it had been the version that was published.
I read Paula McLain’s wonderful novel [amazon asin=1844086674&text=The Paris Wife] last year, and I had determined at that time that I needed to read Hemingway’s memoir, which was McLain’s inspiration for her novel about the Hemingways as told from Hadley’s point of view. Hemingway begins his memoir after he and Hadley have already moved to Paris. He quickly befriends the other expatriate writers and artists in France, including Gertrude Stein, F. Scott Fitzgerald, Sylvia Beach (owner of the Shakespeare & Company bookstore), Ezra Pound, and James Joyce, among others. The book is really more of a series of vignettes rather than a straight narrative with a beginning, middle, and end, but it does provide an interesting insight into the expatriate writer’s life in the 1920’s, as well as some interesting insight into the other writers he encounters.
The writer who comes off the best in Hemingway’s memoir is Ezra Pound. Hemingway describes Pound as the most generous writer he has ever known, which is interesting because Pound’s reputation now has probably sustained the most damage after his support of Mussolini and Hitler, his World War II criticism of America and Franklin Delano Roosevelt, and his ultimate mental breakdown. One has the sense that Hemingway was attempting to rescue Pound’s reputation and point out that he was a good and generous man to young Hemingway, whatever his politics later became.
Scott Fitzgerald comes off much worse. Hemingway’s Fitzgerald is drunk, tedious, insecure, and silly. Hemingway doesn’t share much about Fitzgerald that casts him in a positive light, and curiously missing from the narrative is how Fitzgerald helped Hemingway edit [amazon asin=0743297334&text=The Sun Also Rises] to make it much better book. He sharply criticizes Zelda for interfering with Scott’s ability to produce work, which is a criticism I feel is probably warranted. I do think Hemingway was probably telling the truth (mainly, as Huck would say) about Fitzgerald, but only half of the truth.

The two standout characters in the memoir, at least to me, are Hemingway’s wife Hadley and their son Bumby (Jack Hemingway). One can’t read The Paris Wife without being angry at Hemingway for leaving Hadley for Pauline Pfeiffer, especially when Hadley loved Hemingway so much. However, in reading this memoir, I understood him a little better. He felt genuine remorse for what he had done to Hadley, and he accepted the blame, leaving some of the blame also to Pauline: “For the girl to deceive her friend was a terrible thing but it was my fault and blindness that this did not repel me” (219). Hadley, he explains, married again to “a much finer man than I ever was or ever could be” and Hemingway knew she was happy and ascribed none of the blame for their breakup to Hadley, even describing her as the heroine of A Moveable Feast and saying with confidence that Hadley wouldn’t mind the fictionalization of their time in Paris. What makes me sad is that Hadley died in 1979, so she perhaps never read the lengthy apology to her in this memoir as Mary Welsh cut it when she edited the book for publication. I think it might have made a difference to Hadley to know how Hemingway felt about what happened. He did truly love her, and one has the sense after reading A Moveable Feast that whatever happened in his love life after they divorced, he never really stopped loving Hadley.
Bumby comes across as good-natured and precocious, and I wondered if he were truly like that as a child or if Hemingway was ascribing those qualities to him as a proud father. The vignette added in this edition in which Bumby orders a beer at a café and somewhat scandalizes Scott Fitzgerald in so doing is funny and poignant. Bumby makes rather astute observations about Fitzgerald, self-control, and prostitutes that are far beyond his years to the point of being difficult to believe.
One has the sense that Hemingway chose to focus his memoir on this time in Paris because, despite the fact that he had yet to establish himself as the famous writer and persona he would later become, it was the happiest time in his life.
I haven’t read the edition edited by Mary Welsh, so all I really have to compare this memoir to is Paula McLain’s novel and the Wikipedia entry about the memoir with a list of the changes. This edition was edited by Hemingway’s grandson Seán Hemingway, son of Hemingway’s third son Gregory, with a foreword by Patrick Hemingway, Hemingway’s second and only surviving son. Seán Hemingway describes his restored edition as the original manuscript as the author intended it to be published and criticizes Mary Welsh’s editing as “changes that I strongly doubt would have been attempted by the editor had she required the author’s approval” (4) and even goes so far as to say that the “extensive edits Mary Hemingway made to this text seem to have served her own personal relationship with the writer as his fourth and final wife, rather than the interests of the book or of the author” (9), particularly with regard to his account of his breakup with Hadley and remarriage to Pauline. Seán Hemingway closes his introduction by saying,
For my grandfather, who was just starting out in those early years, Paris was simply the best place to work in the world, and it remained for him the city that he loved most. While you will not find goatherds piping their flocks through the streets of Paris anymore, if you visit the places on the Left Bank that Ernest Hemingway wrote about, or the Ritz Bar or Luxembourg Gardens, as I did with my wife recently, you can get a sense of how it must have been. You do not have to go to Paris to do this though; simply read A Moveable Feast, and it will take you there. (13)
Rating:



