Review: The Year of Lear, James Shapiro

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James Shapiro’s new book The Year of Lear: Shakespeare in 1606 explores the period in which William Shakespeare wrote three of his greatest and most well-known plays: King Lear, Macbeth, and Antony and Cleopatra. Beginning with the Gunpowder Plot’s discovery on November 5, 1605, Shapiro explores the ways in which the political events of 1606 shaped the plays that Shakespeare wrote. Shapiro has turned the microscope on a year in the life of Shakespeare in the past. His book A Year in the Life of Shakespeare: 1599 explores the year in which Shakespeare finished Henry V, and wrote Hamlet, Julius Caesar, and As You Like It. The Essex Rebellion and aging Queen Elizabeth figure large in that previous book as King James, the Gunpowder Plot, recusant Catholics, and the quest to unite the kingdoms of England and Scotland figure in this new book.

As I am currently finishing up a unit on King Lear, I was most fascinated by the connections Shapiro made between the intrigues of 1606 and that particular play, but I also gained a great deal of insight into Macbeth, a play I have taught more times than any other save perhaps Romeo and Juliet. Shapiro’s research is meticulous. When he doesn’t know or where the records are patchy, he speculates, but his educated guesses make a lot of sense in the context of the times and the plays. I haven’t actually read Antony and Cleopatra in many years, and if this book has a weakness, it is perhaps that it doesn’t explore that play in the same detail as it does the other two; however, this book is not meant to be literary criticism as much as an exploration of history’s influence on literature.

James inherited both the kingdoms of England and Scotland. Having been king of Scotland since infancy, he was eager to see his two kingdoms united and spent much of the year attempting to convince Parliament to approve the union. The division between Protestants and Catholics was at a peak, as Catholics were urged to take the Oath of Allegiance and to take communion at church. Shakespeare’s own home in Warwickshire was a hotbed of conspiracy and recusancy, and his own family was not immune. Shakespeare seemed to be at the heart of all the most important political events of the year—even a fresh outbreak of the plague touched him and influenced his plays in ways that modern audiences have difficulty appreciating.

I will read anything Shapiro writes about Shakespeare. He’s one of the most interesting Shakespearean scholars writing today. He manages to stimulate and challenge even those who think they know Shakespeare and have a thorough understanding of a given play, but he also manages to write accessibly and engagingly enough for the lay reader.

Rating: ★★★★★
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Review: Fiercombe Manor, Kate Riordan

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Kate Riordan’s novel Fiercombe Manor is the story of Alice Eveleigh, a naive young woman who lives in 1930’s London with her parents. Alice becomes pregnant after having a short affair with a married man. To spare her family shame, Alice’s mother sends her off to Fiercombe Manor in Gloucestershire, where Edith Jelphs, an old friend of Alice’s mother, lives. Alice’s mother tells Mrs. Jelphs that Alice’s husband has tragically been killed in an accident. She plans to collect Alice and the baby and put the baby up for adoption after it’s born (though she does not confide these plans to Mrs. Jelphs).

As Alice settles into Fiercombe Manor, she notices a sort of brooding sadness in the valley, and over time, she comes to learn about the tragic history of the Stanton family, who owns the manor. Alice is particularly transfixed by the story of Elizabeth Stanton, who had been Mrs. Jelphs’s employer when Mrs. Jelphs first came to Fiercombe as a young woman. Elizabeth’s imprint seems palpable in a strange presence Alice feels as well as a diary and a few keepsakes left behind. Alice spends the summer of her confinement wrapping herself into the mystery and wondering if her own fate might be somehow wound up in the tragedy surrounding Fiercombe Manor. She begins to wonder also if the valley isn’t cursed in some way that she will not be able to escape.

I enjoyed this book quite a bit. The house is a very real character in the book and reminded me not a little of Thornfield Hall or Manderley. Is the house haunted? Can tragedy truly linger around a place? Or is Alice just sensitive and emotional because of pregnancy hormones? She wonders all of these things herself. She also finds herself drawn to the Stanton heir, Tom, who befriends her and shares some of his own tragic secrets with her. Mrs. Jelphs and Ruck are interesting characters as well. Ruck has a little bit of old Joseph, the caretaker of Wuthering Heights, and Mrs. Jelphs might be Jane Eyre‘s Mrs. Fairfax or perhaps Rebecca‘s Mrs. Danvers. In fact, the novel manages to pay homage to these forbears without ever coming across as derivative.

Perhaps one of the most interesting aspects of the book is its exploration of women in the Victorian era. Left with few options and no rights as well as abysmal mental health care, some were forced into rest cures or sent to asylums. I thought of Charlotte Perkins Gilman’s brilliant short story “The Yellow Wallpaper” quite a few times as I read. It’s a shameful and shocking part of women’s history.

In the end, the setting is the star, and if Alice is a little bit stupid at the beginning, we can forgive her, as she manages to redeem herself in the ending, which is both satisfying and not as unrealistic as I thought it would be. I definitely felt for Alice in her desperate situation. Though she has a few more options than Elizabeth Stanton before her, she is still a woman with no money of her own, few marriage prospects, and no family support. She will likely remind many readers of the second Mrs. de Winter in Rebecca. I would definitely recommend this book to fans of Jane Eyre, Rebecca, or The Thirteenth Tale. I must hasten to add that this book is not the equal of those I’ve mentioned, but if you liked any of them and want to escape into a good, creepy yarn, you should enjoy this novel.

Rating: ★★★★★

This was a great final R. I. P. read, though I think I’m going to keep going with the creepy books. It also puts Gloucestershire on the map for the Reading England Challenge and is yet another Historical Fiction Challenge read as well.


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Sunday Post #35: Ghosts are In

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Sunday PostI happened upon a Guardian article this morning that confirmed something I have suspected for a while: vampires are out and ghosts are in. Author Kate Mosse, quoted in the article, says

“We’re definitely seeing a resurgence after horror has held sway for a long time,” says Mosse. “The thing about horror is that it’s not that subtle; it’s a straightforward chase about the terrible thing that’s going to get you. With a ghost story the whole thing is, ‘Is it coming? Is everything in your head?’ Ghost fiction plays on those fears.”

I was more drawn to ghost stories for my R. I. P. Challenge reads this year. In fact, the three books I’ve read, Things Half in Shadow, This House is Haunted, and The Graveyard Book (a re-read) are all ghost stories. I’m reading two now that are sort of mysteries, but I can’t tell yet if they’re going to turn into ghost stories. I’m only one book away from finishing that challenge. I hope I can do it. Less than a week until the challenge ends.

Right now, I’m working my way through several books, but the three I’m reading most seriously:

A quick look at the reviews for this last indicates that the Shakespeare conspiracy theorists are out. Sigh. James Shapiro’s books are often targets for these folks. Don’t let them scare you off. Shapiro’s books are excellent Shakespeare scholarship.

Speaking of Shakespeare, today is the 600th anniversary of the famous Battle of Agincourt. I read this really interesting article about the battle at History Today. In honor of St. Crispin’s Day, here is Henry V’s speech from the Shakespeare play of the same name. Or you can listen to Kenneth Branagh deliver it.

I also found a piece in the Telegraph by historical fiction writer Bernard Cornwell on why we should remember Agincourt and a piece in the Catholic Herald about why we should forget it.

Speaking again of Agincourt, it had a mention on the most recent episode of Doctor Who, which I had to DVR and watch today. Ashildr tells the Doctor she fought in the Hundred Years War at Agincourt and could fire six arrows in under a minute. Cornwell says in his article that a good archer might be able to fire as many as fifteen arrows per minute. But I digress because what I really wanted to talk about was how awesome “The Woman Who Lived” was. I hope that they have Catherine Tregenna write more episodes in the future. It’s the first time in a long time I watched an episode and actually thought about how good the writing was. I’m not the only one who thought it was good.

Well, it’s time to make a nice cup of tea and curl up with my books now. Until next time.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme. Image adapted from Patrick on Flickr.


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Review: Things Half in Shadow, Alan Finn

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Alan Finn’s novel Things Half in Shadow starts with a fun premise: the protagonist, Edward Clark, is a Civil War veteran and reporter who is assigned the task of exposing Philadelphia mediums as frauds. He has a background that no one, least of all his ingenue fiancée, Violet Willoughby, knows about—his true identity is Columbus Holmes, son of the great magician Magellan Holmes, who killed his wife (Columbus’s mother) and is now rotting away in Eastern State Penitentiary. Unfortunately, Edward makes a nemesis out of a fraudulent medium named Lucy Collins, who threatens to expose Edward’s secrets unless he agrees to help her put her biggest competitor out of business. But Edward and Lucy get a little more than they bargained for when they discover Lenora Grimes Pastor is a real medium—and they become implicated in her murder when she dies mysteriously in the middle of a séance.

This book is fun, and it moves at a brisk pace. The characters, particularly Edward Clark and Lucy Collins, are engaging. The historical details ring true (mostly). However, I didn’t find the ending satisfying. It’s probably the case that the author intends to write a sequel, but few of the loose ends are tied up, and the ending felt rushed compared to the pace of the rest of the book. The clues were not carefully laid for the reader to notice. The reader doesn’t want to feel completely blindsided by the events in the last 100 pages of a mystery. I think it’s fine to surprise the reader, but the dots need to connect, and the clues need to be laid. Otherwise, it feels like a cheat. I would have said it was sitting on four stars until the ending. However, most of the reviews I’ve seen rate it higher than I have, so your mileage may vary, and it’s definitely worth checking out. In fact, most of the reviews I saw gave it 4 or 5 stars. In the right hands, I think it would a fun movie. It sure has enough action scenes for a novel set in a time that couldn’t include a car chase (it did include a carriage chase, if you can believe it). I can’t say that it didn’t hold my interest. I was just looking for more out of the ending.

Rating: ★★★½☆


 


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NaNoWriMo 2015

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NaNoWriMo 2015

After a couple of years of not participating, I think I’m going to give NaNoWriMo a go again. You know what I think I’d really like to write? Just a Harry Potter fanfic for me. I’m intensely curious as to what happens with the next generation of witches and wizards. What does a post-Voldemort world look like anyway? So, I think that’s what I’m going to do. Just have a little bit of fun and not worry about it. I’m a little bit rusty writing-wise anyway. My username is “danahuff” if you want to friend me on NaNoWriMo’s site. I don’t know how active I’ll be in the forums.

NaNoWriMo is fun for me because everyone else is also trying to write, so I feel like I’ve got this invisible support network. Plus I feel like it’s a fun way to start a book. I have a couple of books partially written that need to be finished (and need quite a lot of editing), but NaNoWriMo gives me the push to get started writing—even if I need to find something else that gives me the push to finish and edit.

So what do you say? With me? It could be fun.


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Sunday Post #34: Revisiting the Graveyard Book

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Sunday Post

Three-day weekend! That means more time to read. I spent a large part of today listening to Neil Gaiman read his novel The Graveyard Book. I have listened to it before, but it has been a little while. Since I finished listening to The Shadow of Night yesterday, I wanted to start a new audio book. Given I only have about three and a half hours left, I will probably finish the book either tonight or tomorrow as well. Tonight might be stretching it. I can count it for the R. I. P. Challenge, too! Neil Gaiman is a rare author is also excellent at reading his own work. I think there is a pretty good reason why most audio books are not read by their authors. Neil Gaiman, however, could read just about everything and make it better, I think.

Aside from The Graveyard Book, I’m also still actively reading Things Half in Shadow by Alan Finn, Fiercombe Manor by Kate Riordan, and The Year of Lear: Shakespeare in 1606 by James Shapiro. I’m enjoying all three. I’m over halfway done with Things Half in Shadow.

Last night, I broke out the tea for the first time. I don’t drink much tea unless the weather is cool, and then I drink a ton. I’ve really been enjoying the new fall playlist I made, too. Perfect coffee-and-a-book music.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme. Image adapted from Patrick on Flickr.


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Review: The Shadow of Night, Deborah Harkness, narrated by Jennifer Ikeda

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Deborah Harkness’s Shadow of Night is the second in her All Souls Trilogy. In the first book, which I read and reviewed here, witch and historian Diana Bishop calls forth the mysterious manuscript Ashmole 792 from Oxford’s Bodleian Library, arousing the curiosity of many other “creatures,” including vampire Matthew Clairmont.

This book picks up Diana and Matthew’s unlikely love story as they prepare to timewalk to the past in the hopes of recovering the mysterious alchemical manuscript known in their time as Ashmole 782, which Matthew hopes will reveal genetic secrets of creatures and help Matthew discover why creatures are dying out. Using Diana’s power to travel to the past, Matthew and Diana go back to Elizabethan London, where Diana discovers her husband is a member of the legendary School of Night. And that’s not his only secret. Diana discovers she has some massive hidden powers, and she rubs shoulders with just about everyone of note in early 1590’s London and Prague.

I have to admit I find both Diana and Matthew pretty grating. People (annoyingly) fall in love with both of them right and left, while they have eyes only for each other. And of course, they have flawless appearances as well. Harkness falls into the trap of making her characters too physically perfect, so she gives them other flaws (that aren’t really flaws). I know they are not supposed to be normal people—they are a witch and vampire—but I still found them both pretty unsympathetic. Even when you’re writing about supernatural creatures, you want your characters to seem believable on some level. On the other hand, as this kind of book goes (think Twilight) this series is entertaining enough. It’s hard to believe even a vampire like Matthew would somehow be to connected to pretty much every major figure in Renaissance London and Prague, too. And I mean, it runs the gamut, from Rabbi Judah Loew ben Bezalel, aka the Maharal of Prague, a witch who created the legendary Golem, Holy Roman Emperor Rudolf II, Queen Elizabeth I, Christopher Marlowe, Sir Walter Raleigh, and more shadowy types like John Dee and Edward Kelley. One can’t deny that Harkness did her research. One wonders if all of it had to be thrown into the book.

Like I said, though, these books are entertaining enough, and they will definitely appeal to people who are looking for fun books about vampires and witches. Jennifer Ikeda’s reading works well with the story and doesn’t hit any wrong notes.

Rating: ★★★½☆
Audio Rating: ★★★★☆

I can’t count this one for the R. I. P. Challenge, even though I think it would be perfect if you’re doing the challenge and looking for something different to read. I started reading it before the challenge started, however. Given that most of the book is set in the past, I do feel it can definitely count for the Historical Fiction Challenge. Diana and Matthew travel from American to Renaissance London, and then to France and Prague, so it’s hard to figure out exactly where to map it for my settings map, but I’m settling on London, as I’d say the bulk of the action takes place there.


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Sunday Post #33: Reading the Midwest

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Iowa photo
I seem to be spending more reading time than usual in the Midwest this year. I finished re-reading Jane Smiley’s book A Thousand Acres. My AP students are also reading it right now. I won’t review it, as I reviewed it for this blog already.

In addition to A Thousand Acres, I read following books set in the Midwest this year:

Five books might not seem like a lot, but it’s more than usual. I’m not sure why, but I tend to read along the East Coast, and my reading map for this year certainly reflects that habit as well, though it does seem to have a bit more diversity of setting than usual. I can’t help but notice I’ve read only three books set west of the Mississippi this year.

In some ways, I do feel drawn to the Midwest, though I have never lived there myself for any substantial period of time. I lived in St. Louis for about three months, but other than that, I’ve only visited. I was really struck by my visit to Kenyon College in Ohio this summer, especially as I noticed we drove through Licking County on our way from the airport in Columbus to Kenyon in Gambier. My family farmed in Licking County in the 1800’s before they migrated west to Iowa, settling in Story County. Farmers haven’t existed in my direct family line for several generations now, but I suppose most of us descend from farmers, don’t we?

In other news, we are now in the midst of October, my favorite month. We have fresh apples we picked from a local farm in the kitchen. The weather is finally exactly the way I like it (do I ever loathe summer weather). I’m enjoying my current R. I. P. reads, Things Half in Shadow by Alan Finn and Fiercombe Manor by Kate Riordan. It took a little longer than usual for fall to reach us this year, but I’m glad it’s here at last.

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme.

Photo by TumblingRun


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Sunday Post #32: Visiting Emily

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Emily Dickinson's House

This weekend, I presented at a digital storytelling conference in Northampton/Amherst. My family came with me, and we visited Emily Dickinson’s home (now a museum) and grave. Now, given the title of my blog, you might guess I’m a fan. I am not sure what it is about her poetry—the jarring dashes and slant rhyme, the ballad meter (on most), or the strong images. I like the way she thinks, and I find I agree with her about a lot of larger issues in life.

We took a 45-minute tour of her house. You can also take a 90-minute tour that includes a tour of her brother Austin’s house next door. The tour began in a parlor, and the docent discussed some of the portraits hanging in the room and told us about Emily’s family. Next, we went into the library. Some of the books from the library are now housed in other locations, but some remain. The docent told a great story about Thomas Wentworth Higginson’s visit to Dickinson. It seems she wore the poor man out with conversation. He also shared the anecdote about Higginson’s reaction when Emily sent him her poetry—he described it as “spasmodic” and “uncontrolled.” Her famous reply: “You think my gait ‘spasmodic’—I am in danger—Sir—You think me ‘uncontrolled’—I have no Tribunal.”

The next stop is on the second floor. Sunlight shines through a window facing the front of the house, illuminating a replica of Emily Dickinson’s white dress. I nearly cried when I saw it. She must have been about the same height as me. A little more slender, though. About 20 years ago, I could have fit into her dress. The museum doesn’t allow pictures, but I sure wanted to break the rules to get a picture of that dress. You can find other pictures of it online, however.

Finally, we saw Emily’s bedroom. She has pictures of George Eliot and Elizabeth Barrett Browning on the wall, and according to our docent, Emily’s niece Mattie attested to the fact that Emily did hang picture of those two writers on her wall (whether they are the exact same ones, I don’t know). Her actual sleigh bed is still in the room. A replica of her little writing table sits in the corner. The room has recently been restored with wallpaper reconstructed from the actual wallpaper that Emily had in her room. It was amazing to stand in that space where Emily wrote most of her poems. I can’t really even describe how it felt.

We went outside to take a look at Emily’s gardens. Of course, she was a great gardener, but her garden doesn’t survive. Still, I found these beautiful purple flowers. The label said they were called “Love Lies Bleeding” (Amaranthus caudatus). They were gorgeous, and they seemed perfect for her garden.

Love Lies Bleeding

We took a short walk to the cemetery where she is buried. Luckily for us, a quick Google search led us to an article that indicated her family’s plot was surrounded by a wrought iron fence. Otherwise, we’d have had to wander a while, and my husband’s patience was not going to extend that far.

We found it pretty quickly after discovering that detail. We took a few pictures of her headstone and the family plot. I placed a rock on top of her headstone. Many people had the same idea before me, as you can see.

Emily Dickinson's Headstone

I was interested to see that her stone reads “Born Dec. 10, 1830.” That is my oldest daughter’s birthday—December 10. Then it says, “Called Back May 15, 1886.” In her last letter to her cousins, right before she died (and she knew she was dying) she wrote,

Little cousins,

Called Back.

Emily

I read that her niece Martha Dickinson Bianchi had that inscription done some time after (her original headstone had just her initials on it).

Emily Dickinson's grave

It’s hard to get a good, unobstructed picture of the headstone because of the fence.

Dickinson Plaque

I love that the plaque on the little gate in the fence describes Dickinson as a “Poetess.” One of those archaic terms one never needs to use anymore.

Dickinson's tree

There is a really nice tree growing in the corner of the Dickinson family plot. I think she’d like that very much if she knew it.

Emily and Lavinia

Emily is buried to the right of her sister Lavinia (on the end). I didn’t know much about Emily’s sister, known as “Vinnie,” until the docent shared some details. Did you know it was Vinnie who found Emily’s poems after Emily died and worked to make sure they were published? I had no idea. As you can see, some folks left stones for Vinnie, too.

Dickinson Plot

Rounding out the Dickinson family plot are the graves of Emily’s parents (both names are inscribed on the headstone that is second from left). I think the one on the end is her grandfather.

I learned a some interesting things about Emily’s writing process from the docent at the museum and even walked away with a good idea for a lesson in diction that I think my students will enjoy.

What an incredible opportunity to walk in Emily Dickinson’s footsteps and visit her!

The Sunday Post is a weekly meme hosted by Caffeinated Book Reviewer. It’s a chance to share news, recap the past week on your blog, and showcase books and things we have received. See rules here: Sunday Post Meme.


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Re-Reading King Lear: “Read Thou This Challenge”

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I have mentioned before that I’m re-reading some books in preparation for teaching them. I have taught King Lear before, but it has been a few years, and a play as complex as Lear demands a re-read before any preparation for teaching it.

At one point, if you had asked me what my favorite Shakespeare play was, I probably would have said King Lear. I can’t say with certainty that my answer is still the same, but it’s because there are so many of his plays that I love. In fact, most often, I say it’s A Midsummer Night’s Dream. I do love teaching Shakespeare. There is so much richness, and if I do agree with Harold Bloom on anything, I think I can at least agree that Shakespeare seemed to understand the spectrum of human nature like no other writer (I am not sure I’d say he invented the human). This play in particular examines the complexity of family in some really fascinating ways. I will be curious to see what sort of a backstory my students imagine for this family. Why would Goneril and Regan cut their father out? What had their childhood been like? Was Cordelia’s different? Ian McKellen says he imagines that perhaps Cordelia is the daughter of Lear’s second, more beloved wife, whom he lost in childbirth, and that when he looks on Cordelia, he sees this beloved wife. I find I like that idea quite a lot.

As I re-read, I decided to listen to a production. The Naxos Audio production is brilliant. A word to the wise: if you listen to this production and follow along, be mindful of the fact that it uses the First Folio text, which differs from some published editions of the play that also incorporate the First Quarto. Lear is played in this audio book by the great Paul Scofield. It was published to commemorate Scofield’s own 80’s birthday (Lear mentions being “four score” in the play). He is brilliant in the role. I actually teared up listening to his reunion with Cordelia in Act IV, and his tears over her death were also hard to take. Lear is hard; he casts away the daughter and servant (Kent) who love him in favor of those who tell him what he wants to hear, and finds out his mistake too late. He’s a hard man to feel empathy for, but Scofield definitely manages the task. Kenneth Branagh plays the Fool and Toby Stephens plays Edmund.

In addition to the Naxos Audio production, I also listened to a Shakespeare Appreciated production that includes commentary. I found the commentary, particularly the historical context, extremely helpful. If you are a student or really want to wring all the understanding out of the play that you can, I would recommend this audio version. I don’t think the dramatization is as good as the Naxos Audio production, but it is still good, and the commentary is especially helpful.

I am waiting on tenterhooks for James Shapiro’s new book The Year of Lear: Shakespeare in 1606 to come out (October 6!). Very excited to learn even more about the historical context that produced this play, especially because Shakespeare changed the ending familiar to audiences to a tragic one in which SPOILERS pretty much everyone dies.

Rating: ★★★★★

I’m counting this as my book set in Kent for the Reading England Challenge. Much of the action at the end of the play takes place at Dover. I’m counting it for the Historical Fiction Challenge, too, as it is set in ancient Britain, and Shakespeare was writing in Renaissance England. It does imagine a pre-Christian era in Britain. I can’t count it for R. I. P., as I started it before the challenge. It might qualify, though, if you want to read it for that challenge. Gloucester’s eyes being gouged out is the most ghastly thing in Shakespeare, if you ask me.

 


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